There are numerous intriguing works of literature from the Renaissance period. Among these works are the pastoral poems “The Passionate Shepherd to His Love” by Christopher Marlowe and “The Nymph’s Reply to the Shepherd” by Walter Raleigh. The two poems are telling the same story or talking about the same ideas from two different people’s perspectives. A shepherd is talking to his beloved in “The Passionate Shepherd to His Love,” and his lover responds to him in “The Nymph’s Reply to the Shepherd.” The two speakers have two drastically different outlooks and views of their lives. The speaker in “The Passionate Shepherd to His Love” by Marlowe speaks from a more idyllic perspective while the speaker in “The Nymph’s Reply to the Shepherd” by Raleigh takes on a more realistic perspective, with both being influenced by the era and areas they live in. To begin, the speaker in “The Passionate Shepherd to His Love” is speaking from an idyllic perspective. The shepherd pronounces, “Come live with me, and be my love,/And we will all the pleasures prove/That valleys, groves, hills, and fields,/Woods, or steepy …show more content…
The nymph asserts, “But could youth last and love still breed,/Had joys no date, nor age no need,/Then these delights my mind might move/To live with thee and be thy love” (Raleigh 21-24). The nymph does not believe that she and the shepherd can have good lives together when living in the country for the rest of their lives. She thinks that if life was different, she would move to be with him, but life does not always go as one might expect it to. She believes that things will actually be different than how her lover thinks that they will be. She thinks that pastoral life could be nice for a little while but that it would eventually get tiring and boring. She takes a realistic perspective of pastoral life, seeing how it would be a hard and unhappy life to
Chapter 19 begins with Pao Yu’s secret visit to his maid’s, Aroma, home. Aroma, who knows how to pull at Pao-Yu’s heart strings, tells Pao-Yu that her family is playing to but her back. Pao’ Yu’s deep affection for Aroma causes him to be deeply saddened upon hearing this news. Aroma states that she will demand to remain with Pao-Yu and his family under three conditions. 1.
For example She Said “When I think of the hometown of my young all that I seem to remember is dust-brown crumbly dust of late summer- arid sterile dust that the eyes and makes them water, get into the throat, and between the toes of my bare brown feet. The second theme to me was when Lizabeth had to grow up. For example in the setting of the story the story showed poverty. Lizabeth parents are constantly working to provide
She uses her story about growing up in the lower/middle class to appeal to the audience emotionally, to create sympathy and empathy with the audience who may share a similar
William Shakespeare, one of the most famous and influential playwrights of all time, once asserted that “powerful love … in some respects, makes a beast a man, [and] in some other, a man a beast.” In making this statement, Shakespeare suggests that love is a powerful force that has the ability to both strengthen and ruin people. O. Henry’s heartwarming short story “The Gift of the Magi,” which describes how a poor couple’s attempts to afford meaningful gifts reinforces their relationship, and Edgar Allan Poe’s grim poem “The Raven,” which illustrates a mourning lover’s descent to madness, demonstrate the contrasting effects love can have on people. While “The Gift of the Magi” conveys a positive theme about the importance of love and how it
William Shakespeare’s “Romeo and Juliet,” discusses how people have both a monstrous and honorable side. Shakespeare demonstrates this by using syntax and figurative language in the soliloquy, “Romeo and Juliet”. In the soliloquy, a monk by the name Friar Laurence, talks about how everybody has a guilty and innocent side. In the story, the Montague and Capulet family are fierce rivals. The rivalry shows the dark side while the love of Romeo and Juliet shows light side of both families.
Do we really love what we do? In the article “In the Name of Love,” Miya Tokumitsu covers the issue that doing what you love (DWYL) gives false hope to the working class. Tokumitsu reviews how those who are given jobs ultimately cannot truly love what they do because of the employers who make jobs possible. These same employers keep their employees overlooked.
So basically she wants to experience if poverty is truly a reality. To start off her experiment. she decided to set some limitations on herself. The first limitation was that she cannot fall back on any skills learned throughout her education or usual work. which throughout the book it seems that was not really the case.
When a love story is told in a first-person perspective, it makes sense for the readers to expect an overly dramatic and emotional narrative. James Joyce’s “Araby” and T. S. Eliot’s “The Love Song of J. Alfred Prufrock” are both love experiences written in first-person perspectives. However, in “Araby”, the boy occasionally assumes a somewhat detached attitude in his narration and in “The Love Song of J. Alfred Prufrock”, Prufrock sings his love song in a dry, passive manner. When the boy in “Araby” explains about the name of the girl he fell in love with, he says “her name was like a summons to all my foolish blood” (2169). Although this statement might sound passionate, identifying his love-evoked reaction as foolishness and not providing the readers with the girl’s name expresses the boy’s current state of
She uses sinful characters that have fallen out the God’s grace to get her message that one’s outward appearance does not matter to God, what matters is that a person has God living internally in their heart.
She believes a person should strive to attain morality, even without the influence of a supreme God. For example, imagine finding a homeless person with failing health,
Index Page 1: 1. Annotate the poem and research. 2.The romantic epic. 3.Casting characters.
In the age of Romanticism, using nature to express ones feelings was one thing that poets loved to do. Focusing on the “London” by William Blake and “Mutability” by P.B. Shelley, one will see the comparison of how both authors used nature and emotion to depict the situations and experiences that they saw during this time. But meanwhile, the emotion and comparison to nature is not always positive, neither is it always negative and in these two poems one can see the differences. Romanticism was a period of time in the 18th century where literary movements was such an ideal trend in Europe. For the most part romanticism was about individualism and human emotions and not so much about power of the hierarchy over the population.
Dreams can be an escape from reality, but dreamers must guard themselves against becoming trapped in that fantasy. Shakespeare’s Romeo and Juliet is the tragic love story of two lovers who are fated to doom. Mercutio’s “Queen Mab” speech explores the idea of how dreams can be deceiving which relates to Romeo and Juliet’s deceptive love for one another. By examining Shakespeare’s use of diction and imagery, the motif of dreams becomes evident. In the exposition, Shakespeare operates the use of imagery in Mercutio’s “Queen Mab” speech.
Besides the author and the reader, there is the ‘I’ of the lyrical hero or of the fictitious storyteller and the ‘you’ or ‘thou’ of the alleged addressee of dramatic monologues, supplications and epistles. Empson said that: „The machinations of ambiguity are among the very roots of poetry”(Surdulescu, Stefanescu, 30). The ambiguous intellectual attitude deconstructs both the heroic commitement to a cause in tragedy and the didactic confinement to a class in comedy; its unstable allegiance permits Keats’s exemplary poet (the „camelion poet”, more of an ideal projection than a description of Keats actual practice) to derive equal delight conceiving a lago or an Imogen. This perplexing situation is achieved through a histrionic strategy of „showing how”, rather than „telling about it” (Stefanescu, 173 ).
How Do I Love Thee – Elizabeth Barrett Browning interprets the meaning, tone, and overall effect of a poem How Do I Love Thee by Elizabeth Barret Browning is an iconic and powerful love poem. The work is part of Sonnets from the Portuguese, a collection of poems that Elizabeth Browning wrote for her husband, poet Robert Browning. It is a passionate declaration of love from one who is in love, which has resonates with readers through history because of the rawness and familiarity of its feelings.