Introduction The film Carrie (Brian De Palma, 1976) follows the protagonist Carrie White, Sissy Spacek, who is a shy high school student residing in a small town. After receiving her first period, she acquires telekinetic powers, which turns her world around; especially since she did not understand what the change meant for her as a new woman. Although Carrie is a horror film, the underlying meaning points to feminism as it embarks on the discovery of power, and threatening the patriarchal order. Carrie is a feminist film where fear comes not in blood or telekinesis, but the fears of a strong woman. The film uses cinematic techniques to further push this implicit meaning by ways of cinematography, mise-en-scene, and editing. Cinematography: …show more content…
During the prom scene, the camera revolves around Carrie and Tommy slowly as they are dancing to give off a romantic state. Suddenly the motion accelerates faster, almost out of control to hint that something bad is brewing. When Carrie goes to accept Prom Queen, the shot becomes slow motion to build suspense until they drench her in pig’s blood. This later shifts to Carrie visible on only one side of the frame to suggest the instantaneous effects of Carrie’s wrath. In the first frame, the audience is able to witness Carrie’s sharp head turns, widening of eyes and gazes as she sets her sights on a tormentor. While in the second frame, viewing the simultaneous response as the victim is being murdered by her psychic power. These editing techniques assist in the message of feminism as Carrie holds superiority, and total control over both frames of the scene as well as her supernatural capabilities. This ultimately hints towards the women’s liberation movement, as Carrie is now free from her …show more content…
Cinematic techniques of mise-en-scene, cinematography, and editing helped to exhibit this underlying meaning. The technique cinematography focuses on the male gaze by incorporating a peeping-tom impression with its camera angles, and reflecting on the way in which women treat other women as if to comment on female empowerment. While mise-en-scene helped tackle the topic of reproductive rights, and innocence through the prop of blood and costumes. Lastly, editing further examined this theme of feminism by including motion and slip-screen to show total control, and liberation.The film views feminism as becoming self-aware, and taking control of feminine power even if it means causing destruction to a system that causes
Each of these concepts are utilized at the advantage of men, and the disadvantage of women, and has shown to provide detrimental consequences and results for women in society. However, in this film, and other films by Tyler Perry, appear to take the added step to combat these aspects that are present in the media’s portrayal of women. While these are present in the movie, he often makes a point to combat it with an inverse portrayal of each
In this paper I hypothesize that A Voyage to the Moon was most innovative in cinematography and editing. Although mise en-scene was the main focus of the film, I hypothesize that mise en scene wasn’t as innovative as the other two. As mentioned earlier, mise en scene made A Voyage to the Moon easy to understand and follow along. In the first scene of the film, this power
One particular example is a 1942 film, Cat People, where a race of women turns into murderous panthers when sexually aroused or are driven with jealously. She describes numerous scenes in the movie which depict the strength feminine monsters have by expressing particular anxieties that different people have. I can perfectly discern the purpose of using this specific movie and it is astounding. A particular scene she describes is when a cat person named Irena Dubrovna meets with Dr. Louis Judd (a psychiatrist who attempts to cure her of her unfortunate curse) for her appointment. The significance of this scene is that Dr. Judd, who is again a physiatrist, tries to take complete control of Irena by using hypnosis and finding out everything she knows which eventually fails due his urge to kiss her.
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
By the utilization of this technique, the film’s mise-en-scene brings the audience’s attention to the space as a sort of institution of relaxation, in times of
Many people enjoyed watching Annie, the 1982 film featuring an eleven year old orphan. Annie, the name of the orphan, got invited to spend two weeks away from the orphanage with the millionaire Oliver Warbucks. Although many people enjoyed watching the antics of Annie, few viewers stop to wonder about the historical accuracy of this film. Orphans, wealthy people, and thieves are three groups of people during the Great Depression that the movie Annie accurately portrayed. The movie Annie very accurately portrayed orphans during America 's Great Depression.
In her feminist film theory essay, "Visual Pleasure and Narrative Cinema", Laura Mulvey uses psychoanalysis to criticize and scrutinize the fetishism, scopophilia, and eroticism in Hollywood mainstream cinema. What Daughters of the Dust executes impeccably roots from radically abandoning the cultural conventions that depict women as subservient and submissive to patriarchal
Cultural theories by Kathleen Rowe, Laura Mulvey and Stuart Hall can help the audience seek an explanation to how these stereotypical gender roles are portrayed in the movie and how it can create power for the specific
It uses cinematography and film techniques such as misé en-scene, shot duration,
Black women are treated less than because of their ascribed traits, their gender and race, and are often dehumanized and belittled throughout the movie. They are treated like slaves and are seen as easily disposable. There are several moments throughout the film that show the racial, gender, and class inequalities. These moments also show exploitation and opportunity hoarding. The Help also explains historical context of the inequality that occurred during that time period.
The adventure of Priscilla was a movie from 1994, it was a comedy and music that won one Oscar for the best costume design, Lizzy Gardiner and Tim Chappel are the costume designers of the adventures of Priscilla. This story line was beginning with Anthony, nicknamed Tick, who is a Sydney- based drag queen who usually performs under the name Mitzi, and another drag queen name Adam, he is younger than Anthony, he performs under the name Felicia, and they are another middle ager transsexual Bernadatte, they took one called “Priscilla” pink bus and across the desert to go to a small town and perform in the casino. When they are on the stage, they usually wear exaggerated dress and make up. It 's colorful, beautiful styling, creative. Such as a Lizard dress, desert flowers dress, which skillfully integrated the local Australia specialties elements into the clothing, large horn pants, and palace lamp head wear.
The movie Hidden Figures by Theodore Melfi is talking about the civil rights and equality of men and women in 1970 's to 1990’s. The Mise-en-scene means "setting up a scene. " There are six elements that make up mise-en-scene acting, costume and make-up, setting, lighting, composition or space and lastly. In Hidden Figures, the mise-en-scene helps audiences to become closer to the story and have the same feeling as those main characters. The director uses many different kind of shout angles to show the unbalanced between black people and white people at that time and the color and lighting also help the director can present the emotions that the characters are facing different kind of events or people.
O Brother Where Art Thou? is a film that will take you on a perilous journey with Ulysses Everett McGill and his simpleminded cohorts. This film may be set amidst the early 1930’s Great Depression era, but it still has a Homer’s Odyssey feel to it. Down in the dusty and highly racial south, Everett recruits a couple of dimwitted convicts, Pete Hogwallop and Delmar O’Donnell, to help him retrieve his lost treasure and make it back home before his wife marries another suitor.
This film shows the true layers that black women can have in films that is past the stereotypical The sassy black friend The ghetto black women The angry black woman storyline can only be done so many times. Seeing black women as strong and highly intelligent individuals in films and how this needed to related to real life. How this can be connected to the short book We Should All be Feminists, is
She was influenced by the ideologies of women’s liberation movements and she speaks as a Black woman in a world that still undervalues the voice of the Black woman. Her novels especially lend themselves to feminist readings because of the ways in which they challenge the cultural norms of gender, slavery, race, and class. In addition to that, Morrison novels discuss the experiences of the oppressed black minorities in isolated communities. The dominant white culture disables the development of healthy African-American women self image and also she pictures the harsh conditions of black women, without separating them from the oppressed situation of the whole minority. In fact, slavery is an ancient and heinous institution which had adverse effects on the sufferers at both the physical as well as psychological levels.