Compare And Contrast The Aeneid And The Confessions

Aeneas exemplifies the ideal of Stoicism by practicing the cardinal virtues in his daily life.

The Odyssey, the characters in the epic display a variety of virtues such as bravery, loyalty, courage, and cunning, but also vices such as pride and disloyalty that convey contradicting views of virtues compared to the ideas in the modern world. In Homer’s

We see this in the epic increasingly present when Aeneas receives oracles or talks with his dad. These people remind him of his destiny and reset him on the path that he began on. So as you can see much of what Aeneas sees as honorable comes from what the gods what him to do, as this was common during this time. It would be similar to someone using a Judeo-Christian model to say what is honorable and what is not in today’s world.

Aeneas being a decedent from Troy and thus is he seen as an associate of the royal house of Troy. In the Iliad Aeneas is an important warrior in the Trojan war. However, Aeneas most significant role is through Virgil’s Aeneid, where Virgil made the arrival and settlement of Aeneas in Italy the main theme in his story. Aeneas was born near to tear, on mount Ida, he was given to his father Archallis at the age of five. During the Trojan war he lead the troops of Dardanian, but still under Hectors demands.

Different but Similar Both Homers’ epic, the Odyssey, and Aeschylus’ tragic trilogy, the Oresteia, tell the story of Agamemnon and what led to his doomed death. Both the poem and the play are similar in their plots except for few differences in their significance, presentation and details. This shows how flexible ancient myth is and how it can adapt to suit a particular author and audience. Agamemnons’ death in the Odyssey is a very good example of how people can be, through their own foolishness, bring destruction upon themselves. It also serves as an example of an epic hero failing to return home, which is known as nostos, thus for Odysseus, the epic hero, it delivers a foil for the successful voyage back to his home, Ithaca.

As Aeneas’ main antagonist, she is first introduced as embittered by a “sharp / and savage hurt, [that] had not yet left her spirit.” (Book I, 39-40). The goddess hates the Trojans because of the judgment of Paris and Jupiter’s ravishment of Ganymede, and she is determined to stop Aeneas from founding Rome. Virgil’s use of “savage” when presenting Juno reflects the unruliness of her emotions and how they have plagued her spirit and mind. Controlled by her passions, Juno’s first act in the Aeneid is the introduction of an element of disorder that serves as the contrast to politics: “Then- burning, pondering-

Madison McDonald Dr. Travis Montgomery ENGL 2213-02 16 March 2018 Violence in The Aeneid The Aeneid is bursting with violent acts from the beginning to the end. The main character, Aeneas, constantly faces conflict from both humans and gods. Aeneas is a Trojan hero and prince who embodies pietas, driven by duty, honor, and devotion, which makes him an example of an ideal Roman citizen. Aeneas was called by the gods and determined to be a successful founder of Rome, but he faced complications along the journey. In each conflict along the way, Aeneas dealt with fighting and violence and could not find peace until the end.

The continual decrease in birth rates was an alarming indicator of a decreasing elite class and of the depravity and adultery that plagued the Roman upper classes. Augustus believed that Rome’s long- term survival required adult citizens to produce more children but he did not want to deem this task up to individual conscience (wiki). These new laws which played a central role in the roman family unit for the next three centuries, absorbed and elevated the traditional power of the father figure in a Roman household. Created by Virgil the ancestral Roman hero Aeneas became an icon of Roman pietas or respect. He is often depicted escaping Troy with his father on his back and his son close at hand; The family man who looks back respectfully to the past generation and fights to secure the honor of the next (WoR).

In the Bible and Virgil’s The Aeneid, the pursuit of honor and glory is complex, and it does not come without serious consequences and hardships. However, while Jesus and Aeneas both strive to achieve a certain goal due to divine intervention and both overcome certain adversities, their underlying motives and their ultimate outcomes are starkly different. Although it would appear that neither Jesus nor Aeneas would be motivated by personal fame or glory—as they were sent on godly missions, this is not the case in The Aeneid. Jesus acts completely selflessly as he teaches others about the Kingdom of God and how to live their lives, whereas Aeneas is working to win greatness for his ancestors as he was sent by the gods to settle and create an

Literary epics, including the Aeneid, typically have a very poetic and lyrical sense of style in the writing that go hand in hand with the other characteristics of epics such as supernatural forces, the actions of superhuman strength, and a hero or heroine. Authors of epics, for example the Aeneid, the Iliad, and the Odyssey, often include several different themes and lessons that the reader can learn from reading the stories. The themes and lessons vary from simple moral beliefs to psychological behavior. Most themes, however, have to do with the way humans act and human nature. In the Aeneid, one theme that deals with human nature is the idea that strong sentiments or feelings between people or towards situations can overwhelm a person and

When the poet Virgil wrote the national epic The Aeneid between 29 and 19 BC, all written works and conduits for creative expression were monitored by Roman ruler Augustus Caesar – a real-life contention between passion and control. Throughout the excerpt on pages 139 and 140 of Fagle’s translation (which covers themes such as fate, the gods, and divine intervention, and piety), Virgil explores the underlying theme of conflict between desire and duty, emotion, and reason. Exploring irony, the comparison of Dido and Aeneas’ traits, and pietas being a decision, Virgil shows Aeneas to be a flawed, enigmatic epic Roman hero who personifies the human conflict – passion versus control – of the Aeneid and the Roman empire itself. To begin with, it’s

Creusa describes life after death to be filled with nothing but joy, splendor, happiness, while Achilles’ feels life after death to be gloomy and dreadful. They both however, make reference to the gods in their visits to their loved ones. Creusa explains to her husband that, “fates permit me not from hence to fly; Nor he, the great controller of the sky.” She also ensures Aeneas that he, “ bear no more than what the gods ordain.”

The virtue of piety was a defining characteristic in Roman life, Romans carried out their everyday lives in accordance of the ideas of pietas which is one’s duty to their family, God, and people; these Roman values are displayed in Virgil’s The Aeneid through the actions of the character Aeneas, and challenged further in the Gospel of Matthew by Jesus Christ. The word “pietas” is a Latin word that means dutifulness, and refers to the balanced duty to a person’s family, gods, and people in Roman culture. The Romans believed that for these duties to be upheld then it must be implemented in one’s everyday life, and this belief of the Romans separated them from other ancient societies. In The Aeneid, Aeneas engages in all aspects of pietas throughout his journey to Italy to become the ancestor to the city of Rome.

Many Roman morals of that time were simply translations and adaptations of Greek morals and philosophy which Romans incorporated into their culture. The elite especially mimicked the viewpoints and ideals of Greek culture, since it was seen as superior (Edwards 2002: 22-24). The historians of the time praised almost all things Greek: playwriters and poets sought to mimic and, in some cases, copy Greek poetry; Greek art was popular in elite villas; and Greek philosophy was studied endlessly (Edwards 2002: 22-24). In this way, Rome organized itself to function morally in a system originally developed within completely different economic and political systems of Greece. From a sexual morality perspective, the Greek system of morality kept women completely under the control of the men, even if the men were away fighting wars or trading with distant peoples.

The Aeneid was commissioned by Augustus, the first citizen of Rome. Augustus desired to restore Rome after a brutal civil war and advocated for a conservative standpoint. (Williams). Within the Aeneid, the praise of Augustus’ values does not merely alter the plot, but rather it is the plot. Primarily, the Aeneid is a story about the fate of Rome, not Aeneas himself.