Steel Magnolias and My Girl are both classified as dramas. In both movies, the characters lose someone very dear to them. My Girl stars two young children who are the bestest of friends. Steel Magnolias stars a mother, her friends and her daughter who has severe diabetes. In Steel Magnolias, M’lynn Eatenton’s daughter, Shelby Eatenton has severe diabetes. She had just gotten married. Her and her husband wanted to have a child. M’lynn tried to make Shebly understand that bearing a child and giving birth could be fatal to her and the child. Shelby did not listen and became pregnant. Throughout the pregnancy Shelby was like a warrior. She gave birth and started to become weaker. Two years after giving birth to her son, she clasped in while
It wasn’t until a couple of seizures later that the hospital understood that that the baby was suffering from seizures. Lia was to begin a strict regime of medication which was to limit the number of seizures. Because the Lee’s did not fully understand the medication and saw the epileptic seizures as part of the divine, the Lee’s did not stick to the medication as prescribed. What follows are a series of seizures, hospitalizations,
Although both dinner table fight scenes explore a conflict in the relationships between the main couples, they also explore a conflict in genre. The conflict in genre I am referring to is the gender role of women in a typical romantic comedy genre film. In the movie Rear Window the main couple
As the minutes passed they were scratched and hit by debri in the water. The boy was holding onto a tree stuck on something waiting for his mom. The water eventually dragged her to that point where her son was. She also then regained consciousness and started to cry and scream for the amount of pain she was in. Not only was she crying about that but she cried to her son that it was gone, the baby was gone.
The films that I chose to explore in this paper are Do the Right Thing by Spike Lee and Lone Star by John Sayles. Each film offers examples of counter narratives in my opinion. There are many examples of characters vying for both power and respect from characters of the other race. Spike Lee, however, has an undeniably unique style that offers a counter on many levels.
Harriet Jacobs, or Linda Brent as she liked to be called, was born into slavery in North Carolina in 1813. She grew up really happy, unaware of her status of being a slave. When she was 6 years old, her mother died and since then she learnt of her status of being a slave (Jacobs, 9). She had a very hardworking father who was also a slave and a younger brother called William, whom she loved so much. Her maternal grandmother helped to raise her and William.
All Souls by Michael MacDonald and The Outsiders by SE Hinton use common tones in order to give their work more feeling. In All Souls, the writer's attitude is commonly nostalgic. “‘I miss this place,’ I said to him”... “I went on about this being the best place in the world” The book often talks about how despite living in a bad area it still felt homely and a place where he belonged.
In the fictional novel Lullabies for Little Criminals by Heather O’Neil, the protagonist Baby is a twelve-year-old girl who lived in the ghettos of Montreal. Her young father, Jules, was absent in her life and fell into the hardships of addiction that lead him to treat Baby poorly. As Baby matured and began to see the world in a darker light, she realized that her crummy apartments were not all she thought they were and neither was her father. She depended on adult figures like Jules and a pimp to take care of her throughout her life. “From the way that people have always talked about your heart being broken, it sort of seemed to be a one-time thing.
When viewing a melodrama with an ensemble cast you will notice the difference this will make with how the film functions as a melodrama and how the audience can find it more accessible. A great melodrama to examine with an ensemble cast would be Steel Magnolias (1989), which happens to have a main cast consisting of six characters. Having six main characters can make the film that much more accessible to audience members, since they have a larger chance of finding a character to relate to in this larger cast. A film like Beaches (1988) may be harder to find accessible for many audience members if they can’t find themselves liking or at least relating to one of the two main characters. Having more characters in a melodrama can only ratchet
The two movies I will use in this analysis are “Girl Can’t Help It” and “Grease” they both are musical. “Girl Can’t Help It” is a romantic musical about down and out talent agent, washed up gangster, and a beauty. The washed up gangster has plans to marry the beauty but first he wants her to be famous because he doesn’t want to marry a nobody. So he hires the talent agent to make her a star. Due to here great looks he has no problem finding that to book her as talent but soon finds out that she lacks talent.
At every stage in her life, at every turning event, the symbolism used unabashedly puts out her feelings. Felicia Pearson struggled since the beginning of her existence as a fetus itself, and this novel never fails to express that. It is everything about her conflicts with different circumstances and relationships thrown at
They didn’t know what to do when they found out that she was pregnant; they were young, they didn’t have any money, they were scared, they didn’t want to tell anybody, they didn’t know what to do, and the only option that they could see was to terminate the pregnancy. So that’s what they decided to do… they went to a clinic, they had the procedure done, and at first they felt relieved that all their problems had gone away. But then something happened that they did not expect… and that’s over the next few weeks, which turned into a few months, they began to feel an intense sadness… and a pain and an agony and a guilt that wouldn’t go away. They didn’t know what to do, so they finally went to see a counselor; they said look — tell us what to do, we just don’t know, and the counselor made a suggestion. The counselor said here’s what you need to do — stop acting like you had a procedure, and act like you had a death in the family.”
The barrier between her and the neighbours after her husband’s death forced her to become reserved and quiet. Her and her son only went into town if they had to. They preferred to stay close to the garden where they felt safe. The death of the husband is the cause of the mothers’ complete change in character. The death let the audience connect with her on a deeper level to understand her pain and suffering.
This shows what she had to endure to try to keep her baby healthy. It appeals to the loving protective side of the reader. It makes them think about what the baby must be going through beacuase of their economic situation. Rhetorical questions are used to directly engage the
The comparison between Stanley and Vernon “A street car named desire” by Tennessee Williams and “Naked Lunch” by Michael Hollinger setting is different, but themes are essentially the same with concerning relationships. “A street car named desire” is set in New Orleans in 1947 in a two-bedroom apartment on the first floor. The setting of “Naked Lunch” is in a small dining-room table, eating food, there is a small vase and a large vase, and a bottle of vine in the dining-room. In both these short stories they use symbolism, in “A street car named desire” the symbolism used is the lights and lanterns and in “Naked Lunch” symbolism used is meat, corn, and having lunch. The characters Stanley and Vernon are merely the same with anger problems,
While all her attention was on her sleeves, the baby sinks into the bathtub and starts to drown. Janice doesn’t notice until she looks into the bathtub, to see her newborn baby drowning. She tries her best to save the baby, giving her cpr, but nothing works. She finally realizes that “ the worst