Edward Scissorhands Camera Movement Analysis

Title Tim Burton has filmed, produced, and directed at least 36 movies. He is known for creating very dark movies. Some of his famous movies include Charlie and the Chocolate Factory, Big Fish, and Edward Scissorhands. These three movies all use similar Cinematic techniques, but with Tim Burton's use of lighting, flashback, and nondiegetic sounds enhance the way a viewer visuals the movie. Tim Burton in the movie Edward Scissorhands, uses low key lighting to enhance the way the scene is interpreted by the audience.

The first way Burton shows his thoughts in Edward Scissorhands is when he uses the tilt camera movement in order to add suspense and intrigue the person who is watching or the audience. For example, when Peg, the person who found him, starts walking up the stairs, Burton uses this camera movement to show the creepy adic Edward was staying in before bringing him to her neighborhood. This helps show Burton's ideas where intended to introduce the difference between Edward as a creepy and misleading looking person, and Pegs shine and heartwarming feeling. As a result, it shows why people that live in the neighborhood see Edward as a creepy person.

In Tim Burton films, audiences cannot miss the peculiar, mysterious, and odd patterns that Burton instills in each and every one of his movies. From films like Big Fish, Edward Scissorhands, and Charlie and the Chocolate Factory audiences can see a bit of his twisted reality and images from his head come life through the screen. A series of Camera Movements, Lighting, and Camera Angles makes viewers see things through Burtons eyes. In the Films “Edward Scissorhands” and “Charlie and the Chocolate Factory” camera movements like Dolly were used to make things appear important although those important events were different. For example, in the movie Edward Scissorhands, the dolly effect was used in the scene where Edward was scratching the

By using a long shot, the audience can see both how many people there are, and their angry, almost crazed body language. When these two things are shown together in one shot, one can understand the gravity of the situation, and begins to fear for Edward’s life. Throughout all his films, director Tim Burton uses many film techniques and cinematic elements. However, when Burton wants to control the audiences’ emotions, and twist the mood of the scene, he uses lighting, non-diegetic music, and framing

The American director, Tim Burton has a way with manipulating lighting, camera angles, and music to highlight his quirky, yet dark style of movies. Tim uses camera angles to direct the viewers’ vision to a specific setting or character to expose something from a certain character’s point of view. For example, in Tim’s movie, Big Fish, he has a low angle of Karl the Giant. The use of this cinematic technique is to emphasize Karl’s height, especially compared to Edward Bloom’s. Another employment of camera angles is in Burton’s Edward Scissorhands, when Kim was in the window of the inventor’s mansion, they had a low angle of her, which was used to show here as the townspeople below saw her.

Tim Burton is a famous director who puts a lot of originality into his work. Burton uses editing techniques, music and sound, as well as shots and framing and camera movements to determine the mood of the scene. Editing is one of the techniques Burton uses to create emotion and suspense in the audience. One way Burton does this is by using fade in Big Fish, Edward crosses paths with Karl who was waiting for him on the longer road.

Tim Burton uses many different cinematic techniques to achieve very specific effects in his movies. The most important cinematic techniques that he uses to create his unique style are Non-Diegetic sound, lighting, eye level, and zoom. These techniques that can be seen in the films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, create the effects of sadness, dark moments, express the feeling of other without telling. He uses Non-Diegetic sound when he puts a song, he uses sad songs, happy songs, and more to show the feeling of the character, to give us like a hint of something that is going to happen, if it’s going to be bad or sad. He uses lighting to make the moment or scene sad or mysterious.

“Movies are like an expensive form of therapy for me”(Burton). Tim Burton, a very mysterious and dark director, had produced many unsettling but fantastic movies. Edward Scissorhands and Charlie and the Chocolate Factory are two very well produced movies from him, which feature common themes shown with appropriate cinematic elements. Tim Burton uses tilt, low key lighting, and non-diegetic sounds in Edward Scissorhands and Charlie and the Chocolate Factory to convey how creepiness can lead to curiosity. Tilts are generally used to show the vertical significance of something.

Burton uses sound to express something he has firsthand experience with being an outsider. For instance, in Edward Scissorhands, Edward starts walking towards Peg in the beginning there was eerie music. Once Peg saw the shadow of Edwards scissors she quickly turns away, and apologizes for intruding. Edward soon speaks up in a very soft voice teller her not to go. Edward is explaining what happened to his hands to Peg, and while he is talking choral music is playing the background.

Tim Burton contributes to the world of animation in the film industry and redefined stop motion . Lighting is an important cinematic technique directors can use to set the mood for a particular scene. For instance, high-key lighting is used to flood a scene with light, often making the set and characters appear happy and safe. In contrast, low-key lighting casts deep shadows across the set and characters creating a sense of danger. Burton makes good use of lighting techniques in many of his films.

Like a gothic mastermind, Tim Burton incorporates dark, grotesque, child-like themes in his cinematic style. A director’s cinematic style is how their film is recognized and the techniques in their films to give their work value. Tim Burton is known for his unique cinematic style that has made his films one of a kind. Tim Burton’s style is made so unique through his use of sound tracking, lighting, and costuming for his films such as Charlie and the Chocolate Factory and Edward Scissorhands. Tim Burton applies sounds such as background music and sound effects to add reality and emphasis to the film and to create a certain, precise moods.

Specifically, in Edward Scissorhands, the fighting scene where Edward and Jim were in Edward’s attic and in the background, the music was loud and fast to show that it was a fight scene and that someone was going to be hurt or killed. Music changes throughout a movie to capture the mood of a particular scene and to evoke emotion from the audience. In Edward Scissorhands, the suburb is associated with light­hearted music and dark gothic music is associated with Edwards home, the mansion. The light­hearted music gives the audience the illusion that the suburb is happy and safe and the dark and eerie music gives the mansion an illusion of creepiness. Music can also relate to sounds in a movie as sounds can be used to have the audience hear if it will lighten up the mood in a scene or make the scene seem scary and eerie.

Throughout his life in making films, Tim Burton has shown his unique talent and vision. He proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. These three techniques are used numerous of times for the duration of each film. Although, many various emotions are constructed, there are feelings that anyone may connect to. Tim Burton is a successful filmmaker and has inspired many with the use of his cinematic techniques.

In the 1989 Batman film, Tim burton uses a mix of medium shots to show the hand-to-hand combat scenes and close-up shots to show the emotion on Batman’s face. An example would be when the Joker was first introduced to the audience, the Joker turns around where his face was very close to the camera to show the bad condition his face was in. Another example would be in the movie Edward Scissorhands Tim Burton uses a long shot when Peg is standing on the edge of the castle where the roof was torn off. This shows the vulnerability of Peg, it makes her look weak and small.

Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.