Essay On Women In Othello And A Streetcar Named Desire

A streetcar named Desire A streetcar named Desire, is a play by Tennessee Williams written in 1947. It addresses the American society in the post modern society, gender roles and how it feels to be an intruder in an environment you aren’t used to. One of the most central aspects in “A streetcar named Desire” is the gender aspect. We witness Stanley and Blanche act due to the gender society gave them.

In the play A Streetcar Named Desire by Tennessee Williams, the main characters, Blanche Dubois and Stanley Kowalski, share a great dislike and distrust towards one another, ultimately becoming the basis for the story’s conflict. Their common contemption stems from their contrasting personalities and backgrounds, their incompatibility of being able to function under the same environment, and inability to adapt to the situations they find themselves in. Although Blanche detests Stanley and the manner in which he behaves in, she realises that he is a necessary part for Stella’s life in New Orleans, an environment that greatly differs from the southern aristocracy that Stella and Blanche once lived in. Blanche expresses this idea by stating, “Oh,

Examining Marriage in Tennessee William’s A Streetcar Named Desire Tennessee William’s 1947 play A Streetcar Named Desire takes place in Elysian Fields, New Orleans, and portrays the marital situation of this time. This play illustrates conflict over the marriage of Stella and Stanley. This marriage can be seen as strict, and controlling but also full of lust.

The play “A Streetcar Named Desire” written by Tennessee Williams portrays the character of Blanche Dubois following her from her hometown of Laurel, Mississippi to New Orleans where she is to stay with her sister Stella Kowalski and her sister’s husband Stanley Kowalski, beginning Blanche's dependence on men, as she is still ultimately depending on her sister's husband (Stanley) for her mental and economic recovery. Feminists believe that patriarchy not only suppresses women in such aspects as politics, economy, society, culture, education and so on, but also mistakenly defines women's psychology as being unsound, irrational, illogical and impulsive. Under this kind of bias and discrimination, women's psychology is easily distorted, and cannot

Gender and Power in the Tennessee William’s play A Streetcar Named Desire is crucial factor and is portrayed well through the play. The essay also is going to plan to examine the different ideas about female sexuality that convey from the character of Blanche. One important tenet of feminism is that gender is a social construct.

A Modern View of Feminist Criticism William Shakespeare 's "Othello” can be analyzed from a feminist perspective. This criticism focuses on relationships between genders, like the patterns of thoughts, behavior, values, enfranchisement, and power in relations between and within sexes. A feminist examination of the play enables us to judge the distinctive social esteems and status of women and proposes that the male-female power connections that become an integral factor in scenes of Othello impact its comprehension. I believe that the critical lens that provides modern society with the most compelling view of literature is Feminist Criticism because it analyzes distrust and disloyalty among relationships, women being treated as possessions

The play A Streetcar Named Desire is one of the most notable plays of the late 1940s to early 1950s and is still prevalent in the theater community today. It originally opened on Broadway in a 1947 at the Ethel Barrymore Theatre, today more commonly known as the Barrymore Theatre, preforming for a little over a thousand patrons. The original Stanley was played by Marlon Brando, who would reprise this role in the movie adaptation. At the Barrymore Theatre, the set was quite complex with a full stairway and banister, a pallor with a 4-chair dinning set and all the dressings of a then modern, but lower-class apartment.

This passage has been extracted from Act I Scene I of Tennessee Williams’ play, A Streetcar Named Desire. In this extraction, Blanche sees and interacts with her younger sister, Stella, for the first time in many years. Upon this reunification, Blanche is forced to take in the discrepancies between her fantasy expectation of what their reunion will be like and the reality of how her baby sister looks, acts, and lives. As Blanche dwells on how different the Dubois’ plantation Belle Reve is compared to Stella’s current social status and living conditions, Blanche’s unadulterated character is easily scrutinized.

The Fight for Dominance In today’s society, gender norms convince men that unless they are able to control women, they are weak. Considered the inferior gender, women must find new ways to prove their own strength, whether it be through manipulation or their sexuality. The battle between the two continues as men strive to remain dominant, often by immoral means, and women attempt to gain the upper hand. In the screenplay, “A Streetcar Named Desire” by Tennessee Williams, the sexual tension and struggle for dominion between Blanche and Stanley is evident, and as the play continues, Blanche's promiscuity and Stanley's predatory nature foreshadow an inevitable confrontation.

While Desdemona is a remarkably strong character, Emilia also displays independence unmatched by any other female in Othello, and there are multiple details of Shakespeare and his time that may have prompted such a portrayal. In Elizabethan England, many women worked behind the scenes of productions, like Shakespeare’s, as uncredited authors and editors (Crowley). Due to their anonymity, nobody can be sure that women were involved in Shakespeare’s plays nor Othello in particular, but there is a genuine possibility that female writers did have leverage. This may have had to do with how Emilia was portrayed as resilient from the time of Desdemona’s death all the way until her own, standing up for herself regardless of the ridicule it caused her (Iyasere). In fact, it even killed her in the end.

“A Streetcar Named Desire” is a very elegant film in which the Southern gothic culture is demonstrated profoundly. Tennessee Williams uses the characters in the play to bring about a sense of how corrupt society truly was in the 1940’s in the South. The 1940’s was marked by an immense amount of violence, alcoholism, and poverty. Women at the time were treated as objects rather than people. Throughout the play Tennessee Williams relates the aspects of Southern society to the characters in the play.

A Streetcar Named Desire Literary Analysis The late 1940’s were characterized by the emergence out of World War II that led to a dependence on the idea of The American Dream, which meant men were working harder to achieve a more comforting lifestyle and opportunity while women were still fighting the oppression of caused by unequal representation. This idealistic dream is illustrated throughout Tennessee Williams’ “A Streetcar Named Desire”, which has a rigid dichotomy between illusion and reality revealed throughout multiple characters and their dysfunctional lives that are a direct result between fantasy and actuality. Illusion is taken advantage of as an alternative to the unfair circumstances that the characters in “A Streetcar Named

There is no question that gender roles have a significant impact on people and society. This issue arises between Stanley and Stella's relationship in the play “A Streetcar Named Desire”. Through the feminist lens, gender roles have a number of detrimental effects on relationships, including imbalance, the development of stereotypical behaviour, and toxicity. The negative impacts can be clearly seen during the passage that follows the day after Stanley hits Stella which already illustrates their toxic relationship. “No, it isn’t all right for anybody to make such terrible row, but- people do sometimes.

In A streetcar named Desire, Stella is associated to this stereotypic role, she is an innocent woman and housewife who takes care of her husband by loving him in an outrageous way. Even if Stanley is hitting her, she still loves him. Whereas Blanche acts like a seductress, at first sight she seems to be pure by wearing a “daintily dressed in a white suit with a fluffy bodice” (Williams 3). In reality the authors gives a false impression of her in order to affirm that stereotypes or first impression are not always true. Indeed, after several scenes Blanche uses her power of seduction in order to manipulate men and reach her objectives.

Also, each relationship in Othello provokes jealousy in one partner. In a typical Venetian society, a woman was considered to be a man’s property, so if a woman was disobedient, it negatively impacted the man, while also questioning his masculinity. The hyperbolic soliloquy as Othello expressed he would “rather be a toad” than “keep a corner of the thing I love” is Othello’s justification of killing his wife, as her untrustworthiness challenged his masculinity and reputation. Referring to Desdemona as a “thing” emphasises the idea of women being property. Iago’s jealousy of Desdemona and Othello’s relationship is emphasised through the degrading comment of Othello, “an old black ram” “tupping” Brabantio’s “white ewe”.