Frankenstein Imagery

In this quote, Victor explains what it took for him to be able to create this creature. It would be very hard to work on something for two years without a fire burning inside of you to finish the task at hand. The way Shelley uses point of view gives the reading a different

Victor’s true character emerges again as he is not taking responsibility for his actions and is still trying to convince himself of his innocence. Yet again, Victor does not feel genuine remorse; he regrets his decision, but it does not truly change him, and his unwillingness to admit his mistake shows his stubbornness. On the ship, the Monster comments on his life: “You hate me; but your abhorrence cannot equal that with which I regard myself” (Shelley 215). The Monster’s high character shines through here because he is genuinely remorseful for his actions. Despite his ugliness, The Monster’s true remorse illustrates his

The creature wasn’t always a notorious toddler murderer. His creator rejected him, despite his initial desire for acceptance and desire. Victor's convoluted personality becomes prevalent during this time as he continues to constantly reject the creature despite knowing all he craves is a sense of being accepted. This in terms leads the monster to murder William and in terms leads Victor to continue to outcast the creature only this time with fear. The

Shelley describes the morning after Frankenstein creates the monster and runs away- "Morning, dismal and wet, at length dawned, and discovered to my sleepless and aching eyes the church of Ingolstadt…”. This dreary scene adequately depicts Victor’s miserable, downcast feeling toward the ugly monster he has just created. Shelley also uses the imagery element to bring into view Frankenstein’s painful emotions over the result of his creation. Immediately following the verdict of Justine’s death, a deep feeling of remorse washes over Frankenstein. "The blood flowed freely in my veins, but a weight of despair and remorse pressed on my heart, which nothing could remove.

Frankenstein Lit Analysis Rough Draft Since the beginning of time, Man has always pursued knowledge, but this pursuit is always kept within certain boundaries, especially while searching for the truths behind the creation and origin of life. As this quest for knowledge continues, men can become consumed with the perilous thoughts and ponderings required to attain this wisdom. In her novel, Frankenstein, Mary Shelley explains how the pursuit of forbidden knowledge can become dangerous through symbolism, allusion, and foreshadowing proving each effectively to the reader. Employing symbolism as her first technique, Shelley uses this in the way many other enlightenment authors do. The strongest use of symbolism is prevalent while Victor is contemplating

He talks of how lonely he was, and that he was rejected based on appearance and there was nothing he could do of it. Although this is true, the monster over explains how he was feeling throughout this time. The reader only hears of his sorrow filled troubles and how angry he was at Victor for abandoning him. He tries to justify the murder of William through his pitfullness. The reader can almost fall for this until the monster kills Victor’s friend Henry and his bride Elizabeth.

After this passage, Victor then moves to exclaim that he would be alright if “Wandering spirits” would “take me...away from the joys of life.” By connecting the daunting and rainy landscape to the feelings of elation and awe that envelop Victor, the reader can interpret that, unlike the beginning of the novel where Victor is accustomed to the sunny bliss of Geneva, he is instead much more at ease within the dark yet powerful landscapes of the mountains. Using the darkness of the rainy day, Shelley helps to paint a picture of the melancholy that begins to take hold of Victor’s

His appearance scares the people he encounters, and his only desire is love. Further in the novel, there are many situations where the Monster is the victim. Shelley uses words that provide imagery for her readers. Readers will think Victor is the antagonist. He realizes if he would show the Creature love, the Monster would not kill the people.

As the monster falls victim to hatred resulting from abuse, his “grasp was on her neck, and the breath had ceased to issue from [Elizabeth’s] lips (Shelley 145). Since the monster is forced to suffer while Victor enjoys happiness, jealousy overpowers the monster's guilt, and he kills Elizabeth, signifying how his soul has been corrupted to a point where he can never enjoy happiness. The lack of loyalty, trust, and sympathy for the monster inadvertently causes him to turn evil and inflict harm upon others. The monster’s failure to establish a bond of love or friendship causes his benevolent actions to turn wicked and

The Monster believes and mentioned several times that the reason that he is so angry is because of Victor. Shelley writes,

So, after all those encounters with the story, reading the novel is surprising. The reason therefore, being that the reader, while reading, already has all those other images, of what the book needs to contain or to be more precise, what needs to happen, so that he, right at the beginning of the book might be thrown off by the Opening. It opens not with the story of Victor Frankenstein, or his creation, but with a series of letters from an Arctic explorer. Suddenly, the monster, is not, like widely believed named Frankenstein, in fact, he does not even have a name at all. Yet another difference to the widespread picture of the monster is that he is, a rather articulate creature.

Throughout Frankenstein, Shelley uses Victor to warn the reader of the dangers of aspiring to godliness, and the consequences one faces in the aftermath doing so, even going as far as to compare Victor to Satan, tempting the crew of Walton’s ship, in the book’s final pages. The Victor Shelley creates is very similar to the Satan created by Milton in his book, Paradise Lost, which explores the biblical tale of Adam and Eve. In Frankenstein, Victor speaks of his desire to create the Creature, saying, “I deemed it criminal to throw away in useless grief those talents that might be useful to my fellow-creatures.” (152). Shelley’s diction choices, such as the word “useless” exemplify Victor’s excessive hubris, portraying him as a man who creates his Creature for, in his mind, the good of society.

Mary Shelley’s novel Frankenstein, shows how a character who is portrayed as a tragic hero, in the beginning, can become the monster in the end. Victor and the Monster in Mary Shelley’s captivating novel showed how rival enemies share striking similarities. The similarities between the two tragic characters are driven by their dreary isolation from the secluded world. A large difference is that they were both raised in two completely different environments but understood the meaning of isolation. Physical differences are more noticeable rather than their personalities.

Conversely, when the monster imagines his creator, Victor, he curses “‘his crimes & malice”’ thoughts of hatred and revenge consume him (Shelley 96). This dichotomy highlights the incompetence of Victor as a parent. This helps to reassert that the monster’s “wickedness originates not with his soul but his treatment,” (Ferguson). Victor’s negligence as a parent, a trait caused by his poor upbringing, caused the corruption of his

With more broadcasting of evil each day, the question; “what makes a monster” is often asked. Monstrosity is the state or fact of being monstrous. Monstrous by definition can mean having a frightening opinion, extremely large, or a person who is outrageously evil. Many artists and journalist have tried to tackle the question, though two authors in particular stand out. In Frankenstein Mary Shelley uses the hideous looks of the monster along with the average looks of Victor to show her readers that monstrosity comes from within.