Greek Drama Tragedy

Sophocles depicts the contrast and clash between two people with opposing views in his play ‘Antigone’. One of those people is Creon, the highly motivated king of Thebes who takes pride in his own decisions that he believes to be right and sensible for the state and believes in a form of justice that can’t be compromised. The other person is Antigone, the protagonist and the daughter of the earlier king of Thebes, Oedipus. She places her faith and adheres to the irrational laws of religion and goes against the laws of man, thus defying common reason. We see more nuances to their defining attributes throughout Oedipus’s works.

Oxford dictionary defines the word “play” in relation to theatre as “a dramatic composition which is represented or performed in a theatrical performance or film” . Also known as drama, a play is principally meant to be performed on stage rather than be read as it brings a more active form of presentation. It also “provides an extra dimension of dynamism as the readers can visualise the characters enacting the dialogue and action of the play while the audience can see the actors perform live on stage” (Tutorial notes-Unit 1, 2017). As a short story or novel, a play especially tragedy, according to Aristotle (384-322 BC) contained six vital elements. It includes (in order of importance)

Different but Similar Both Homers’ epic, the Odyssey, and Aeschylus’ tragic trilogy, the Oresteia, tell the story of Agamemnon and what led to his doomed death. Both the poem and the play are similar in their plots except for few differences in their significance, presentation and details. This shows how flexible ancient myth is and how it can adapt to suit a particular author and audience. Agamemnons’ death in the Odyssey is a very good example of how people can be, through their own foolishness, bring destruction upon themselves. It also serves as an example of an epic hero failing to return home, which is known as nostos, thus for Odysseus, the epic hero, it delivers a foil for the successful voyage back to his home, Ithaca.

Aeschylus, Sophocles, and Euripides. Aeschylus believed that people often gained wisdom through suffering, which is why the plays of Aeschylus were usually based on moral lessons and religion. Sophocles studied human character and centered several of his plays on people’s reaction to suffering. Although Euripides also wrote about human character, he viewed the people as well as the gods as people to be studied, observed, and criticized. Aeschylus, Euripides, and Sophocles were important Athenian playwrights who wrote plays to inspire everyday ordinary

Tragedy―a timeless phenomenon. Sometimes used in fiction to entertain, yet sometimes induces great suffering for real people. The genre of Greek tragedy is a staple of Ancient Greek culture, and its influence continues to be seen in fiction today. In Beloved, Toni Morrison tackles the story of African Americans post-Civil War. Traditionally, and stereotypically, people today perceive the end of the Civil War as a concrete turning point for the lives of African Americans at the time, as if their quality of life improved immediately after the war.

Thesis:In Sophocles play ‘Oedipus the king’,Oedipus is an example of a tragic hero because he changed from a hero at the beginning of the play into a tragic hero by the end by experiencing power,tragic flow,downfall and death. Oedipus changes into a person no can believe of,because in the beginning he was a hero for the city of thebes by solving a riddle to defeat the monster that was killing and taking over thebes. Claim:Before the play Oedipus defeats sphinx and becomes a powerful king,At the beginning of the play people rely on Oedipus’s power and help. Data:For example the priest says “Oedipus greatest in all men’s eyes We pray,find some strength again and rescue or city”. Warrant:From this quote readers can see that how empowered oedipus feels like and how people in thebes rely on him,Clearly this scene represents the power stage of the tragic hero.

The exact date of the tragedy’s origin is unclear, ranging from 480-410 BC. Originally, Prometheus Bound was part of a trilogy with the plays Prometheus Unbound (Prometheus Luomenos) and Prometheus Fire-Bringer (Prometheus Pyrphoros), although some believe that there even was a fourth play, a satyric drama called Prometheus Fire Kindler (Prometheus Pyrkaeus) (Aeschylus quoted by Anon., 2017). As neither Prometheus Unbound nor Prometheus Fire-Bringer is preserved, their context is mostly unknown. Nevertheless, there are still a lot of theories and speculations of the other plays’ content, especially regarding the end of the trilogy.

The Greeks started with only drama. Some plays in this genre were called Aeschylus, Sophocles, and Euripides. Drama led to Comedy, and drama and comedy is the mix we use today. Some say that drama came from poetry, but others say that it came from the festivals for Dionysus like when they sacrifice the goats. Either of these theories could be true.

Sophocles, after finishing his education, competed in a playwriting competition at the dramatic festival of the Greater Dionysia. It was his first time to enter the contest and he ended up beating the renowned Aeschylus for first place in the tragedy category. Sophocles won first place 24 more times at this festival, and when he failed to win first place he always came in second, “This remarkable record makes Sophocles the most successful tragedian of his day; Euripides, by contrast, won first place only five times,” ("Sophocles." Encyclopedia of the Ancient Greek World, Third Edition). The awards he won reflect his talent, but his style is what truly reflects his greatness in

"If a temple is to be erected, a temple must be destroyed!" Friedrich Nietzsche (1844-1900) is one of humanity's most influential and amaranthine thinkers. He was a German philosopher, political critic, philologist, writer, and poet. Some of his most famous works include Thus Spoke Zarathustra (1891), Beyond Good and Evil (1886), The Gay Science (1882), The Birth of Tragedy (1872), Twilight of the Idols (1889), The Will to Power (1901), etc. His impact isn't just on recently found scholarly insight, but additionally on the way numerous contemporary Western philosophers approach "life".

These are so significant to understanding the work, that a reader of this script can recognize them, even if he or she has never seen a production of A Doll’s House. This story could not be conveyed properly without including the significant examples of spectacle in a production. According to Aristotle, there are six elements of drama. In simplest terms, they are referred to as plot, character, diction, music, thought, and spectacle.

Greek theatre was formed back in 500 BC by the Greek civilisation that used performing, miming and dancing as ways and means to tell stories, imitate others and for their rituals. They were two forms of plays that were showcased in the City of Dionysia; tragedy and satyr. The City of Dionysia was the festival celebrating the God Dionysus. Throughout this essay I will be describing the characteristics of Greek tragedy while using Sophocles’ ‘ Oedipus the King’ as a reference.

MEDEA, Euripides In the ancient era was the theater plays and a very central part of the future society. Usually written the dramas and love stories. A classic piece of antiquity is Medea, written by Euripides. The play 's fable is that a woman who learns that her husband has been cheating on her.

Drama is literature written for performance--or at least written in a style that would allow for stage performance. As a text form, drama can be thought of as story told though spoken remarks and stage directions(Kurland ,2000) .When we hear the term drama we think fun, excitement , expression of one’s self . A famous quote says that “play is not in the words, it’s in you” (Steller Adler). In the world of drama it is essential that we understand the difference between Process and Product Drama.

I am writing this essay to deal with the question how and why is Hamlet regarded as Shakespeare’s most compelling tragic hero. First of all, I am going to define a tragic hero. Afterwards, I would like to outline my opinion towards this question. According to Aristotle a hero of a tragedy must awake in the audience a feeling of pity or fear.