It is evident that change is a natural component in the average person’s life. Some however, are more drastic than others. This is exhibited through the first-person narrator of Charlotte Perkins Gilman’s short story, “The Yellow Wall Paper”, who undergoes a drastic change in her health due to postpartum depression, her relationships with the individuals around her, and her isolation. These changes later develop an internal conflict in the form of a troubling identity plight. Due to the famous rest treatment in which the narrator is told to follow, her interactions with other individuals is severely limited. Most of her social interactions are between her and her husband John. The narrator’s relationship with her husband is considered to …show more content…
Being a woman in the early twentieth century, she simply followed what her husband told her. She did not have her own voice and kept her thoughts to herself. With that being said, it is as if her identity is simply that of the average woman during her time. However, the days she spends in confinement go by, the identity of that woman drifts away and she is overtaken by the identity of her own mental illness. As said in Diana Martin’s journal on “Images in Psychiatry”, while the narrator in isolation she becomes “increasingly despondent and nervous”. Martin states that the narrator’s confinement in the upstairs bedroom fortifies her mental illness developing into “a frightening hallucinatory world constructed around the pattern of the yellow paper on the wall.” This shift in her identity happens as the shift in her disposition towards the wallpaper changes. The wallpaper is a visible metaphor that eventually becomes her identity. In the beginning of her stay in the bedroom she says the wallpaper is “committing artistic sin” (Par34) and can push anyone to “suddenly commit suicide” (Par35) These comments show her despise towards the wallpaper and the separation she originally has from it. However, we later see a shift in her feelings towards the wallpaper as she states that she is growing “really fond of the room in spite of the wallpaper” and comes to a realization that it may be “because of the wallpaper” (Par 94) As her opinions on the wallpaper begin to change, the progression of her mental instability becomes increasing visible. She begins to build a relationship with the wallpaper and claims that “There are things in that paper that nobody knows about” (Par 22) her. As this relationship with the wallpaper builds, her sanity begins to slip, and the hallucinations begin in a somewhat minor manor. In her first mention of “the woman” she says that the pattern on the
The short story, The Yellow Wallpaper, written by Charlotte Perkins Gilman, is a brilliant piece of fictional literature. The tale involves a mentally ill woman who is kept in a hideous, yellow room under the orders of her husband, John, who is a physician. The ill woman is conflicted due to the fact that the horrifying yellow wallpaper in the room is trapping a woman who she must help escape, but the sick woman is aware that she must get better in order to leave the terrifying, yellow room. The setting and personification applied in the short story, The Yellow Wallpaper, allows readers to develop an understanding of the sickness of the main character faces.
In Gilman’s short story, “The Yellow Wallpaper,” Jane, the narrator, is isolated from society as part of her “rest cure” treatment for her postpartum
Gilman shows the progression of the main character’s insanity through the woman in the wallpaper, John, and the bed. Like most individuals, the narrator in “The Yellow Wallpaper” gradually shows increased symptoms of insanity. She begins the summer as a sane individual. As time progresses, she starts acting
During her time in the room she felt the room “at night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars!” (Gilman 304). The narrator of the yellow wallpaper descends into madness to escape the cruel dominance of her society. As the story progresses the yellow wallpaper becomes a constant companion. She first dislikes the color and despises the pattern, but after closely studying the pattern “a strange, provoking, formless sort of figure that seems to skulk about behind that silly and conspicuous front design” and after obsessing over the painting she finds bars hidden.
The Yellow Wallpaper Literary Analysis Essay Identity is key to the one who seizes it. In “The Yellow Wallpaper”, the narrator has an identity that the author demonstrates. The narrator has an internal battle within herself, that may express depression or a severe mental illness. The narrator shows identity from her actions, reactions, thoughts, and expectations.
The Yellow Wallpaper by Charlotte Perkins Gilman is a short story told through diary entries of a woman who suffers from postpartum depression. The narrator, whose name is never mentioned, becomes obsessed with the ugly yellow wallpaper in the summer home her husband rented for them. While at the home the Narrator studies the wallpaper and starts to believe there is a woman in the wallpaper. Her obsession with the wallpaper slowly makes her mental state deteriorate. Throughout The Yellow Wallpaper Charlotte Perkins Gilman uses many literary devices such as symbolism, personification and imagery to help convey her message and get it across to the reader.
Secondly, throughout the story, the narrator describes seeing an evolving woman trapped inside of the wall. Although readers can assume that this woman is merely a product of the narrator’s mind, the woman can also be seen as a symbol of the narrator and her feelings of being trapped. Eventually, the woman in the wall aids the narrator in her escape. In conclusion, many elements of the narrator’s increasing madness throughout The Yellow Wallpaper contributed to her freedom from the confines of the room, the confines of society, and the confines of her
The short story “The Yellow Wallpaper” by Charlotte Perkins Gilman is a story full of imaginative symbolism and descriptive settings. However, without the narrator’s unique point of view and how it affects her perception of her environment, the story would fail to inform the reader of the narrator’s emotional plummet. The gothic function of the short story is to allow the reader to be with the narrator as she gradually loses her sanity and the point of view of the narrator is key in ensuring the reader has an understanding of the narrator’s emotional and mental state throughout the story. It’s clear from the beginning of the story that the narrator’s point of view greatly differs from that of her husband’s and other family in her life.
If she is not actually insane, then the mere confinement and inactivity could have been sufficient to cause a mental breakdown. Either way, whether she is actually insane or not, the yellow wallpaper does serve a purpose as an obvious catalyst for her mental deterioration. We do not yet know if it is merely a symptom of her insanity or the cause. The narrator, however tears up the wallpaper at the end, which shows that she does not want to accept how insane she has become. She attempts to find the “women” when tearing down the wallpaper.
(678) in this statement she is challenging herself and this shows the reader she is facing some confusion. The yellow wallpaper in the main characters (the narrator) bedroom is a major point in the story. The yellow wallpaper plays a major role in the woman’s insanity. The woman’s obsession with the wallpaper creates her problem and affects her mind and judgment. This is shown in, “It dwells on my mind so!”
This observation also serves as the narrator recognizing the paper’s, or boundary’s, relevance to herself; she sees a “woman”--a reflection of herself--trapped behind the paper, confined by that thin line that separates herself from total insanity. Her behavior becomes obsessive: she keeps a constant vigil of the wallpaper at night, and claims that the woman behind the wallpaper “is all the time trying to climb through” (348). And the narrator aids her escape--as soon as she is given the opportunity: “I shook and she pulled, and before morning we had peeled off yards of that paper” (349). The destruction of the wallpaper is symbolic of her fully delving into the world of insanity. From this point
The woman was obsessed with the wallpaper she begins to hallucinate that something was creeping on her. She had locked herself in the room and would not let anyone in the bedroom with her because she was trying to trap the creeper that she thought she saw. The narrator of “The Yellow Wallpaper” say,“‘Open the door, my darling!’ , ‘I can’t,’ said I. ‘ The key is down by the front door under a plantain leaf’”
The house is in a super-isolated place. The house represents the narrator 's personal emotions; restricted and isolation. In the story, “The Yellow Wallpaper”, the symbolism of the the wallpaper and the diary demonstrate the psychological difficulties, that were caused by being disrespected and thought less of, during the 19th century for women across the United States. In the “Yellow Wallpaper”, the woman 's husband John neglects her symptoms of postpartum and says she has a slight hysterical tendency.
In her childhood, the unnamed narrator has had a wild imagination which still haunts her: she admits "I do not sleep," and as a result she becomes restless.(653). Her imagination makes her live in an imagined world of her own and completely detached from reality. The
Enclosed to the four wall of this “big” room, the narrator says “the paint and paper look as if a boy’s school had used it” because “it is stripped off” indicating that males have attempted to distort women’s truth but somehow did not accomplish distorting the entire truth (Perkins Gilman, 43). When the narrator finally looked at the wall and the paint and paper on it, she was disgusted at the sight. The yellow wallpaper, she penned, secretly against the will of men, committed artistic sin and had lame uncertain curves that suddenly committed suicide when you followed them for a little distance. The narrator is forced to express her discomfort with the image to her husband, he sees it as an “excited fancy” that is provoked by the “imaginative power and habit of story making” by “a nervous weakness” like hers (Perkins Gilman, 46). Essentially, he believes that her sickness is worsening and the depth of her disease is the cause of the unexpected paranoia.