In modern storytelling, it is common to use comparisons to make details easier to understand and lead the audience to a certain conclusion. A much more complicated form of this comparison is juxtaposition. Juxtaposition occurs when an author places two ideas/concepts/characters parallel to each other in order to compare them. The film Pan’s Labyrinth written and directed by Guillermo del Toro serves as a splendid illustration of juxtaposition in film. Beginning with the protagonist Ofelia in 1944 Franco-era Spain, the director presents the parallels between the evils of Ofelia’s make believe world and those evils belonging to the fascist regime and her step-father, General Vidal who is representative of this regime. Del Toro, additionally, contrasts the real world and the fantasy world through the use of colors, shapes, and varying levels of organization and cleanliness. Furthermore, he places objects of the real world into the fantasy one to draw relations between the two. Through these three singular parallels, Del Toro's Pan's Labyrinth explores the realities of fascism in Franco-Era …show more content…
This is especially the case in Guillermo del Toro’s film Pan’s Labyrinth, which juxtaposes fairy tale elements with aspects of Franco era Spain to explore some of its realities in greater detail. By comparing the evils of Vidal and of Ofelia’s fantasy world Del Toro presents the atrocities of Franco era Spain’s Fascist leadership. By contrasting the shapes, colors, and cleanliness of the two worlds, he presented some of the more basic principles of the Fascist regime, and by placing symbolic objects throughout the film, Del Toro emphasizes their symbolic importance to Vidal and again to the Fascist regime. Even with all of these comparisons, however, it is still impossible to determine for a fact if Ofelia’s make believe world was real or
Outline of Pan’s Labyrinth Pan’s Labyrinth, also known as El laberinto del fauno in Spanish is a fantasy film produced in 2006 by the Mexican director Guillermo del Toro. From Del Toro’s series of movies over the years, it can be noted that he has the tendency to combine poetic elixir with an imaginative vision, with occasionally a tweak of horror. The film’s main plot is about a little girl, Ofelia, moving in with her stepfather during the upsurge of Fascism.
The films “The other conquest”, “Jerico”, and “I the Worst of All” are all a depiction of what life would be like during the Spanish Conquest. These films give different point of views during the Spanish Conquest. The films give a person a well-rounded view of how the world really changed for different people during a historical movement. After watching these films, one is able to assess and determine their own truth about what exactly happened to Amerindians and Spaniards during this time.
When it comes to comparing famous film and literary works, High Noon and “The Most Dangerous Game” are great subjects. They both have the component of suspense, hunter and the other being hunted. As you read on further you will understand the alikeness and the dissimilar attributes. Both High Noon and “The Most Dangerous Game” have similar plots and themes, but they have disparate moods.
This movie explores the time-honored plot of good versus evil though a haunting intermingling of fantasy and reality. Pan’s Labyrinth is clearly Guillermo del Toro’s magnum
In “Half Walls between Us,” imagery is strongly expressed through Maria Said’s choice of words. For example, Said says, “On my first visit to Agordat, a small town in Eritrea, a country in the Horn of Africa, I fell in love with its mystery, its quiet, its soft sandy colors,” which gives a strong image of the setting (Said 79). To express strong imagery is to give great detail, explain settings, and compare and contrast the surroundings. To have imagery in a story or essay is to give visual effects for the reader to see while being intrigued into a new story. Giving great details to express imagery in “Half Walls between Us” shows the different places and sights she has seen.
With this, some of their rights were being violated and those rights are slowly starting to perish. Pan’s Labyrinth is one of Guillermo Del Toro’s greatest masterpiece and it shows the reality about how unfair and cruel society can treat women. This movie depicts that society can do a lot of things that can hurt a woman’s dignity but it also showed us what a true woman is and what are they really capable of doing. In the movie, there are three main female characters in the story namely Ofelia, Carmen and Mercedes.
How can archetypes be capable of having such a colossal impact on the meaning of a movie? Although there is not a simple answer to this question, there are, in fact, many factors to be considered. In the movie Finding Nemo, there are several archetypes that resemble universal patterns of humankind. These patterns originate from a few ideas; however, they can be exhibited differently across literature. This idea is best presented by Carl Jung, a Swiss psychologist.
In the wildly popular Mexican film, Los olvidados (1950), Spanish director Luis Buñuel exposes the harsh realities of life in Mexico during the 1950’s. Luis Buñuel’s work on Los olvidados portrays a societal loss for all hope due to crime and violence as an infinitely vicious cycle, coupled with addressing the lack of reform for dilapidated living conditions throughout Mexico. In Los olvidados, Buñuel follows Pedro (Alfonso Mejía) a neglected bastard, and El Jaibo (Roberto Cobo) the leader of a gang of homeless children loitering in vacant lots. For Pedro, and the rest of the cast, a series of unfortunate outcomes have been strung together though common ignorance and a lack of self-control. Luis Buñuel’s use of focal length, editing, and dialogue
Ray Bradbury born in 1920 to a middle class family. Bradbury went on to write and publish over five hundred pieces of literature. One of the novels he wrote was Fahrenheit 451, where he attempted to predict what the United States of America would look like in the future. The novel illustrates the idea of a totalitarian government and society burning books to stop the spread of knowledge, by following the development of the main character Guy Montag. Furthermore, the novel bring up the idea of Plato’s cave, in which Montag attempts to overcome the ideas of the society he grew up around.
Panic, anxiety, and most importantly, fear, are all components that form the adventurous tale, The Most Dangerous Game. Rainsford, the protagonist of the story, is widely recognized as an experienced hunter who ventures off in a ship to travel to Rio in order to hunt jaguars. However, the story turns when Rainsford falls off his ship, encounters a hunter who hunts men, and becomes the prey himself. Although Connell sets up an intense plot by using irony, characterization, word choice, and other literary devices, imagery is one of the main aspects that releases an uneasy feeling within the audience. Imagery is a common literary device that authors use to engage a reader into the story, by painting the scene in the audience’s mind.
Discuss and analyze how and to what ends fantasy and reality are intertwined in stories you have studied. In this essay, we will discuss how magical realism uses elements of real and of magic to create the literary style. At first, we will try to give a background of what magic realism, where it comes from, and how a story can be labelled as such. Alejo Carpentier’s “Viaje a la semilla” and Julio Cortazar’s “La noche boca arriba” will be our focus.
Marco Pérez Dr. Rony Garrido The short novel, Aura, by Carlos Fuentes creates a mythical reality to reference Mexican history. He uses Aura, Felipe Montero, and Consuelo as a reflection of the past and the present, where for example, Consuelo represents the past and Felipe the present. In this paper I will explain how the love story of Felipe, Aura, and Consuelo represent Mexican history. In addition this paper will explain how myth breaks down into different elements, such as religion, legends, traditions, and beliefs, all of which are manifested in the different characters and their actions within this novel.
This is shown when the characters in this novel speak out against a concept they know nothing about. Therefore, the literary terms an author uses can make an immense impact to the connections the reader makes to a novel, and help to shape a theme that is found throughout
Pan’s Labyrinth (2006), directed by Guillermo del Toro, is a gorgeously realised tale of fantasy and horror, set against the backdrop of post-Civil War Spain. The story follows a young girl, Ofelia, who travels to the countryside with her ill mother to live with her new stepfather, Vidal, a captain in Franco’s Fascist army. The film explores how Ofelia uses her imagination as a copying mechanism to deal with the monstrosities of her reality as well as to interpret the horrific events unfolding around her. Del Toro employs a number of cinematic devices including cinematography, sound and editing to effectively draw parallels between Ofelia’s reality and imagination, ultimately creating a powerful film that condemns the nature of Fascism.
Throughout Miguel de Cervantes novel, Don Quixote, there is a fine line between reality and illusion that seems to vanish portraying a prominent theme in the novel. Don Quixote de La Mancha, a fifty-year-old man, has an insane obsession in reading chivalry books; he is so absorbed in reading these books that he decides to become a knight-errant himself that will set off on adventures for his eternal glory. These books of chivalry have left Don Quixote so deep within his fantasy that there is no risk of him perceiving true reality. There are a plethora of examples where Don Quixote 's perceived reality is his idealistic fantasies. Cervantes expresses these complexities so much that we begin to notice the social criticism Don Quixote receives from people he encounters.