On Going Home Joan Didion Analysis

Throughout the article “On Going Home” written by Joan Didion she describes the contradictions of home. Didion uses various rhetorical strategies throughout her piece to support her claims of what home entails. The sense of home portrayed in the article is something of a deranged expectancy that still holds out hope for perfection. Though Didion loves her home and her family she finds it a struggle to balance her individual life with her family and her heritage. In the article “On Going Home’ Joan Didion uses the rhetorical strategies of personal anecdotes and pathos to enforce her claim that home is a necessary yet cumbersome responsibility.

You Can Go Home Again Analysis From pages 495 to 497 author Eve Tushnet wrote an essay titled “You Can Go Home Again.” This essay was about how it is okay to go home and live with one’s parents again if someone is older. First the essay brought up the opposition and what people think about when someone lives with their parents. The essay also brought forth different data and studies about older people that live at home. After that, the essay brought up good points about what living with one’s parents can do for them.

Every person has their own definition of home. In the story “The Round Walls of Home,” Dianne Ackerman is saying her home is the earth. She uses the word “round” because the earth does not have walls like normal homes, but the walls are the outside of the earth, making it round in shape. When most people describe their home they would mention the color of the walls, what sorts of belongings, and how many rooms. But, Ackerman describes her home as a, “big, beautiful, blue, wet ball.”

Home is different, in hindsight, for everyone. It can be where family is, a place, a feeling, or an accomplishment. Mental travels to the peace of home and physical journeys can be very different. In Reminders of Him by Colleen Hoover, Kenna starts her story in her home. What Kenna goes through is more of an emotional journey.

When a Southern Town Broke a Heart In the short story When a Southern Town Broke a Heart by Jacqueline Woodson, the reader learns about Woodson’s memories of being a young black girl in the early 70’s who travels to the south every summer and she feels that even though she lives in Brooklyn, her real home is there in the southern town of Greenville, South Carolina where her grandmother lives. A central theme of the short story is that the innocence of youth protects us from reality. One way Woodson starts to convey the theme is when early in the story she brings up what “home” was to her when she was young. How Woodson thinks about what her home is to her changes when the reality that has been hidden from her while being a little kid is revealed at age 9.

How do you describe the characteristics and requirements of a real “home”? In the Poisonwood Bible, by Barbara Kingsolver, the outspoken and bold character known as Leah Price experiences a major rift between her family and former American homelife that leads her to transfer her obsessions over acceptance by her father to the conflict within the Congo and her lover, Anatole. Leah’s failure to receive the approval from her father through religious excellence and prestige along with the death of her youngest sister, Ruth May, led her to resent the ideals and oppressive hand that her father had implemented since her birth. Anatole’s evident acceptance and admiration of Leah’s individuality allowed Leah to feel fulfilled in her need for acceptance

Growing up together under the same conditions clearly created two very distinct individuals with contrasting views regarding their past, present, and future. When Dee arrives home from college, she portrayed herself as higher class; she put herself above her family and her past. During her visit, she was looking for valuable things to have in her home. While looking around, Dee notices two handmade quilts containing pieces of clothe that date back to the Civil War.

Home is where the heart is, but what if home is no longer safe? Joyce Carol Oates explores this concept in her 1966 short story, “Where Are You Going, Where Have You Been”. On surface level, this story appears to discuss a rebellious young girl named Connie and her confrontation with Arnold Friend, a stalker. The ending leaves the reader to assume that Arnold Friend plans to sexually assault the young girl.

In the book The Grapes of Wrath, it portrays many of the experiences being lived in the Great Depression and the Dust bowl. But, it also portrays some of the many lives being lived in the modern age today. The book makes a powerful draw to many of the readers due to the fact that America was once in this position; that almost every family was in this position during the Great Depression. Even today in the modern age, most of readers have been through the struggles of trying to survive or what their family members had to do for a better life. The book gives a lot of connection and shows deep meaning that people understand the most.

The word “home” is mentioned 138 times throughout Keeper N’ Me. It discusses foster homes, homelessness, Garnet’s many homes, other people’s homes and the home Garnet never thought he would find. There is a difference between a home and a house. The difference isn’t always clear to find, unlike the phrase “home is where the heart is” finding your home can be quite difficult if you don’t know where your heart lies. When Garnet joins Lonnie and his family you could say that his heart laid with them but eventually we learn that their home was not where he belonged no matter how invested his heart was in their family.

Cuyahoga Falls is a modest suburb, home to 49,000 (93 percent of which are white). Ten, or so, main roads divide the northeast Ohioan town. Less trafficked roads with small and moderately sized homes branch off of these primary arteries. Then, there are the roads, the ones that are the side streets of the side streets, that hide within, tucked away from the busier activity of everyday life. Here, all commotion – the vrooming of cars, the roaring of trains, the blaring of Friday night high school football games – is muffled.

Joan Didion’s “Los Angeles Notebook” is an essay that highlights the deeply mechanistic view of human behavior by using images that are both enticing, yet horrifying at the same time. Her audience is broader than the people of Los Angles, who she discusses in articulate detail. Being that her audience is generally aimed at people who are concerned about humanity and the way people operate together in certain scenarios. There is an eerie sense to this piece, as the subject is the hot winds known as foehn by scientists, but otherwise known as a “Santa Ana” by the people of the region. Didion claims that, in the simplest terms, “to live with the Santa Ana is to accept, consciously or unconsciously, a deeply mechanistic view of human behavior,”

“What is going on in these pictures in my mind?” (Didion 2). Joan Didion’s “Why I Write” provides an explanation to her perspective om writing and why she writes. Later on, she states that she writes as a way to discover the meaning behind what she is seeing. During this past semester as we wrote about dance, a heavy focus was on description and interpretation rather than contextualization and evaluation.

Frequently, we just pass by people and look down on them since they have no home; but who is to say they don’t have a home? Home is not the house you live in or the country you belong to. It is a place that incites certain feelings and those feeling are what makes a place home. The people on the streets with no “home” may simply find that anywhere in the world is where they call home. Home has two specific set of values that make it more than just a place which are privacy, and safety.

Whenever war takes place, people are likely to migrate to another place. As a result, the so called “home” no longer exists because of the idea of moving to another place for survival. Notice the way he uses the language of the two lines. While “strolling” has a connotation of being mobile, “boarded-up” is fixed in a place. In other words, while one childhood is unsettling because of war, the other