Norman Bates Character Analysis

Norman’s story is a way to help Tim portray the feeling that many veterans experienced when arriving home. Constantly, Norman reminisces of his mistake he feels he has made “the truth… is I let the guy go” (147).A feeling of emptiness, loss of motivation, regretfullness makes readjustment take a toll on a soldier’s mental health. Readers are able to grasp this feeling as if Norman’s chapter contains the whole truth, however, the mention of specific details allow for also seeing the addition behind

Norman could’ve easily saved his friend, but failed when he couldn’t handle the environment. He continues to blame the environment, and this blame would eventually drive Norman to the point of insanity. Norman did try to cope with the loss of his friend, but he only made his condition worse. He tried talking to other people, but no one cared to listen to him and ignored him. At this point, Norman made fake conversations in his head to comfort himself when no one else would in attempts to cope.

Without much contact with one another, it is not until Norman returns back to Montana to discover how bad the situation his brother out himself in was. Norman began to receive calls in the middle of the night from police

These repeated thoughts and actions that O'Brien has Norman Bowker do gives insight into Norman Bowker's constant reflection for memories. And how memory is often very reflective and carrying of guilt as Norman carries these memories which hold his guilt for Kiowa’s

Although the quality of an actor’s performance is generally subjective, certain performances on film have been deemed extremely noteworthy due to their ability to impress various audiences and film critics. The characters within these performances differ in terms of appearance and personality; however, specific qualities within the actors that play their roles remain common throughout. For example, actors that display emotions realistically and react naturally to fictional circumstances within performances often tend to achieve more success. Anthony Perkins’ portrayal of Norman Bates in Alfred Hitchcock’s film, Psycho, rests among some of the greatest performances on film along with Bud Cort ’s portrayal of Harold Chason in Hal Ashby’s film,

The call made Norman realize the reality of his brother with his addictions. “I learned later it must have been around two o’clock in the morning when I heard the thing that was ringing, and I ascended through river mists and molecules until I awoke catching the telephone. The telephone had a voice in it, which asked, ‘Are you Paul’s brother?’ I asked, ‘What’s wrong?’ The voice said, ‘I want you to see him” (23).

Norman’s mother knows the things that happen to him, but decides to keep it a secret. She also finds herself covering up for the murders Norman has committed thus

He wanted his peace and he was hoping that if he saw it written out then he would be better. He thought that could talk about it then, but by the time it was written it was too late because Norman Bowker was already dead. Norman Bowker’s interactions with other characters drove his throughs to be as harsh as they were and caused him to blame himself for his best friend’s

In the chapter Speaking of Courage, the narrator explains how Norman tries to save Kiowa, “He would've talked about this, and how he grabbed Kiowa by the boot and tried to pull him out. He pulled hard but Kiowa was gone, and then suddenly he felt himself going, too.” (page 143). Norman lived with this for the rest of his life, playing what he could've done to save him over and over again in his head. Another example is in the chapter,

A guy who can’t get his act together and just drives around town all day and can't think of any damn place to go and doesn't know how to get there anyway. This guy wants to talk about it, but he can’t… If you want, you can use the stuff in this letter,” (O’Brien 151). This last quote, also connects highly to the work as a whole because Norman is writing about himself as someone who wants to talk about his problems with someone, and just get away from his old life in general, but can’t because of the way war works; it breaks you as a person and builds you back up as a soldier, and you can’t leave that behind. Norman has many bad things in his head from the war, but he can’t seem to bring himself to talk about them with anyone to make himself feel better about

When the audience was given an insight into Norman’s internal thoughts there was never a doubt that Mother was the perpetrator. This is because Norman is incapable of believing reality since the beginning of his mental illness. However, Mother is willing to tell the truth. Therefore, the only way Norman can present honesty is through the persona of his mother. Norman is proving his mother’s innocence, and proving his own guilt, within Mother’s personality.

250 words. Norman’s Character is Dynamic. Norman’s character undergoes a lot of changes. Before, he was ungainly and independent. He used to follow his wife’s voice and cannot decide on his own.

Hitchcock spent many nights at the front of his mother 's bed, standing for hours as punishment. His mother wanted him to realize the consequences of impolite behaviour. Many years had passed by, and Hitchcock soon pursued an interest revolving around the subject of guilt, which was further developed during his time at the strict St. Ignatius

Already he had passed them six times, forty-two miles, nearly three hours without stopping” (O’Brien 139-140). As if Norman was stuck in a loop, he drove around that lake, reliving moments of his life from when he was in Vietnam. He questioned, doubted, and second guessed things that had happened. He wants to tell his story to his friends but they all moved on with their lives while he was in Vietnam in the war, leaving him with no one. He wanted to talk to someone but he couldn’t.

Firstly, the music which Hitchcock uses is very dark and dramatic, creating an overall creepy and suspenseful mood and atmosphere. This is prominent in many of his films due to the fact that Bernard Herman wrote the music for Psycho, North by Northwest and Vertigo. Turn Slide Also