Class System In Twelfth Night

Twelfth Night is a story of loss, tragedy, and love that is masquerading as a romantic comedy of sorts a perfect example of Shakespeare’s true talents of expressing deep metaphor in very interesting ways. This is a play about the ocean deep, salty, unpredictable, rough and difficult to navigate but after enough time and understanding, you can see the beauty in the deep blue water. The salty water seems very basic and easy to understand but upon closer inspection, you can see the true depth and complexity of the briny water. The play has a similar effect when first starting it one could come to the conclusion that things are simple and exactly what they seem but within a few lines things get progressively more and more complicated just as the water does. The shape of twelfth night is that of the ocean blue vast, unpredictable and extremely deep but with the right understanding and experience you can navigate it rough waters to reach your destination safe and sound.

Malvolio was a villain, but a wrongly treated villain. He was not as bad as people thought him to be. He was mistreated by many people, including Maria, Sir Toby, and Fabian. This led to him being thrown into a prison. The mistreatment also lead to him being accused of being mad.

Shakespeare once said “All the world’s a stage, and all the man and women rarely players; They have their exits and their entrances, and one man in his tim plays many parts, his acts being seven ages.” Therefore, many of Shakespeare’s characters In this play mimic the real types of people in society; specifically the wealthy and poor. Shakespeare has many low class characters that always in a conflict with the higher class. Shakespeare expresses the forcefulness of love and the marxian heroism by using ironies and tones. In Romeo and Juliet, Shakespeare demonstrates Marxian heroism by characterizing the groundling characters in a caring tone in act 2, situational irony in act 4, and verbal irony in Act 5.

During their wedding feast, Bianca reveals her true nature as dreadful and unsophisticated, while Katherine consecutively displays her uttermost obedience to her husband. The suitors demonstrate their ideals for a submissive and docile woman through their ironic rejection of Bianca and acceptance of Katherine at the end of the play. The suitors’ preference for a conventionally passive woman is evident when they initially see Katherine as a shrew undeserving of love while conversely harboring feelings for Bianca and her gentler demeanor. When Katherine expresses her frustration about being made a fool in front of the suitors, Hortensio snidely remarks that there would be no suitors for her “unless [she] were a gentler, milder mould.” (Shakespeare 1.1.60)

In Shakespeare’s Hamlet, while guarding the castle, waiting in anticipation of the ghost’s appearance, Hamlet, Horatio and Marcellus hear trumpets flourish from within, proclaiming the King’s late night partying (1.4). Horatio asks about the nature of the commotion, however, Hamlet remains nonplussed, crestfallen by the evening’s affairs. In his lengthy, 26-line response to Horatio’s simple question, “Is it a custom,” Hamlet experiences an internal struggle between fated traditions and logic, elaborates upon the country’s damaged reputation, the immediate yield of the King’s drinking, and argues that even the most picayune evils can eradicate a man’s fame (14). Hamlet, despite his devotion to kin and country, through sardonic diction, repetition,

Shakespeare is known for introducing new concepts and opinions, especially about social classes, into his plays and for that he was considered ahead of his time. In The Taming of the Shrew, Shakespeare disputes roles in the social classes during the Renaissance Era. His portrayal of characters throughout the play revealed the stereotypes that were created by society. Shakespeare voiced his opinions about these social classes in the Renaissance Era because he didn’t agree with the power and gender roles.

William Shakespeare’s works, written primarily from the late eighteen hundreds to the very early sixteen hundreds, have long been the subject of academic debates and analysis. Potent with double entendres, metaphors, and social commentary, it is easy to apply queer theory to Shakespeare’s plays, notably Twelfth Night, written in 1601. Though Twelfth Night’s ending pushes its characters into traditional heterosexual romances and binary gender roles to satisfy the genre and placate conservative Elizabethan audiences, the characters in the comedy defy tradition by exploring homosexual love and expression of gender. The most apparent homosexual themes are present in the relationship between Antonio and Sebastian.

It was important because at the time the play was written there were strong class divisions, meaning that people were treated based on their class. For example, if you came from a lower class, then society would treat you badly. If you came from a higher class, then you were treated as though you were a

Twelfth Night Review Questions: Act I, i 1. What is the Duke, Orsino's general mood and the tone of his soliloquy in this scene? Use specific references from the text to illustrate your point. Answer- Orsino is referred to as the king or the leader of the town of Illyria. He is known as the noble duke who governs the country.

Our world and Shakespeare's world are really different from each other. In his time color showed how rich you were, controlling sickness was hard, and being fat and wearing lots of clothes was bragging. That is completely opposite of our world today and just shows how different times are for us now. But what exactly has changed?

For centuries, theatrical performances have presented mythical plays that have endured the test of time, exploring stories as ancient as Shakespeare himself and tackling central themes of power and dominance within a patriarchal society. Both William Shakespeare’s “Hamlet” and Tennessee Williams’ “A Streetcar Named Desire” exemplify these timeless themes of literary critique as the main characters grapple for power within their distinct life contexts. Correlating to this, Hamlet explores the concept of power by seeking revenge and justice. In contrast, Stanley asserts his dominance over women to establish patriarchal power within his household. This stark contrast between the characters highlights varying degrees of masculinity and their pursuit

Today, men and women have equal rights, but that does not mean life has always been simple for both genders. When Shakespeare writes A Midsummer Night’s Dream, there are roles, behaviors, and expectations for the dominant men and submissive women. This literature portrays the major changes in the lives of both sexes throughout the years, which shows the advances women gain with time. The gender issue of men being dominant and women being submissive used in the drama, A Midsummer Night’s Dream, shows the differences in the roles, behaviors, and expectations appropriate for each gender and is an example of an outdated stereotype.

(Hobgood, p.5) The author also points out that even though Maria is the one who wants to shame Malvolio for him wanting to be of a higher social stature, she is seemingly doing the same thing herself by writing the letters and impersonating the Countess. The cruel treatment that Malvolio endured by the characters and audience as well made this a compelling play to have watched. The audience almost enjoyed the treatment of Malvolio due to his actions during the play as their reactions or non-reactions

Classism is similar in many ways to racism, sexism, heterosexism and other forms of oppression. It can appear individually through attitudes and behavior.” It also rears its ugly head institutionally through

In a society centered around money and status, the group of people labeled as the lower class have the