The poets utilise a fairly wide range of styles in the poems "Mother, any distance" by Simon Armitage and "Before you were mine" by Carol Ann Duffy to illustrate the diverse mindsets towards growing up. While before you were mine, explores her daughter's enviousness over her mother's independence from her youth to the present. However, the mother in Mother, Any Distance exhibits more enviousness over her son as he becomes adulthood.
Growing up is shown in Mother any distance as a crucial part of growing up. The poem Mother and distance explores the feeling of letting go by using several extended metaphors, such as "Anchor, Kite," which implies that the mother is the anchor. This shows that she is a reliable influence in his life while also
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Her possessive tendency is highlighted by the title "Before you were mine," which uses the pronoun "mine" to imply that the speaker is unwilling to let go of her mother and she owns her. Furthermore, Duffy refers to her mother as …show more content…
'Mother. Any distance' depicts a conventional mother-son connection in which the mother is shown as being possessive and hesitant to let go of her kid. However, the speaker discusses her traditional attachment to her mother in Before you were mine. We observe Duffy refer to her mother as "Marilyn," implying that she was admired prior to becoming a mother. It gives the impression that she destroyed her life and eliminated the excitement. Nevertheless, the speaker's mother is referred to be a "anchor," signifying Armitage's life's steadiness. Armitage writes that his mother "fingertips pinch the last hundredth of an inch," implying that she is possessive of him and hesitant to let him become an adult. However, the 'possessive yell' in before you were mine emphasises the notion that the moment she was born took ownership of her mother's life and made it impossible for her to continue living the fulfilling life she had. When Duffy uses the language technique of a rhetorical question, "Who's small bites on your neck, sweetheart?" it almost appears as if she is resentful of her for maturing. As a result, his mother is unwilling to let him walk away in Mother, Any Distance, despite the fact that they both recognise it's a significant turning point in their
Speaking of gender roles, he moves on with his father, yet he - out of understandable cowardice- doesn’t
but she knows it will benefit him in the long run.
This shows the closeness and care that Janie’s grandmother had for Janie from the time she was born. Because, Janie’s mother wasn’t in her life, so in turn Janie’s grandmother assumed the role of bringing up her
The grandmother cries, “Why you’re one of my babies. You’re one of my own children!” (O’Connor 28). O’Connor displays that the grandmother finally realizes with epiphany, that she is very sinful
She was a big part of his life for many reasons. One reason specifically,
Before mother passed away she expressed concern about her boys. She said, “You got to hold on to your brother, and don’t let him fall.” At the time it didn’t seem all that important, because she wasn’t supposed to die so soon. Losing mother was unexpected, and that meant the responsibility to make sure mom’s boys would be okay was left to the big brother.
“Quite a few years back, I met your mother Addie Bundren and instantly we connected. There was this fire that we both shared, and it was a true feeling of love from both sides,” I said. Anse couldn’t believe what I was telling him, and nor could the rest of his family. “After seeing each other for a little while she got pregnant, and from there on we parted ways because of you,” I said to
Yet in the end, his son's demand for safety causes their relationship to crumble. For
Moments before The Misfit murders her, she screams out “‘You’re one of my own children!’” (O’Connor 627). This signifies that the grandmother has finally realized that she is flawed just as The Misfit is. After The Misfit shoots and kills the grandmother, he articulates that the grandmother would have been a better person only if there was “somebody there to shoot her every minute of her life” (O’Connor 627). This speaks to the fact of how difficult it is to change somebody’s way of thinking.
Every mother wants what the best for her child, even if that child may not believe so. In her letter to her son, John Quincy Adams, Abigail Adams addresses him during his travels in France and defends the rationale of her previous advice while providing her new advice, and partly demands, on the subjects of honor and duty. Abigail Adams uses emotional appeals in the form of personal repetition, flattering metaphors, and prideful personification in order to advise and persuade her son in his personal growth and appeal to his personal qualities, such as pride of honesty and knowledge, to spur his ambitions and actions. To start off the letter, after greeting him and explaining the occasion of her writing, Abigail uses personal repetition with the word “your,” before qualities and events with a positive connotation to appeal to John’s pride and leave him open to listen to more of her her advice, as she already successfully advised him in his trip to France. In only the second sentence of the letter, Abigail already throws in that her advice is, to John, “for your own benefit,” (5) later she speaks of, once again to John, “your knowledge,” (11) and finally, “your understanding,” (14).
The barrier between her and the neighbours after her husband’s death forced her to become reserved and quiet. Her and her son only went into town if they had to. They preferred to stay close to the garden where they felt safe. The death of the husband is the cause of the mothers’ complete change in character. The death let the audience connect with her on a deeper level to understand her pain and suffering.
She has a daughter. She calls herself worn-out, balding, arthritic mother. She has low self-esteem. “Maureen allowed this thought in self-mockery, to make herself feel young, but it did not have this effect”(1). Maureen is heartbroken.
In the story Mother and Daughter, The author Gary Soto was giving the message that mothers aren’t always perfect, but they always want the best for you. Yollie and her mother, Mrs. Moreno, had a very good relationship. The author described Mrs. Moreno as: “ A very large woman who wore a muu-muu and butterfly shaped glasses.” (Soto 203) She liked to water her lawn in the evening and wave at the cars passing by.
This implication has undoubtedly destroyed the protagonist’s self-confidence to the point that she acknowledged herself as an “it”—an object that is not valued—as she stated the words, “it saddened [my mother] to have given birth to an item
Imagine your mother is dead to you and under the title of “mother”, she is an empty void like the craters in the moon. The poem Moon written by Kathleen Jamie in 2012 emphasises the relationship between the speaker and the speaker’s mother. Jamie uses metaphor, imagery and symbolism to demonstrate the speaker’s and the speaker’s mother’s troubled relationship. The moon is an extended metaphor for the speaker’s mother. The speaker and mother has a rocky relationship, to the extent the speaker say that the moon is “not [the speaker’s] mother.”