The White Earth Essay

Grant utilises traumatic anecdotes, allusion to contemporary issues and his first person’s point of view to bring forth the readers values and attitudes of accountability for the past, and criticalness of previous actions against Indigenous people. For example, Grant details personal tales of how his grandmother was turned away from the hospital because “she was giving birth to the child of a black person”. The anecdote attacks the latter part of the Australian Dream, stating “(..)deep sense of belonging that allows all Australian to thrive” which was unfortunately not the case where Grant’s elder was reprimanded of her right to treatment. Furthermore, Grant talks about his grandfather who fought wars for Australia but came back to a nation where “he couldn’t even share a drink with his digger mates in the pub because he was black”. The anecdotes again contradicts core Australian values of mateship and equality as Grant’s grandfather who served alongside his caucasian friends was not recognized as a citizen thus was denied the ability to socialise with his soldiers.

Australians were worried, as they thought these individuals were inferior and are likely to dominate society. The bulletin magazine had a biased perspective towards others of coloured immigrants as it determined to remain culturally ‘British’. Knight explores the consequences of the White Australian Policy, and the authority that it carried as ‘an important symbol of both Australia’s relations with Asia and its own national identity’(pp.226). The intention was to exclude individuals

Over the course of the essay, the writing did bounce around from topic to topic, but at the same time it did follow an order of events that demonstrate, “how native’s peoples used porous borderlands to project power in ways that preserved their independence and limited the influence of encroaching empires” (Wigmore,

It is evident that “Tony Birch revives Melbourne’s past” through the creation of structure, that creates images in the readers’ minds; and it is these images, that ultimately forms a type of a narrative, which restores Australia and Melbourne’s past – to the readers. The structure of – ‘My Words’, Beruk (Ngamajet) – 1835 – is interesting, because it creates a narrative accounting, the arrival of the British and the racism that prevailed, after their arrival. The poem’s structure can be unpacked by analyzing the poem thoroughly. The begins by addressing the arrival of the British colonial, by making references to the William Barak’s first impression of Captain Cook, who had “landed [wearing a] white jacket and brass buttons”.

Reynolds reveals the moderate and censorship of historic writings in the 19th and 20th century, which achieved for government representation and agendas, in order to ignore the destruction of Indigenous Australian life and culture but praise the lives and pioneering spirits of the explores and colonizers. This Eurocentric vision is exposed as weak and racist and only a facade for foreign affairs. The situation of Australian history, violence, massacre, murder, rejection and dispossession that emphasises the idea that history has been repressed to serve the white political agenda, an “abuse of arbitrary power”. Reynolds uses adjective statements to make the audience question the political motivation for the government’s actions and the purpose of its active policies. Reynolds acknowledges the disillusionment of education, he exposes and counters with evidence that is irrefutable, exposing the atrocities of ‘White invasion’.

Robert Drewe’s 1996 novel The Drowner is, among other things, a representation of Western Australian lifestyle, culture and identity in the late 19th century. At the time, Australia was still a young nation; an “underdog” among Western countries. However, numerous gold rushes brought wealth and prosperity to the nation, attracting millions of immigrants from mainly European countries. Australia’s national identity developed into one centred around the values of hard work, perseverance and mateship—values which are still central to our identity today.

Tim Winton’s 2004 ‘The Turning’ is a collection of short stories that provide an insightful and thought-provoking exploration of Australian identity, place, and culture. Each of the stories can be read and analysed individually, however many of the characters and plots have been interwoven with one another, allowing Winton to explore complex ideas on a deeper and more intricate level. Through his vivid and evocative descriptions of the Australian landscape and its people, use point of view, and symbolism throughout, Winton in many ways challenges the habitual ways Australians think about themselves as a nation, whilst also reinforcing certain aspects of Australia’s national identity. ‘The Turning’ focuses heavily on the character of Vic Lang,

THE MONTHLY Nowra’s leap “Into that Forest”: Representing Indigenous Perspectives in Australian Literature Do non-Indigenous authours have the authority to write from Indigenous perspectives? Joshua D’Souza evaluates Nowra’s empowering tale ‘Into that Forest’ and his courageous leap into the world of realism. What is it like to witness your culture, your heritage, your native identity misrepresented for Australia to see? Ask Aboriginal Australians, and they will tell you a thing, or two about being ignored.

The poem My Mother The Land by Phill Moncrieff poetically describes the struggles the aboriginal people faced at the hands of the European people and colonisation throughout history. The fact that the author based the poem on accurate historical events adds to the authenticity of representations and engages the reader in an emotional journey with the struggles the aboriginal people faced with the somewhat loss of their country, culture, identity, people and place. The author uses a variety of language features and text structures to create this view point, for instance the author uses several language features and text structures throughout verse one to demonstrate the loss of culture and people. The poet uses effective language features throughout the poem to describe the loss that the narrator feels in their country, culture, identity, people

The narrator describes how the Indigenous Australians in the area were forced to leave their land, saying, "The black people are gone, and so are the dingoes" (Ottley, 2007, p. 5). This quote highlights the displacement of Indigenous Australians by white settlers, as well as the impact of their absence on the environment. Moreover, the artwork in the text portrays the Indigenous Australians as dark and shadowy, emphasizing their marginalization and exclusion from mainstream society. Together, these examples demonstrate how power imbalances are present not only between humans, but also between humans and animals, and between different racial groups. The text serves as a commentary on the

It depicts the Indigenous people's losses of land, culture, and identity, as well as the loss of their traditional way of life. The writer has a connection to the struggles they faced as a result of the consequences the Indigenous faced and indicates that challenges will arise in the future. Moreover, in the research source "[t]hese are tough conversations and we have to get to a point where we are willing to make mistakes because we are going to make mistakes along the way" (Larson, online). It conveys reconciliation and difficult conversation, similar to loss, loneliness, and healing. The text and the real world demonstrate the complexities of historical injustices.

Bruce Pascoe in his novel ‘The Dark Emu’ also claims that ‘villages were burnt’ and their ‘occupants killed by warfare, murder and disease’, this demonstrates that the British unrightfully took the indigenous Australians' land. This artwork could be helpful in some aspects since historians have collected evidence that indigenous Australians' land was unrightfully taken by the British during the 19th century. This artwork clearly shows indigenous Australians grieving over the British

Australia was a racist and bigoted nation. Commonly referred to as ‘Australia for the white man’, society was dominated by colonisers

Indian Horse by Richard Wagamese and Sufferance by Thomas King are two novels that tell stories about the Indigenous experience in Canada. Both books deal with similar themes that are developed through the use of key literary elements such as the concept of trauma and its lasting effects on individuals and communities, Identity, Cultural Heritage, Healing, Racism, and Discrimination, both novels approach these themes in different ways. Firstly in both Indian Horse and Sufferance one of the main topics is identity and the theme of struggling with fitting in society. Both books explore the notion of what it means to be Indigenous in a settler colonial society.

Readers are asked to interact with and appreciate the complexity and diversity of Indigenous cultures through the novel's evocative depictions of Haisla language and cultural practices, as well as the characters' experiences and views. The novel also addresses the ongoing legacies of colonialism and systemic oppression that have impacted Indigenous communities, highlighting the ways in which cultural identity and traditions have been threatened and undermined, while also affirming Indigenous people's resilience and strength in the face of these