Titian was an Italian Renaissance painter. He used oil-based paint for his artwork. The Assumption and Consecration of the Virgin is kept in Venice on a high altar in the Basilica de Santa Maria Gloriosa dei Frari. This painting stand twenty-two feet high and is arched at the top. Three sections are shown in this piece of artwork. The clouds separate the realms of earth and Heaven. This representational painting shows the unity of Heaven and mortals on earth. It also expresses the need for God the Father. At the bottom, you have the apostles. Most of them have longer hair and beards. They are looking up towards the virgin, Mary. Mary mothered Jesus and is ascending up towards Heaven. Some of the apostles are kneeling on the ground; others are reaching out towards Mary. …show more content…
One-point linear perspective is used with God as the vanishing point. Your eyes cannot help but to follow the looks that ascend upwards. The chiaroscuro shows the darkness and shadows on the earth and gets lighter towards Heaven. The apostles are wearing complementary colors of red and green on their clothes. The clouds are fluffy and white with shadows of gray. The higher sky is a yellow-orange with hues of gold. The red, yellow, and orange shows the warmth in the painting. Whereas the paler blue sky at the bottom show a cooler temperature. The Assumption and Consecration of the Virgin is polychromatic with its variety of color. This painting is an example of iconography. It is widely understood by the Christian culture. Mary was an important figure in biblical times. She carried Jesus though she was a virgin. She was a faithful servant to God. The apostles followed Jesus who died for all sins. God is ruler and protector of all. He watches over all of mankind. Many people worship Him and appreciate pieces of art that play a role in religion. This is an aesthetically beautiful painting that had a big part in the Italian
The painting shows off a torture chamber during the Roman Inquisition, which was responsible for prosecuting individuals accused of committing offenses relating to heresy. After taking care of education, the Roman Catholic Church needed to focus on how to spread the word of
Their Eyes Were Watching God,
The artist of the painting "Crucifixion of St Andrew" is Luca Giordano. The subject matter represents the religion of Christianity. It was made in the mid 17th century. Luca Giordano created this piece in Italy. Currently, the painting of Giordano is exhibited in the National Gallery of Canada in Ottawa.
The color gold used as a background color or in the halo symbolizes purity, royalty and glory of life after death. The crown/halo she is often depicted with, shows that the early Christians viewed her as a holy being, similar to the angels. Pink symbolizes eternal innocence, this is because she was the only virgin ever to conceive and give birth to a child, this only happened because God made it this way (Mulch). That is how he wanted his Son to enter into the
One angle is also bearing the symbols of the crucifixion like the lance Christ was stabbed with and the crown of thorns. The top part of the painting as a very calming and gentle tone to it. Both panels show Jesus but they look like two different people. On the left he 's lifeless, has no clothes on and seems weak. The middle ground between heave and hell is small.
The artist incorporates saturated red’s, blue’s and yellows from a limited color palette to emphasize focal points within the painting: the woman, and baby. The woman’s chest and neck show a tint of olive, which is analogous to the rich blue robe and soft yellow head wrap. The baby, inside the vivid red blanket, which is underneath coarse burlap: shown by its frayed edges and pattern weaves. To disassociate the elderly man, the artist creates depth
It’s one of the most treasured paintings in the world. When compared to the Italian standards, the panel is said to be very minor, but its regard is extensively expressed with respect to many other paintings that are said to be, in the ancient times, the most regarded.
In both pictures we are able to identify Humanism, Individualism, and Secularism whether or not if it is a famous painting or
This is said to be Leonardo Da Vinci’s first major work because it is the first large painting, painted by Leonardo 's hands. The story of this painting is that Mary is being visited by archangel Gabriel, in order to explain to her that she was " destined to be the mother of the son of god"( cite) . Gabriel is kneeling at the garden of Mary. There is a distance between both of them and she ironically receives the news while sitting at a reading desk. " The angel holds a lily in his left hand, a symbol of Mary 's purity, his right hand is raised in greeting.
It have two angels next to him. During that time, Saints were highly recognized and play a significant part in all social group and class. Therefore, this painting shows how important Saint and religion were during that time. This painting also suggests that Saint Francis is big and mighty. In addition, the angels give an image that Saint Francis is protection.
Gian Lerenzo Bernini’s, The Ecstasy of Saint Teresa, sculpted in 1647 to 1652. The piece is of Saint Teresa being struck by an Angel’s
In it Jesus is calm and quite, while the disciples are talking, arguing and implying movements. For that reason, this picture met my definition of art. At my parents’ house , the
The mood of this painting is nurturing and humble. The painting is more life like the any other portrait of Mary and Jesus because Jesus does not have a halo on his head and his
It shows the usage of warm and cool colors. This is because the usage of red and blue color for the robes of Christ and John, his favorite disciple. Overall, when people see this artwork, they would immediately know that it is from the Renaissance period because of the characteristic. Besides that, I had also chosen one of the most famous painting during the Renaissance period which is the Monalisa also by Leonardo Da Vinci. The Monalisa was painted for the Lisa Antonio Maria Gherardini wife of Francesco del Giacondo who is a rich Florentine silk merchant.
Although translucent, there is a ribbon that goes across her the top of her dress and behind her head. If looked at closely, there is a very faint gold halo that surrounds her head. In her left hand, she holds baby Christ. With his left arm he embraces in front Mary’s neck and the right arm is behind her neck on her back.