Rear Window thrusts us into the role of a voyeuristic neighbor, a role that we find ourselves quite comfortable filling. The point of voyeurism though, is that it is always a one-way street; we find comfort in knowing that we are able to watch others while we ourselves remain unseen. Together with our wheelchair ridden protagonist, LB “Jeff” Jeffries, we watch through a series of open windows as Jeff’s various neighbors go about their day to day lives. Though all of these people are placed there to distract us from the main event in an apartment across the courtyard: a neighbor, Mr.Thorwald, covering up the murder of his wife. A growing obsession leads to dangerous ambition as Jeff is forced to face the reality of this voyeuristic ‘sins’ when …show more content…
She fails to convince him of her innocence though, and after a few moments, he lunges at her. Understandably fearing for her life, Lisa yells for Jeff. In that moment, we are as crippled as Jeff is. Confined to our seats helplessly as she is assaulted. As Lisa yells for help, Thorwald is able to wrap his arms tightly around Lisa’s neck, and he reaches for the lightswitch, shrouding yet another of his crimes in an ambiguous shroud of darkness. This leaves us feeling even more powerless, as even the previously unimpeded safeguard of being able to watch uninhibited is stripped from us. We too are left in the dark. This darkness and uncertainty brings to light Hitchcocks use of psychoanalytic light. Psychoanalytic light is something that Hitchcock works with time and time again in his films. “Hitchcock’s analytical light functions in a similar way to escort us across the boundary of between knowledge and suspicion.” (Pomerance). It is a way the he can convey to us what is truth, and what must be questioned. Previously in the film, there are moments where events going on in other apartments are shrouded by closed curtains, or shut off lights. This leaves us, along with Jeff, to make assumptions on what is going on within, and what motivated the act of shrouding our view into the …show more content…
Since this is an act that most people have no problem partaking in on their day to day; i.e. “people watching”, the viewer finds it very easy to feel at-home in this role, and are able to sit back and watch the events of the film unfold. Only when our protagonist is caught, we are also forced to reassess our role, as we now feel all too uncomfortable in the face of reality. We are not used to being an active participant in a film, only a spectator. By connecting our role, and the role of Jeff so closely together, Hitchcock compels us to feel just as barefaced as Jeff when caught by Mr.Torwald. We are deer caught in headlights, paralyzed in the face of our
Hitchcock utilizes sound, camera work, MacGuffins, and plot twists to tell the storylines of the movies. Hitchcock understood the importance of camera work and sound because he began his career making silent films.12 It is why he uses many close up shots so the audience can pay attention to specific details and the emotions on the character’s face. He does not rely on dialogue to tell the story. He uses sound to help convey the message of a scene.
Therefore, contemporary theatre goers are able to completely realise the utter insanity of this scene through the exploration of the key themes. Essentially, the audience can understand the meaning of this excerpt through the utilization of the dramatic elements. This will, in consequence, gain the attention of contemporary society, forcing them to subconsciously ask themselves the decisive question of How much paranoia and abnormality can occur before something takes a turn towards
Rear Window by Alfred Hitchcock is a fillm full of symbolism and motifs that provides viewers with a bigger meaning. It shows these rhetorical appeals through Hitchcok’s eyes that would not be recognized if not analyzed. Through these appeals I have recognized the window as being a symbol and marriage and binoculars as motifs. After understanding much more than what the eye anitially sees when viewing this film there is a fine line between understanding what is going on in the film and observing what the protagonist Jeff is viewing.
Alfred Hitchcock 's Rear Window explores the lives of those who feel isolated within society. The 1954 film, set in the tenements of Grenwich village, depicts those who are incapable of fitting into society 's expectations, as well as those who feel isolated from common interaction with others. Moreover, Hitchcock displays how its human nature to seek comfort and deeper connection even with those who are surrounded by others. Despite depicting characters as lonely, the progression of the film illustrates how individuals can be freed from isolation. The director asserts the loneliness and struggle that comes from fitting into social mores.
Rear Window Argues that people should mind their own business. Do you agree? Rear Window, a 1954 romance/murder-mystery by the renowned golden age director Alfred Hitchcock, is a film that explores a multitude of themes and genres through the voyeuristic gaze of protagonist L.B. Jefferies. Jefferies, or ‘Jeff’ as he commonly known throughout the film, is a middle-aged bachelor recently hospitalised due to his high-risk career as a photojournalist. This hindered condition serves as an important foundation on which the movie is built upon as Jeff’s forced lifestyle being in a wheelchair causes an abrupt stop in his usual high intensity way of life and causes him to quench his boredom in other ways, predominantly watching the other residents in his apartment complex through the ‘rear window’ of his apartment.
Alfred Hitchcock successfully performs suspense and shock in a number of ways. One way was when he reveals that the cop is following her, making us think that he found out concerning the money she stole. Another way is when we see Norman staring through the hole, examining her as if he is waiting to make his move. The last technique that Hitchcock constructed suspense is when we identify a shadowy character gazing at her take a shower, making us wonder who it could
Alfred Hitchcock’s Rear Window has several themes. One major theme is relationships. The lead character, Jeff Jeffries, a photographer and committed bachelor, is involved in a relationship with Lisa Fremont, a model, although the relationship has some tension due to Jeff’s lack of commitment. When Jeff is confined to his apartment recovering from a broken leg, he begins spying through his rear window on his neighbors in a nearby apartment. Through her frequent visits, Lisa is drawn into this spying as well.
In the short story “It Had to Be Murder,” the many entities, atmosphere, and sentence structure present contribute to the overall purpose of the setting - to evict a sense of significance over the most miniscule of things. “I could get from the bed to the window and the window to the bed and that was all,” a sentence near the beginning of the story serves to depict that the life of the protagonist is very monotonous and repetitive and Jeff experiences are confined only to his bedroom. However, throughout the story, Jeffery is depicted as doing everything but that; from being the witness of a murder and assisting the police on the crime which he is the only one to have witnessed. It is as almost if his bedroom represented the humans being isolated
With Rear Window (1954), Alfred Hitchcock proved himself to be one of the best directors of suspense thrillers filled with mystery and humour. He himself called the film his most cinematic one because it was told only in visual terms (Morrow), but it was also a challenging “editing experiment” as the entire film was shot from one place, Jeff’s apartment that overlooked his backyard. The Film follows L.B. Jeffries “Jeff” (James Stewart), a photographer confined to a wheelchair in his apartment after breaking his leg at work. He spends his days watching his neighbours and eventually suspects that one of them killed his wife. His caretaker, his girlfriend Lisa and his detective friend, at first unconvinced of his suspicion, eventually join him in his voyeurism and help him to solve the crime.
The idea of similarities among all people, an underlying connection, is expressed by Hitchcock when Lisa in Rear Window argues with Jefferies, saying, “There can't be that much difference between people and the way they live! We all eat, talk, drink, laugh, sleep, wear clothes --“. When she says this, Lisa has a lamp light shining from the upper right side of the screen to indicate the truth of her argument. There is also an instance in Rear Window where the ability to understand a person sprouts empathy. Jefferies is sitting in the dark, after Lisa leaves angry, when the piano man comes home.
In literature, writers use a variety of points of view to convey their plot; these points of view can be first person, second person, or third person. In “The Tell-Tale Heart”, the unnamed narrator describes he or she killing an old man. “Harrison Bergeron” is a dystopian story about Americans in the future that have handicaps in order for them to be equal. “A Good Man is Hard to Find” tells the story of a grandmother and her family taking a trip to Florida that went wrong.
Eventually thorwald gets to Jeffries and the fight but due to Jeffries cast he is not able to defend himself and he is thrown out the window right as the police enter his room. Hitchcock created a lot of suspense during this scene by having a the killer go after the main character when he was at a disadvantage while the police were
In the Eye of the Unknown The Dunwich horror written by H.P Lovecraft is a short horror story following “most of” the life of Wilbur Whateley. This story takes us through mystery and deep into the fear of the unknown. With this story we get a small glimpse, a perspective from the narrator into what else could possibly lie beyond. Perhaps the most horrifying thing about this story is not all the death and chaos, but simply not knowing the source of all of this chaos, which leads imagination and fear to run riot. The central theme of this story, is how humans respond to whatever “horror” they are confronted with.
This gave them the privilege to see what was causing the shadows. The prisoners were filled with confusion, and finally understand what was causing the shadows to form. This portion of the book describes how the prisoners moved from imagination based ideology to reality. They moved from visualising the shadows to knowing what was causing the shadows. This shows the shift from imagination to reality.
The theme of the story "Girls in the rear view mirror" is revolving through many lives of the truck drivers, similar to the conditions they face and like what number of them turn into an objective of the weakness of their mental states. This story depends on Luis who is the truck driver and stays months from the family and how he fell for a whore named Jotinha. In light of her calling it is said how she got tainted by HIV/AIDS. Jotinha died as a result of this ailment as well as she gave birth to a child who was additionally adulterated by the same. In spite of the fact that she became hopelessly charmed with Luis and her devotion was demonstrated by her when she left for a year abandoning her work to consider an offspring the kid, still she and her tyke did not get the appreciation they defended.