I chose to write about the building of Brunelleschi 's Dome. In the 1400 's Brunelleschi was commissioned to construct a dome for the Florence cathedral. I thought that one of the most interesting things about this article was that Brunelleschi essentially invented tools and lifting technology that would be in use until the industrial revolution. One of the more pressing concerns in regards to the dome being built was how the dome would be lifted onto the cathedral. Brunelleschi, however, had a brilliant idea. He invented an intricate oxen-pulled hoist that could be used at three speeds, and could change directions without having to change the directions of the oxen. Brunelleschi also invented a way for the dome itself to be much lighter,
His Design would consist of two domes, one small Dome on the inside, and a larger dome on the outside. The first problem to overcome, was lifting all the materials up to the dome, so he invented a crane that was better then any other crane in the world. He strengthened the dome collapsing,
Filippo had been educated with the intention of following in his father's footsteps as a lawyer and he studied Mathematics and literature (“Brunelleschi…”)”. Brunelleschi was in a memorable competition with a fellow artist by the name of Lorenzo Ghiberti, the competition was to see who could construct a set bronze doors for the Florence Baptistery. Ghiberti was this competition giving Brunelleschi the inspiration and drive to construct the Dome of Florence. “In 1419 Filippo was given the task of completing the dome for the Cathedral of Florence. This work occupied a great deal of Brunelleschi's life and the challenge was enormous, no dome of that size had been built since antiquity (“Brunelleschi…”)”.
I studied about the dome that Filippo Brunelleschi built for a cathedral in Florence. The dome that he built for the cathedral had to span 150 feet across and was about 10 stories tall. This was built at the beginning of the Renaissance, so the early 1400’s. For the technology that was available at the time, it should have been impossible for him to be able to build what he built. Not only was the dome huge, but it also started over 100 feet above the ground on walls already built.
This thesis studies the results of Indulgences on Christian history, ideals, art, and architecture, especially the building and rebuilding of Saint Peter’s Basilica. The text argues that the sale of Indulgences, despite their exploitation of people all over Europe, affected history in a positive way. The author creates her argument by going through the history of the early Basilica of Saint Peter, early Indulgences, subsequent Popes and their use of Indulgences, then the financing of the new Basilica of Saint Peter, and finally the decisive abuse of Indulgences by Pope Leo X, which sparked the Protestant Reformation. The author uses first hand accounts of the history she just described as her evidence, citing many primary sources and journals
I chose to learn more about Brunelleschi’s design of the dome for Florence’s cathedral, which focuses on architecture. The main motivation for this was the fact that there was a gaping hole in the roof of the cathedral, exposing the inside to rain and sun. One of the biggest questions that was asked was how they would build this dome, especially since no one really knew how to build a dome this big and this high. The significance of the discovery not only had to do with what they would build the dome out of, but also the material and technology they would use to build it.
Important buildings and structures come and go but some are built to stay. The buildings that stay are called legendary master pieces. But what makes them master pieces? What makes the building mater pieces is how they changed the frame of mind of a person; causing the people to look at the buildings not just as a building but as art.
Dome of the Rock, an Islamic shrine built on Temple Mount in Jerusalem in 691, and the Church of San Vitale, a Byzantine church built in 547 in Ravenna, Italy, are two buildings of great importance to their respective religions, Islam and Christianity. Because both buildings have religious functions, they have many situational and architectural similarities to symbolize the importance of God and to create a connection between Earth and Heaven, yet because of differences in cultural history and transforming styles, the buildings convey religious messages through distinct architectural and decorative techniques. The Church of San Vitale and Dome of the Rock have similarly significant locations to reflect the religious grandeur of Islam and Christianity.
The hydraulic press and the syringe were also invented by Blaise Pascal and he also experimented with measuring pressure using a Barometer. Pascal was interested in studying the concept of the vacuum which resulted in him inventing equipment using a vacuum. In one of his experiments he carried a barometer to the top of a 50 metre high church in
The Industrial Revolution took place from the late 18th to mid 19th century. It was a time during which rural societies in Europe and America became urbanized and industrialized. Preceding the Industrial Revolution, manufacturing was mostly done in people’s homes, using handtools and simple machines. Industrialization was characterized by powered, specialized machinery, factories and mass production. Most notably, during the Industrial revolution, iron and textile industries boomed, the steam engine was developed, and improved systems of transportation, communication and banking arose (Calvert 5).
1: Identification and Evaluation of Sources This investigation attempts to answer the question: How does religion impact architecture in the Middle Ages? The question is relevant because the religion Catholicism was prominent to the lives of everyone, regardless of social status, income, or heritage. The church was the same as the state, it dominated every aspect of life, including art and architecture. The issues that will be addressed are the impact of religious architecture on the community and the impact of religion on civic architecture. This investigation will focus on the time of the 5th century to the 15th century, or the timespan of 476 to approximately 1500 CE.
The funding of art simply to have it, is more pronounced than it was in the Northern Early Renaissance. This was seen often by the Medici family, they paid artists, even those with poor temperament, to create things for them. Some of these arts were kept in the home as personal wants of the family, others like Filippo Brunelleschi’s dome, were to show the immense power of their wealth. No matter what the need of the patron’s art was, this offered even more chances of paying work for the artist.
Many of the architectural masterpieces that were already completed and in the process of being completed, halted there and were not completed. Many of the projects were not completed and just left standing, Venette brought this to the public’s attention in his
The Renaissance: A Persuasive Essay By: Valerie MacDougall The age of the Renaissance began in Florence, Italy and was known as the age of “rebirth”. It marked a transition from Medieval times to the Early Modern World and was a time of creativity. The Italian Renaissance produced some of the greatest artists, writers and thinkers that the world has ever known.
The artist I am choosing for this assignment is Andrea Del Verrocchio. My favorite art piece out of chapters 9 and 10 is the Equestrian Monument of Bartolomeo Colleoni (1, page 266). It is an amazing work of craftsmanship that seems to have an aura or greatness in its structure and design. Andrea designed this monument and many others like it. He was an extremely talented man being skilled and successful in painting, sculpting, and metalworking (Finnan).