William Street Kenneth Slessor Analysis

Both of these uses of figurative language and the imagery that they consist of help to paint the picture of Cao’s love of english. The tone of this passage also contributes to that. By using words such as “poetry”, “perfection”, and “astonishing” the excerpt appears light hearted and

The form of this poem is structured in a way that enhances the readers understanding of the poem with the “echo” The “voice” can be, described as

William Wordsworth in “London 1802” and Paul Laurence Dunbar in “Douglass” employ formal diction and metaphors to illuminate the social issues of each era; both poems plead for a great historical figure to return to their time period and rectify the evils of society. However, they also differ in purpose and targeted the audience as “London 1802” addresses the social issues in England and the need for values in the Englishmen while “Douglass” represents the African American struggle for rights during the civil rights era. “London 1802” and “Douglass” both call for the return of two strong historical figures who influenced their respective time periods. By using formal diction and metaphors, each poem exemplifies their message about social issues and

In choosing to juxtapose the words “dirt roads and grassless yards” (par. 1) and “lush green yards” (par. 1), the author showed the depressing tone. These words compare what the narrator lives in, a poor and dirty environment, to what she does not have, a clean and rich community. Over the course of the excerpt, the tone became more

The concept of the discouraging urban environment presented in the texts suggests that the functioning industrial world threatens all classes of society. This can be seen through images representative of the urban setting, the conception of crowds, and the individual’s longing for death. Therefore, the poems draw attention to the Canadian urban centre as a place of isolating corruption that be escaped only through death. And while these texts criticize the industrialized society of the 20th century, the mechanized city life is still prevalent in the experience of many urban populations of modern

Name: Course Code: Instructor: Date: Billy Collins’ “Introduction to Poetry” This poem is exploring the subject of the Introduction to Literature of poetry as the means by which to study any form of a poem. There two viewpoints introduced that include the assessment of the speaker who depicts how he might want the audience to explore a poem; and the conclusion of the targeted readers who need to discover as fast as could reasonably be expected the meaning of the poem. The use of literary devices helps the poem take the shape it takes in the mind of the reader.

Nevertheless, brush strokes go deep. They scratch our thin optimism when he brings us the treasures of the humble: their little joys-so joyous in their constant misery-so appalling-their daily ways, goings and comings. And he has beaten out a style of his own to render these surfaces, a style that is still and somber-he can represent absolute repose in a curiously suggestive manner. He paints dark pictures-there are only three or four light ones in this exhibition; and he has a feeling for night, for the mystery and fear of strange corners.

As an extra circumstance, the poem applies the pronoun “I” as the point of view which is probably intended to show the poet’s eagerness in communicating his own experience to readers. The poet apparently expresses a kind of paradoxes and ambiguities through his poem. These paradoxes accompanied by some

Billy Collins’s poetry is marked by - and loved for - its accessibility. His work is not too complex, and it is easier to understand than some others. The title of the poem, “Introduction to Poetry,” introduces us the theme of the poem. Throughout the poem Collins uses copious metaphors that when coalesced show the readers how to rightly read a poem and how not to.

However, after reading the first stanza, it is evident to the reader that, there is oppression in the air. The first stanza reads that, “Dawn in New York has four columns of mire and a hurricane of black pigeons splashing in the putrid waters,” and this is clear to the reader that, the New York Dawn is not a normal dawn and that life in New York is despondent. According to the writer, the dawn does not come with something to smile about. After reading the poem, we realize the writer’s reason for entitling it as such.

The Best Poems Ever By Cindy Christmas No part of this book may be used or reproduced in any manner whatsoever without the written permission of the author. The Best Poems Ever All Rights Reserved. Copyright: © 2015 Cindy Christmas ISBN#: 978-1-329-67658-9 http://www.lulu.com Printed in the United States of America Ageing What Is Beauty? Violent World End Violence Skin Unforgettable

In the third paragraph, Dublin is described as dark, dreary, and depressing. “When we met in the street the houses had grown somber… Our shouts echoed in the silent street. The career of our play brought us through the dark muddy lanes behind the houses, where we ran the gauntlet of the rough

Art is expression through creativity that allows us to deliver a message that may be more significant than just words on a page. Art connects with people on a more emotional and spiritual level, and it is this that can help to drive home the artist’s message in his or her works. Natalie Czech’s “A Poem by Repetition by Allen Ginsberg” combines two powerful pieces of art, poetry and photography to create one cohesive piece of art. The art is inspired by writings documented in Ginsberg’s personal journal; not originally being a poet, Ginsberg later had his journal turned into a poem. Czech later discovered the poems and altered the ending to a broader form of self-appreciation, changing the last line of the poem from “anybody,” to “anything.”

Nonetheless, it is the social context of the poem that is highly relevant for an effective understanding of the ideas and messages in the poem. This poem is told through the images and sounds, where the latter set the scene for us. It starts off with familiar noises such as ‘cry’ (lines 5-6) which is entirely a metaphor for the street noise, pedestrians, transport means and the lovely children. It all seems simple enough. Then the sounds progressively become stranger, as seen in the phrase “in every noise, in every ban/

The speaker speaks of her father throughout the poem as if he were someone of the past, long gone. A fog obscures objects, making it an easy way to escape reality. The dreary tone of the poem is reinforced by “Fog-damp pall over the city” impending a deep sense of apprehension (8). A city in a fog progresses very slowly, one must be careful to avoid the danger lurking within