A Sunday By Georges Seurat

Stephen Puleo wanted to tell the story of The Great Boston Molasses Flood of 1919, so he did. Puleo is an author, historian, university teacher, public speaker, and a communications professional. Some of his works are the “Boston Italians”, “A City So Grand”, and “Dark Tide”. While I was reading this book, I was amazed of how big and fast the Molasses was moving down the streets of Boston. You wouldn 't think of molasses moving fast.

In writing A Voyage Long and Strange, Tony Horwitz’s goal is clear, to educate others on early America and debunk ignorant myths. Horwitz’s reason for wanting to achieve this goal is because of his own ignorance that he sees while at Plymouth Rock. “Expensively educated at a private school and university- a history major, no less!-I’d matriculated to middle age with a third grader’s grasp of early America.” Horwitz is disappointed in his own lack of knowledge of his home country, especially with his background history and decides not only to research America’s true beginnings, but to also follow the path of those who originally yearned to discover America.

Arthur Dimmesdale was the town minister in The Scarlet Letter, a story of a young woman who committed adultery and faced the consequences, such as wearing a scarlet “A” on her chest. Dimmesdale was a very interesting character because he was very religious but also committed a sin that haunted him everyday. He also happened to be the man who was involved in the young woman’s adultery. He was never convicted, however he still faced the consequences everyday. Dimmesdale was a man of God.

In 2003, the nonfiction author Jon Krakauer published his book Under the Banner of Heaven: A Story of Violent Faith. Motivated to expand the typically Islam-focused understanding of religious extremism that dominated the U.S. after 9/11, Under the Banner of Heaven addresses fundamentalism and the violence that often accompanies it in a totally different context – the Mormon faith. Krakauer tells in parallel the history of Joseph Smith and the founding of his church, and of the modern-day extremist offshoots that embrace Mormon beliefs but do not belong to the Church of Jesus Christ of Latter-day Saints (LDS). By juxtaposing the brutal double murder committed by the fundamentalist Lafferty brothers in 1984 with the 1857 Mountain Meadows massacre

People throughout history, and present, live in fear of judgment. They believe that their self-worth lies in the hands of other people. The fear of judgement restricts them from reaching their full capacity and potential. It molds them into what their discouraging peers want them to be. Theodore Roosevelt stressed the importance of not concerning himself of what others thought of his choices.

The Man Who Was Thursday opens a verbal sparring match between Gabriel Syme, a poet arguing that beauty is in the aspect of things orderly, and Lucian Gregory, an anarchist considering the contrary, the man who throws a bomb an artist, because he prefers to all things beauty of a great moment. The two opposing views are a leitmotiv of the work of Gilbert Keith Chesterton, GK or (not to be confused with JK, the cocaine addict singer JAMIROQUAI), one of English authors most prolific and influential of the early twentieth century. Tower journalist tower - it is The New Witness editor succeeding his brother died at the front, then GK 's Weekly - satirist and novelist GK Chesterton endorsed the principle of paradox, as Oscar Wilde and George Bernard Shaw, two authors

Hitler and his Nazis were not the only ones accountable for the death of six million Jews, bystanders are also responsible. This is one of the themes explored in the memoir, Night by Eliezer Wiesel, which tells of the horrific experiences he went through as a Jew during the Holocaust. He does this by sharing his struggles Wiesel hopes to encourage his audience by recounting the lessons he learned during the darkest days of his life to avoid being bystanders by observing, speaking out, and not conforming. When a person is observant they are able to sense changes in advance even when based on the most minute of details.

Some see the ugliness in the most beautiful things but others see the beauty in the most hideous of things. The poem William Street by Kenneth Slessor demonstrates this thesis statement as he talks about how he sees the beauty in the street that is renowned for its ugliness and the unsightly surroundings it is engulfed with. This poem's literary techniques and imagery gives the readers an insight into the environment and the surroundings that are seen vividly even though they are described through the use of foreshadowing. Each stanza gives the readers a different understanding on what is going on during the poem.

Regret is an incurable disease caused by lies, distortion, and falsehood. People often try to find a cure for this disease or try to believe that regret is something that is easy to cure, however, it is not. Once an individual make themselves believe in a lie they tell themselves, the pain and suffering that comes with regret will continue to linger for a lifetime. Sinclair Ross’s short story, “The Painted Door” highlights the idea that individuals who deceive themselves in the chase for happiness often create a lifetime of regret.

The relationship between father and son is one that is both sacred, yet complex as each side of the relationship faces hardships. This relationship between a son and his role model, a father and his child, is one, has its ups, but one must also know it has downs. In Theodore Roethke’s “My Papa’s Waltz,” Roethke’s use of ambiguity through diction allows room for the audience to interpret the text in a positive or a negative way, representing the relationship between a father and a son, which on the outside can be interpreted in an either positive or a negative way. Roethke’s use of diction creates an element of confusion for the audience of his poem.

Faith can be very important in a person’s life, but it is often very difficult to hold on to during times of crises. It could help a person a great deal, or it could leave a person weak and in pieces once they lose it. Both Elie Wiesel and Marjane Satrapi experienced the loss of faith and the difficult times following. They described their experiences in their respective memoirs Night and Persepolis. Elie wrote about his experience in several concentration camps during the Holocaust, and the trauma that he both witnessed and felt during that time.

The high frequency tambourine play through out the mix and give a mellow, relaxed feel to the song prior to the buildups, once again possibly conveying the message of calm during tense circumstances. The most important compositional technique however was the powerful duet. Terrell complements Gaye’s gospel grit throughout the verses, possessing a striking alto tone, with Gaye pulling back to let her powerful voice soar over his during the commanding chorus. This gives off the notion of togetherness, compatibility and makes listeners feel a yearning to love. Now it is important to understand the background in which this particular piece was composed and how this makes it a message-conveying

The tone of the poem is slightly sad, but reassuring. The first stanza is somber because the woman is old and seemingly alone. But, when the second stanza is read, readers are reassured and are able to see the love the speaker has for the woman. "But one man loved the pilgrim soul in you, / And loved the sorrows of your changing face. "(7-8).

Edward Hopper’s painting, House by the Railroad, portrays an abandoned, Victorian-styled mansion built adjacent to a railroad. Hopper depicts the lonely state of the house by emphasizing the shading of the house, colors, architectural design, and placement. In the poem, Edward Hirsch emphasizes the houses’s “emotions” through the usage of personification, diction and metaphors. Hirsch’s personification of the house provides us insight on how the house is feeling. For instance, he describes the physical appearance of the house by using words like “strange, gawky house”(142) and “faded cafeteria windows”(143).

Which brings out my next point, the theatre of the Absurd. Theatre of the Absurd plays a great role in this play and is influenced by the philosophical concept of existentialism, where there’s meaning to everything but at the same time everything is nothing. An example would be the character Lucky, despite the name “Lucky” he lives his life as a slave of another character, Pozzo. Lucky is known as a character that has a lot of knowledge but is unable the share it as he doesn’t have the ability to speak coherently. This can be shown in the long speech made by Lucky in the first act, where he talks about a lot of topics that seem unrelated to each other, suggesting that Lucky’s current life is very complicated and is shown in a darkly humorous way.