But Miki also employs an example from Kogawa 's Obasan. He acknowledges that in the novel, Aunt Emily is able to see through the discourse of war and national security and detect the ambiguity of the term ' 'evacuation ' ' (52): ' ' ' 'It was an evacuation all right, ' ' Aunt Emily said. ' ' Just plopped here in the wilderness. Flushed out of Vancouver. Like dung drops. Maggot bait ' ' (Kogawa 139). Here, Emily not only picks up upon the euphemism of the term (Miki 50) but also expresses the implications that the relocation of Japanese Canadian presents, namely that Japanese Canadians are seen as a lower kind of people, which is also reflected in Emily 's description of the internment centre at Hastings Park that she relates to her sister …show more content…
She also knows who is responsible for this, Canadian politicians, and she wants them to be punished. Her repeated mentioning of the RCMP, the Royal Canadian Mounted Police, in relation to the internment and the implementation of restrictions (Kogawa 97- 130) reiterates the notion of the awareness that the government does not thunk of Japanese Canadians as equals.
Another aspect the novel emphasises is the separation of families. The reader follows Naomi, Stephen, Uncle Sam and Obasan to the ghost town of Slocan City. They are now separated from Aunt Emily, Naomi 's father and their grandparents. The latter do arrive in Slocan City and want to live there, too, yet they are not allowed to:
I [Naomi] know they wanted to stay with us. But an ambulance took them away. Stephen says it takes a whole hour to drive the twisting twenty miles from Slocan to New Denver, where they are. Obasan held Grandma Nakane 's hand tightly until the driver came to close the ambulance door. Grandpa Nakane strained to sit up and tried to smile as he waved goodbye to Stephen and me […]. None of us spoke. (Kogawa
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The reader gets a glimpse of the emotions involved in this parting: Obasan who will not let go of Grandma Nakane 's hand or the forced attempt of happiness on Grandpa Nakane 's side. It might strike the reader as strange that there is not an open exchange of emotions but Naomi explains this attitude just a few lines later: ' ' We must always honor the wishes of others before our own. We will make the way smooth by restraining emotion. Though we might wish Grandma and Grandpa to stay, we must watch them go ' ' (Kogawa 151). The characters in Obasan seem to employ the restraint of emotions as a coping mechanism for the injustices they have to endure.
Another striking fact is Naomi 's description of life in Slocan. Although she is sad at first that she had to leave her home behind (Kogwa 151), her account of life in a ghost town is not purely negative. She remembers enjoying Stephen 's music, the arrival of her Uncle, the changing of winter to spring, playing in the forest (Kogawa 140- 204). This presents one striking difference between the description of ghost towns in reported history and in
Obasan written by Joy Kogawa is a moving novel translating the silence breaching upon the Japanese Canadians during the late 1940s. Obasan is a novel that looks back towards the discrimination and prejudice through the hidden Canadian History. The perspective of the story is told in first person of the main character, Naomi. Kogawa’s literary style brings life to characters such as naomi, describing her experience of silence and cultural separation with just only words. Living through first perspective not only reveals detailed imagery of the surrounding, but the beliefs, thoughts and fears of Naomi.
This book reflects the author’s wish of not only remembering what has happened to the Japanese families living in the United States of America at the time of war but also to show its effects and how families made through that storm of problems and insecurities. The story takes in the first turn when the father of Jeanne gets arrested in the accusation of supplying fuel to Japanese parties and takes it last turn when after the passage of several years, Jeanne (writer) is living a contented life with her family and ponders over her past (Wakatsuki Houston and D. Houston 3-78). As we read along the pages
The worst bearing of both Rowlandson and Equiano has to face was being separated from their own love ones. Rowlandson was separated from her family and relations when her village was attacked then eventually lost her only child that was with her. Nevertheless, Equiano also endured tormented pain when he was parted from his sister while she was the only comfort to him at once. He was a young boy in a fearful atmosphere with nothing to convey a positive perspective. “It was vain that [they] besought than not to part us; she was torn from [him], and immediately carried away, while [he] was left in a state of distraction not to be describe”.
Like many children her age, the girl in Julie Otsuka’s novel When the Emperor was Divine had the opportunity to attend a “summer camp.” However, the camps that the girl and her family endured were not like traditional summer getaways but instead state-sponsored prisons designed to keep the populace “safe.” Instead of enjoying the water slides and rope swings that other children her age got to experience, the girl struggled with establishing an identity that fit with the rest of her society. With her use of neutral tone and language, Julie Otsuka explores the creation of the cultural identity that is established by the Japanese-American people as they are confined in Concentration camps designed to keep the nation safe. Pulled from their homes,
The young girl is prevented from entering the church where her grandmother has prayers. As a person from the old world, the young girl is not allowed to play with boys from the new world. On the other hand, “in response to executive order” by Dwight Okita is about Americans of Japanese origins that were supposed to report to relocation
Mary Matsuda Gruenewald tells her tale of what life was like for her family when they were sent to internment camps in her memoir “Looking like the Enemy.” The book starts when Gruenewald is sixteen years old and her family just got news that Pearl Harbor was bombed by the Japan. After the bombing Gruenewald and her family life changed, they were forced to leave their home and go to internment camps meant for Japanese Americans. During the time Gruenewald was in imprisonment she dealt with the struggle for survival both physical and mental. This affected Gruenewald great that she would say to herself “Am I Japanese?
Matsuda’s memoir is based off of her and her family’s experiences in the Japanese-American internment camps. Matsuda reveals what it is like during World War II as a Japanese American, undergoing family life, emotional stress, long term effects of interment, and her patriotism and the sacrifices she had to make being in the internment camps. Everyone living in Western section of the United States; California, Oregon, of Japanese descent were moved to internment camps after the Pearl Harbor bombing including seventeen year old Mary Matsuda Gruenewald and her family. Matsuda and her family had barely any time to pack their bags to stay at the camps. Matsuda and her family faced certain challenges living in the internment camp.
A soldier tells them to put the shades down. The girl has a brief conversation with a Japanese man who only knows japanese. “The girl shook her head and said she was sorry she only spoke English” (Otsuka, 28) By saying this the girl emphasises the fact that she is a American girl and she has that identity and not just a japanese spy. The soldiers guarding the Japanese-American families makes guarding absurd.
After the bombing of Pearl Harbor, Americans were fearful of further Japanese attacks on the West Coast and also of Japanese Americans. In response to this fear, President Roosevelt passed an executive order relocating all people of Japanese descent from the West Coast inland. Similar to the fear of the American people, the witch hunts in the novel The Crucible by Arthur Miller led people to believe that girls in the town were being bewitched. Mass hysteria caused multiple arrests for accusations and even death for the so called “witches”. The theme of fear in both the Crucible and the Japanese Internment Camps of WWII caused people to be easily persuaded with the use of pathos and logos.
You tell me, and I won’t put it down on the form, No-one will know but you and me”. It’s obvious that the author, Thomas King, is trying to make awareness about the treatment of Aboriginals are facing in
It is pretty undisputable that the Canadians did hold prejudice and was racist towards the Japanese people. Many believe this to be the driving reason to the Japanese’ internment. Pre-Pearl Harbor, racism was not as intense, but still was real. There was some level of racism ever since the first Japanese people entered Canada in 1877 ("The Internment of the Japanese during World War II.").
There is the underlying theme of prejudice, especially through racism; against refugee of the Vietnam War, Jeffrey Lu; Jasper Jones, an indigenous Australian of mixed descent often being the town’s
The indigenous people are literally crashing into the buildings produced by the colonizing culture, “Look out! Bob shouts. There are Indians flying into the skyscrapers and falling on the sidewalk.” (King 63) and it adequately represents the lack of adaptability of the Native Canadians. Thomas King taps again into the effects of colonialism and notions the indigenous people as uneducated and an untamed species.
Because the Grandmother's intentions still remain unclear of what she really wanted and meant. As well of her point of views of her religion and approach towards it. (The Moment of Grace).The religion of the grandmother is not very clear. She tends to be unpredictable, she doesn’t explains what she reallys means by certain things she says or the way she expresses herself. The grandmother is the center of the family, for she is the grace.
Eyewitness accounts are generally able to convince readers and this book is able to convince readers about its objective through some sincere retelling of events. One feels that one is accompanying Jeanne on her personal journey and that is the strength of the book. The authors not only recount facts and events but take the readers along with them on a journey where they search, examine and understand the truth behind their experiences. Jeanne shares her experience of being a Japanese American during the war and the impact it had on her without any bitterness or self-pity. It is extremely readable as it avoids being academic and relies more on personal experiences.