Literary Analysis: Exploring American Identity

This book reflects the author’s wish of not only remembering what has happened to the Japanese families living in the United States of America at the time of war but also to show its effects and how families made through that storm of problems and insecurities. The story takes in the first turn when the father of Jeanne gets arrested in the accusation of supplying fuel to Japanese parties and takes it last turn when after the passage of several years, Jeanne (writer) is living a contented life with her family and ponders over her past (Wakatsuki Houston and D. Houston 3-78). As we read along the pages

There daughters were always ashamed of and resented their mothers, especially while they were young. The daughters felt this way because of the way their mothers raised them. The mothers were very hard on their daughters, and pushed them towards successful, sometimes causing their daughter to feel overwhelmed. The mothers wanted their daughters to keep their Chinese heritage and culture, but also take advantage of the opportunities they have in America. The daughters were often ashamed of their Chinese heritage, and the way that their mothers acted.

In her autobiography, Neisei Daughter, Monica Sone shares her journey and struggles of growing up, a task made more difficult as she faced racial and gender discrimination. Over the course of the novel she becomes aware of her unique identity and goes from resenting it, to accepting and appreciating her identity. At the age of six, Sone became aware of the fact that she was different, “I made the shocking discovery that I had Japanese blood. I was a Japanese (p. 3).”

Mary Matsuda Gruenewald tells her tale of what life was like for her family when they were sent to internment camps in her memoir “Looking like the Enemy.” The book starts when Gruenewald is sixteen years old and her family just got news that Pearl Harbor was bombed by the Japan. After the bombing Gruenewald and her family life changed, they were forced to leave their home and go to internment camps meant for Japanese Americans. During the time Gruenewald was in imprisonment she dealt with the struggle for survival both physical and mental. This affected Gruenewald great that she would say to herself “Am I Japanese?

Matsuda’s memoir is based off of her and her family’s experiences in the Japanese-American internment camps. Matsuda reveals what it is like during World War II as a Japanese American, undergoing family life, emotional stress, long term effects of interment, and her patriotism and the sacrifices she had to make being in the internment camps. Everyone living in Western section of the United States; California, Oregon, of Japanese descent were moved to internment camps after the Pearl Harbor bombing including seventeen year old Mary Matsuda Gruenewald and her family. Matsuda and her family had barely any time to pack their bags to stay at the camps. Matsuda and her family faced certain challenges living in the internment camp.

Julie Otsuka’s When the Emperor was Divine is a story about a Japanese-American family and their experience in an internment camp in Utah. In the book, the young girl says to her mother “Is there anything wrong with my face?... People were staring” (15). The reader can see from this quote what it was like for the Japanese-Americans during the war. The quote shows how it was not just a national problem; it was a problem for everyone- including making a ten year old girl feel self-conscious.

A soldier tells them to put the shades down. The girl has a brief conversation with a Japanese man who only knows japanese. “The girl shook her head and said she was sorry she only spoke English” (Otsuka, 28) By saying this the girl emphasises the fact that she is a American girl and she has that identity and not just a japanese spy. The soldiers guarding the Japanese-American families makes guarding absurd.

She shares the struggles of being a Chinese-American woman by telling the readers her story as well as other girls who went through the same thing. Their inability to speak or at lease to speak properly has a lot to do with the Chinese culture. They are taught from a young age that they live in a patriarchal society and they have to submit to it whether they like it or not. The pressure and expectations that are set upon their shoulders may have caused them to become voiceless, it may have caused them to realized that even if they had a voice, they would never be able to use it. Not only were the readers able to get a look into Chinese society but also into typical Chinese families.

This paragraph from Kesaya Noda’s autobiographical essay “Growing Up Asian in America” represents the conflict that the author feels between her Japanese ethnicity, and her American nationality. The tension she describes in the opening pages of her essay is between what she looks like and is judged to be (a Japanese woman who faces racial stereotypes) versus what she feels like and understands (life as a United States citizen). This passage signals her connection to Japan; and highlights her American upbringing. At this point in the essay, Noda is unable to envision her identity as unified and she describes her identity as split by race.

The author, Jeanne Wakatsuki, presents a meaningful story filled with experiences that shaped not only her life, but shaped the lives of thousands of Japanese families living in America. The book’s foreword gives us a starting point in which the reader can start to identify why the book was written. “We a told a New York writer friend about the idea. He said: ‘It’s a dead issue. These days you can hardly get people to read about a live issue.

In the texts, "In Response to Executive Order 9066" by Dwight Okita and "Mericans" by Sandra Cisneros, a topic of American identity and perception of identity is shared. Both texts take a brief look at the lives, characteristics, and feelings of young girls living a bicultural life. In Cisnero's story, the girl seems caught between her two different cultures, and she struggles to connect with her Mexican heritage. In Okita's poem, the girl has a clear sense of her identity and place as an American. Culture is experienced and interpreted differently by each individual and each group of people.

Imagine growing up where all you ever hear about is the war and suddenly befriending what many call “the enemy.” Hotel on the Corner of Bitter and Sweet by Jamie Ford is a novel about Henry Lee, a young Chinese-American boy, who befriends and falls in love with a Japanese-American girl, Keiko Okabe. As Henry faces different challenges he begins to grow up and make important decisions that impact him later on. He also realizes that what everyone else saw to be a threat were actually all Americans just like them. Throughout the novel, Henry faces racism, problems with his family, and the horrors of watching his best friend and her family become prisoners of an internment camp.

Written works about American Identity are a very common theme amongst writers, including poet Dwight Okita and short-story writer Sandra Cisneros. Dwight Okita is famous for her poem “In Response to Order 9066: All Americans of Japanese Descent Must Report to Relocation Centers,” in which the theme of American identity is portrayed through a 14-year-old girl. In a similar way, Sandra Cisneros’s short story is told by a young girl of Mexican heritage who prefers American culture—in sharp contrast to her deep-rooted Mexican grandmother. Although the overall theme of the two texts is “American Identity,” both Okita's poem and Cisneros's short story delve deeper and portray that cultural heritage and physical appearances do not determine what it

Both Dwight Okita and Sandra Cisneros developed the theme of American identity in their writing. Dwight Okita expresses the individual theme in his poem of physical appearance does not define one 's American identity. In Sandra Cisneros short story she develops her individual theme of cultural heritage does not define your American identity. Together these two writers develop a common theme of cultural heritage and physical appearance does not define one 's American identity.

David Okita, the author of the poem “In Response to Executive Order 9066,” is a published playwright, poet and novelist. He describes himself as Japanese, American, gay, and Buddhist. Okita’s father was a World War II veteran and his mother was held in confinement for four years at a Japanese-American concentration camp. The World War II plays as a significant theme in the poem “In Response to Executive Order 9066”. At first glance, the poem appears to be about an American girl who has an unstable relationship with her friend Denise.