Brunelleschi: The Dome Of The Cathedral

Beginning in 1420, Filippo Brunelleschi, an Italian Renaissance goldsmith and architect, commenced construction of a dome almost 150 feet across and 180 feet above the ground for the cathedral Santa Maria del Fiore in Florence, Italy. After 16 years, the dome was completed. The intriguing part of this particular production was the fact that an architectural work like this had not yet been accomplished. It was through Brunelleschi’s genius and scientifically active mind that he created one of the greatest architectural structures of all time.

Brunelleshi’s Dome was motivated by a contest in 1418 in Florence because the cathedral had a massive hole in the roof. The church started being built in 1296, but hadn’t been completed. The prize for the design of the dome was 200 gold florins and the winner would become famous. The questions that were asked was by the overseers of the project and they wanted to know the design and materials that were going to be used. Filippo Brunelleschi’s design of the dome touted two domes.

Filippo Brunelleschi was a goldsmith in 15th century Florence, Italy. He was known from an early age as being a child genius because of his mastery of art in all mediums and also of mechanics. He had no formal training in it nor in architecture, though he was able to design and supervise the construction of the dome of the Florence Cathedral. His design was a turning point in architecture during the Renaissance. His motivation was a prize of 200 gold pieces for winning the competition that the leaders of the city were holding in order to solve the problem of how to build the dome.

While his parents listened to Stan Kenton and other remaining remnants of the Big Band era Jimmy Page discovered a different type of music. “Baby Let’s Play House” by Elvis Presley was the song that initially sparked his interest in learning to play guitar and by listening to other records on which guitarist Scotty Moore played. Ricky Nelson and guitarist James Burton and rocker Chuck Berry all had hit records while Page listened. By listening to artists whom he considered vibrant, his determination carried him through a series of apprenticeships after Neil Christian and the Crusaders in 1962. With Carter Lewis and the Southerners in 1963 he recorded “Your Momma’s

Piero della Francesca (Italian pronunciation: [ˈpjɛːro della franˈtʃeska] About this sound listen (help·info); c. 1415[1] – 12 October 1492) was an Italian painter of the Early Renaissance. As testified by Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, and Architects, to contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes The History of the True Cross in the church of San Francesco in the Tuscan town of

Michelangelo is a amazing artist from the renaissance in florence italy around the 1500’s. He was a world-renowned sculptor, painter, architect and….poet? Soon after Michelangelo 's move to Rome in 1498, the cardinal Jean Bilhères de Lagraulas, a representative of the French King Charles VIII to the pope, commissioned "Pieta," a sculpture of Mary holding the dead Jesus across her lap[https://www.biography.com/]. Despite being in the employ of the Medici Pope Clement VII, Michelangelo backed the republican cause and was appointed director of the city’s fortifications.

I chose to look into the area of architecture and Brunelleschi’s design of the dome for Florence’s cathedral. The creation of the dome was started because the structure of the building required more of a dome shape than the buttresses and pointed arches that surrounded areas used. However, a domed roof of that large of a scale had never been attempted before, so there were many questions: could a dome that weighs tens of thousands of tons stay up without the traditional structures? Was there enough timber in Tuscany to create scaffolding and templates needed to shape the dome? Could a dome be built on the octagonal floor plan already in existence without collapsing inward as it arced toward the apex?

Does St. Stevens church demonstrate what Christopher Wren intended for the church that stands today? Christopher Wren was one of pioneering architects of the rebuilding of the London Churches after the great fire of London in 1666. However, before he was an architect he was a scientist, mathematician, an astronomer and had gathered interests in cosmology, mechanics, microscopy, surveying, medicine and meteorology. In this essay I will be looking at St. Stephens, a church he was commissioned to re-build/re-design and ask whether the way in which he wanted to deign St. Stephens according to writings on other churches of the time in London he was rebuilding, had gone to plan. Before the great London fire, he had been appointed architect of the new St Paul’s Cathedral.

Architecture was the first movement to emerge from the Gothic era. The very first building to display Gothic features was Saint Denis in Paris renovated by Abbot Suger. He wanted his church to be a physical representation of Jerusalem filled with light and colour, and so, in 1140, Suger started to renovate his church. He started by enlarging the ambulatory, which is a walkway behind the altar, and replaced the rounded arches from the Romanesque style with pointed, angular arches. However, the first truly gothic construction was the choir of the church, built in 1144.

Born on 6 of March 1475, Caprese Italy, Michelangelo is known as an architect, artist, poet, engineer and sculptor. His famous works includes Saint Peter’s Basilica, Rome. When Michelangelo was 33 years old, he was working on Pope Julius II’s marble tomb. He was hesitant when asked to decorate the Sistine Chapel by Julius without any experience.

Giovanni Bellini, an Italian renaissance painter. He came from a family of artists but not much is known about this part of his life, his career on the other hand is a major focus of Renaissance advances. His skills brought realism to paintings that weren’t there before. Without him, realism painting may never have taken off, plus historical understanding of his time may never had advanced in the ways it did. Giovanni Bellini was an Italian hand to sway the tide of artistic history.

Similoluwa Oluwole Professor Bult ART 107 13 November, 2015 Michelangelo and his work: Creation of Adam Michelangelo di Lodovico Buonarroti Simoni, commonly known as Michelangelo, was born on March 6, 1475 at Caprese, Tuscany now known as Italy (Roger 2). Michelangelo, like Leonardo, was a man of many talents; he was a renowned Florentine sculptor, architect, painter, and poet. He is credited as the founder of the high Renaissance style and considered the most influential of late Renaissance artists (Houston 16). His works exhibit his remarkable understanding of human anatomy and muscular structure, a skill which he used to incorporate emotion and liveliness into his works. He rarely painted landscapes; his subject matters were mostly human,

His critical and detailed studies of master artisans like Giotto and Masaccio during his time as an apprentice not only taught him to appreciate the beauty of classical art forms such as the Dioskouros ( Fig. 2), but also the technical skills to needed to surpass all who came before him. However, there was a clear line in Michelangelo’s mind separating the two. While he barely made any changes to his copies of works by Giotto he made radical modifications to those of Masaccio. One can only assume he did this because he believed that the work of Masaccio could be improved upon.

Leonardo Da Vinci was born near Florence, Italy in 1452 to a father who failed to raise him until he was approaching adolescence. His passion for the arts began at an early age as he apprenticed for a local artisan at the age of eighteen, but his interest in science and mathematics started to lead him astray from his artistic interest. Throughout the rest of his life a trend of unfinished artwork is noticed as well as a disposition towards the modern sciences of life instead of his highly coveted artwork. As an researcher much information has been gathered on whom is considered one of it not the greatest painter of all time in the scientific aspect, but his artistic talent barely scratched the surface. Leonardo was a man of a diverse group

However, between Donatello and Titian lived arguably one of the greatest artists in history: Michelangelo Bounarroti. Born in 1495 in the area of Tuscany, Michelangelo was realized of his extreme artistic ability as a child. While Michelangelo saw himself as “an architect, sculptor, painter, poet, and engineer, he thought of himself first as a sculptor”