Connie typical 15 year old girl loves looking at herself in the mirror, and courting teenage boys. Her mother tries to discipline her on flattering herself too much. Connie sometimes wishes that she and her mother would just die. Her mother wants Connie to be more like her Sister June who is 24, the oldest, and she is the responsible one out of the two. Arnold Friend, the story’s antagonist, he is strange and ambiguous individual. He is presumed to be a devil a savior, a psychopath, and a supernatural being; Arnold Friend’s characteristics are unclear. Connie’s character is rooted in herself emotions, relationships, and history, Arnold Friend just come out, with no background. In the story it becomes clear he is not who he portrays to be.
Teenagers tend to isolate themselves from their parents at this time, have more time and money for leisure activities and conformity, and have more money to spend. The short story suggests that adolescents' sexuality and violence were influenced by wealthy and celebrity-obsessed American culture. Because most of the short story is written in Connie's third person, other characters remain unidentified and mysterious. Additionally, the narrator can deviate significantly from the actual events and describe them in a manner that is more general and allegorical by using the third person to tell the story. Connie, who was just 15 years old at the time, is without a doubt a part of the culture and is influenced by everything.
In this context, Connie can be seen as the ego, which must decipher right from wrong. Friend is shady and eventually we discover him to be dangerous –as our Ids can be. Friend overpowers Connie, just as our Ids can overpower our egos to do certain things, and impact our decisions. Oates illuminates this concept in her story when she illustrates: “Arnold Friend was saying from the door, "That's a good girl. Put the phone back."
Arnold Friend a second time shows symbolic satan through character. Arnold Friends mesmeric influences of Connie further supports my contention that he represents as superhuman force “ Don’t you know who I can?...” he asks in an eerie fashion. Arnold Friend confronts Connie and trying to get her to ride with him, Connie refuses saying I don’t even know you. Arnold Friend showss symbolic satan through dialogue.
In Joyce Carol Oats “Where Are You Going Where Have You Been,” we are introduced to two main characters. The names of the two main characters are Connie and Arnold Friend. In Oates’s short story, Arnold Friend is an imposter that tries to convince young Connie to go on a ride with him and his friend Ellie. Connie refuses to go on the ride but Arnold’s use unnatural techniques to force Connie to leave her house and go with him. Arnold Friend’s awareness of Connie’s family and friends and his ability to persuade Connie reveals that he is more than just a creepy old man trying to kidnap a young girl.
As many teens have been asked these same questions multiple times by their parents as well as Connie has, one could assume. She is fifteen with long blonde hair which seemed to draw everyone’s attention. Oates begins the story explaining how Connie was gawking at herself in the mirror, as just about any other ordinary fifteen-year-old girl would; and that’s just what Connie is portrayed to be, ordinary. She shows a mighty interest in boys, she knows that she is very beautiful. She’s superficial, very naïve, and self-centered.
“Where Are You Going, Where Have You Been,” written by Joyce Carol Oates is a story briefly filled with love, crime, and violence. Joyce Carol depicts serial killer Charles Schmid in her story. The character Arnold Friend lacks the potential to kill that the real life serial killer had. In the story Connie’s wild, carefree attitude draws the attention of Arnold Friend. He watched her from aside for a while but Connie was so caught up in what she was doing that she didn’t notice him until.
“Numerous commentators have noticed Friend’s resemblance to the devil of Christian mythology” (Johnson). This phrase makes one think of the devil because Arnold Friend’s actions that imitate devil like features. Arnold Friend’s appearance of being fake can also show that he is a devil in disguise. “His whole face was a mask, tanned down to his throat but then running out as if he had plastered makeup on his face but had forgotten about his throat” (Oates). The words in this phrase incorporate several ideas.
Is the classical representation of a monster. That is, he is an amalgamation of features and attributes which resemble the protagonist and their faults. Connie wants to be mature, to which Arnold obliges from a sexual aspect and not a romantic one. Arnold is a man with a mashup of both young an old. His pattern in speaking seems to match that of the current generation of adolescents, and the persona he presents is that of teenage boy, even claiming to be eighteen.
Ar no friend, the guy she ignored at the mall. An old fiend, would in fact be Arnold himself at the mall giving her fiendish looks. And arch fiend, the latter being another name for Satan. Symbolism is also found with Ellie Oscar.
In the story, Connie looked at the phrase “man the flying saucers and she felt like “words meant something to her that she did not yet know” (p.) which if she was on drugs she might not be aware of the fact that what she is seeing is not real, but eventually when she is sober she will understand. The ambiguity of Arnold Friend leaves many unanswered questions for readers. Unless Joyce Carol Oates decides to reveal the real Arnold Friend, readers may never know if he was in fact the devil or just a figment of Connie’s
In the story "Where Are You Going? Where Have You Been?", Joyce Carol Oates does an outstanding job on creating an element of bone chilling and goosebumps when reading it. Arnold Fiend, or as he likes to introduce to people as Friend, is a demon in disguise as he represents himself as goat like by his appearance, how he knows everything about Connie, the 15 year old protagonist, even when he just met her, and by how his car symbolizes himself and religion too. Simple things in the story like numbers and flies can mean more than what they are. Arnold Friend first appears when Connie is hanging out with her friends and a guy named Eddie, who is giving her attention just as she likes it.
“But now her looks were gone and that was why she was always after Connie.” (Oates ). Also, there is another opportunity for friendship within the family, between Connie and her sister, however, that is lost in their rivalry and hostility. “Her sister was so plain and chunky and steady that Connie had to hear her praised all the time – by her mother and her mother's sisters.” ( ).
Apparent in the beginning stages of the short story, Connie despises her sister, June, for the glory she receives for being the reliable child. She hates her mother for liking her sister more than her,
She says, “And his face was familiar somehow: the jaw and chin and cheeks slightly darkened because he hadn’t shaved for a day or two, and the nose long and hawk like, sniffing as if she were a treat he was going to gobble up and it was all a joke” (Oates 323). Oates compares Arnold Friend to a hawk, a bird of prey, who is feeding on Connie. This is another indication that Arnold Friend is like the devil himself, and Connie is his victim. He is taking away Connie’s childhood and her innocence because of the way he tries to get her to give into temptation. Arnold Friend knows that Connie wants to fall in love.
He knew her name even though she had only quickly glimpsed at him the night prior with no communication from her at all. He knows where her parents are, what they are doing, how long they will be, how they look he even knows who her best friends are. Essentially Arnold Friend is the very essence of nightmare to Connie he is everything she is afraid of. He pressures her in to a situation out of her control. He takes away her pride of rejecting people and forces her to choose her family being hurt of facing her demons and going with him.