Clutter Murders In Kansas State Penitentiary By Floyd Wells

Stephanie Crowe was 12 years old when she was found murdered. On January 21, 1998 Stephanie's grandma Judith Kennedy woke up to an alarm coming from Stephanie’s room that wasn’t turned off. Judith went to see why Stephanie wasn’t shutting it off. At 6:30am Stephanie Crowe was found murdered in her room, stabbed 9 times. Police questioned Richard Tuite, but police dismissed him as too “bumbling”(AleidaLaw.com) to have killed her.

But Dick stole his father’s gun and plans to visit Perry’s sister. it foreshadows violence and murder. 10. Kenyon is not interested in girls and spends most of his time in the basement. He is an outsider.

On January 29, 1991, a vile crime occurred in the Heikkila home in Basking Ridge, New Jersey. Twenty-year-old Matthew Heikkila, the adopted son of Richard and Dawn Heikkila loaded up a “sawed-off 20-gauge shotgun” (Sullivan). He labeled shotgun shells “Mom” and “Dad”, and shot his parents both in the head. Matthew plotted the murder to get the chance to steal his parent’s credit cards, and treat his girlfriend to a birthday dinner. Matthew then left his parent’s dead bodies on the floor of his home and he and his girlfriend enjoyed a night in NYC.

In the book, “In Cold Blood,” Truman Capote takes us through the lives of the murderers and the murdered in the 1959 Clutter family homicide, which transpires in the small town of Holcomb, Kansas. The first chapter, “The Last to See Them Alive,” vividly illustrates the daily activities of the Clutter family—Herbert, Bonnie, Nancy, and Kenyon—and the scheming plot of Dick Hickock and Perry Smith up to point where the family is found tied up, and brutally murdered. In doing so, he depicts the picture-perfect town of Holcomb with “blue skies and desert clear air”(3) whose safety is threatened when “four shotgun blasts that, all told, ended six human lives”(5). Through the eyes of a picture perfect family and criminals with social aspirations, Capote describes the American Dream and introduces his audience to the idea that this ideal was no more than an illusion. Herbert Clutter: the character Capote describes as the epitome of the American Dream.

I’m writing a book on the murder of the Clutter family and had been following the tracks of the killers, Perry and Dick, from even before they arrived in that innocent town,” he explained politely and he neared the door. “Oh, and don’t worry. I won’t use your real name. Good life, Mr.Bell.”

While Perry is mortified that he and Dick could commit such a gruesome crime, Dick couldn’t care less. All Dick is worried about is how odd Perry is. Because of how quick Perry’s mood could change, Dick thought he was “spooky as hell.” Now, Perry wasn’t your average run of the mill man. He still wets the bed, cries in his sleep, and “could slide into a fury ‘quicker than ten drunk Indians’”.

Everyone is born with the capability to do evil, however, the events and environment in our lives shape our psyche to such an irrefutably extreme extent that they define our character and our conscience, redefining what we see as right and wrong. Perry is very sensitive by nature due to his family’s troubles and his father’s behavior. The pressure that Perry feels to impress Dick, who he makes into a faux father figure, combined with the weight of his past push him to the breaking point which happens to be the Clutter murders. Perry was bound by his experience, he could never fully escape the horrors of his childhood as they were the limits of his apprehension. Regardless of Perry’s traumatic childhood, justice must be equally upheld to everyone, despite the differences in the ways we were raised.

Although Perry is responsible for the murder of four innocent people, Perry’s actions do not reflect on who he is as a person because he is easily influenced, therefore; showing how easily people can be pressured into doing something they would not typically do. Dick, a violent, cold-hearted, manipulator, has molded Perry into the person he is today. As Perry is a follower, Dick has taken advantage of that by turning Perry into the cold-blooded killer he is today. Capote displays Dick’s manipulation of Perry through symbolism to make evident that while Perry did pull the trigger on four innocent people, although the fault does not entirely lay on him, as he was taken advantage of by Dick.

He is portrayed as a mastermind in the cold-blooded killing of the Clutters family, a man with little respect for the lives of others, which can be seen through Dick’s expression before the murder of the Clutters when he converses Perry, “We’re gonna go in there and splatter those walls with hair” (Capote 234). This sudden tone shift enables Capote to depict Dick as a cruel and immoral character. Dick’s lack of empathy and concern for other people beside himself allow him to commit crimes without remorse, which is in contrast to Perry’s moral contemplation after each bad actions they committed. Moreover, Dick is represented as the true criminal with evident motives in murdering the Clutters, while Perry is seen as a vulnerable victim who depends on Dick for validation and acceptance, something in which Dick happily provides in order to manipulate Perry, as Capote writes, “Dick became convinced that Perry was that rarity, ‘a natural born killer,’—absolutely sane but conscienceless, and capable of dealing with or without motive, the coldest-blooded deathblows. It was Dick's theory that such a gift could, under his supervision, be profitably exploited” (Capote 205).

Dick did not have any second thoughts about the murder. He had firmly wanted to walk-in and kill the Clutter family despite their innocence. Dick viewed the Clutters’ as an opportunity that was going to make him rich. There was not any

From the beginning, Dick had a detailed plan of how they would carry out the murders, and he made sure that Perry was on board with his ideas. The scary part of all of this is that Dick considered himself normal, by saying, “I’m a normal” (Capote 108). In the book, it is clear that Dick was the one in control, and Perry is merely following his lead. For example, when they first discussed the robbery, Dick said, "If it's going to be done, it's got to be done right. No slip-ups...

Dick knew how to manipulate and get what he wanted. He was who Perry saw as a masculine man, someone to not be crossed, but who Perry looked up to. Perry noted that Dick was not a good role model, but still sought his approval causing him to lie about committing murder which got him roped into going with Dick to murder

Dick is motivated by carnal impulses and he is the mastermind and investigator to the murders, he isn’t very educated but he is street-wise and charming. Perry on the other hand grew up with difficult circumstances, he was abandoned

and they are all planning a trip to Florida. Although it has been decided that they are going to Florida, the grandmother is frustrated and tries to convince her son and his family that they should go to Tennessee instead since more family lives there and there are sights to see there. She also argues that going to Florida would only put the family in danger as there was a serial killer on the loose who goes by the name of “Misfit”. This, in itself, already raises a red flag for readers since they just so happen to be travelling to a place where a serial killer is running loose. Despite the grandmother’s protests against their trip to Florida, they all get in the car and begin their journey.

The novel, In Cold Blood, is an anomaly in the literary paradigm. The author, Truman Capote, designed his novel in a way that made it unique when compared to others. His fundamental purpose was to present the problem of American violence and the fragility of the American Dream and how it can be so easily shattered. In order to portray his purpose, he used many rhetorical devices including syntax, diction, tone, ethos, logos and pathos. These devices allowed Capote’s novel to be different from the spectrum of other non-fiction novels and to support his purpose.