In Laura Mulvey’s article, “Visual Pleasure and Narrative Cinema,” she writes about the relationship between voyeurism, cinema, and gender. She begins by describing the concept of scopophilia, which means to gain pleasure from looking. She writes that scopophilia is inherently active/masculine, and that pleasure is derived from looking at other people as mere objects. On the other hand, the passive/feminine is derived from the experience of being looked at (pg.188). Mulvey sees this binary relationship between viewer and object being viewed as a part of our culture, and the greatest example of this is found in cinema. She argues that the act of moviegoing satisfies these voyeuristic desires in people. She writes, “The mass of mainstream film portray a hermetically sealed world which unwinds magically, indifferent to the presence of the audience, producing for them a sense of separation and playing on their voyeuristic fantasy,” (pg. 186). In this essay, I will further discuss her viewpoints on cinema and voyeurism, and how it connects to the film Rear Window by Alfred Hitchcock. Rear Window is a film that follows the …show more content…
Jeffries is a voyeur by trade, he’s a photographer, his job is looking; while Lisa’s life revolves around the world of fashion, around the concept of being looked at and being pleasant and attractive to look at it. She is attractive and dresses beautifully, she acts as both eye candy for her boyfriend Jeffries and the audience. They both embody the male (active) and female (passive) divide in voyeurism (pg.192). Lisa’s importance to the plot is completely dependent on her relationship with Jeffries, she’s his girlfriend, and her character arc revolves around whether or not she can convince him to marry her. She has to prove herself worthy to him and she goes about doing this by embracing more masculine
The film Danzon (1991) by Maria Novaro, is a film about a young woman named Julia who is a telephone operator who, in order to escape her boredome, travels to a dance club where she meets her dance partner, Carmelo. She dances with him until one night, he does not show up. Upset, Julia leaves her daughter and embarks on a journey to find whereabouts of Carmelo. Throughout the journey, she meets different people such as a feminine man and a front desk clerk. At the end of the film it is stated that Carmelo is dead However, Julia ends up finding Carmelo in the same club she met him at.
Hitchcock's mystery film “Rear Window”, took place in 1954. explores the theme of voyeurism as uncontrollable action that everyone can be guilty of. Due to Senator Joseph Mcarthy encouraging citizens to spy on their neighbours in the 1950s, voyeurism wasn't seen as crime. Nevertheless, Throughout the film there are many evidence and signs verifying that everybody is guilty of voyeurism The first sign of voyeurism occurs during a helicopter scene.
The American obsession with spectatorship is a phenomenon created by the inaccessibility of timely and relevant knowledge. This oddly leads to an increase in the demand and likeability of terror. In her piece “Great to Watch”, Maggie Nelson explores the origins of this fascination with horror and gives an
This is suggested by Helen Simpson who stated that Carter centralises ‘latent content of fairy-tale’ is that women are objects of male desire hence patriarchal discourse establishes male supremacy to which Carter does this to challenge contemporary perspectives on the place of women by revealing the oppression that society inflicted. The Marquis is an overt example of male ownership of female bodies. Similarly, where Atwood exposes the harsh realities of oppressive patriarchy through the female body, Carter utilises the construct of the Marquis in the eponymous story ‘The Bloody Chamber’ as a grotesque embodiment of patriarchal control. In her essay ‘Visual Pleasure and Narrative Cinema’ Laura Mulvey coined the feminist term ‘male gaze.’ She argues that men are the audience and women are to embody the male perspective of women as objects of satisfaction.
Alfred Hitchcock 's Rear Window explores the lives of those who feel isolated within society. The 1954 film, set in the tenements of Grenwich village, depicts those who are incapable of fitting into society 's expectations, as well as those who feel isolated from common interaction with others. Moreover, Hitchcock displays how its human nature to seek comfort and deeper connection even with those who are surrounded by others. Despite depicting characters as lonely, the progression of the film illustrates how individuals can be freed from isolation. The director asserts the loneliness and struggle that comes from fitting into social mores.
Alfred Hitchcock’s Rear Window has several themes. One major theme is relationships. The lead character, Jeff Jeffries, a photographer and committed bachelor, is involved in a relationship with Lisa Fremont, a model, although the relationship has some tension due to Jeff’s lack of commitment. When Jeff is confined to his apartment recovering from a broken leg, he begins spying through his rear window on his neighbors in a nearby apartment. Through her frequent visits, Lisa is drawn into this spying as well.
In her feminist film theory essay, "Visual Pleasure and Narrative Cinema", Laura Mulvey uses psychoanalysis to criticize and scrutinize the fetishism, scopophilia, and eroticism in Hollywood mainstream cinema. What Daughters of the Dust executes impeccably roots from radically abandoning the cultural conventions that depict women as subservient and submissive to patriarchal
Throughout history, women have been held to certain stereotypes that place societal expectations upon them. These expectations can be viewed through various outlets of media, a major one being movies. In the movie Rear Window, directed by Alfred Hitchcock, women are portrayed as dependent on men. Through the portrayal of Lisa and Jeff’s relationship and the showcasing of Miss Lonelyheart’s isolation, Hitchcock conveys the perception of a patriarchal society by utilizing various cinematic elements and film techniques.
Alfred Hitchcock once said, “If it's a good movie, the sound could go off and the audience would still have a perfectly clear idea of what was going on.” This quote entirely sums up the reasons I loved Hitchcock’s movie Rear Window. Made in the 50s, this film revolves around L.B. Jefferies, an adventurous photographer who has broken his leg and is stuck in a wheelchair, watching his neighbours out his apartment window for entertainment. In his last housebound week, Jeff becomes convinced that a murder has taken place in the apartment across from him. This film is visually stunning: Alfred Hitchcock’s use of light and dark, the actors’ way of communicating feelings without words, and the costumes in the film are three reasons why this movie
The Character Evolution Of Jeff and the Realizations he Faces Rear Window by Alfred Hitchcock is a film full of symbolism and motifs that provides viewers with a bigger meaning. It shows these rhetorical appeals through Hitchcock’s eyes that would not be recognized if not analyzed. Through these appeals I have recognized the window as being a symbol and marriage and binoculars as motifs. After understanding much more than what the eye initially sees when viewing this film, there is a fine line between understanding what is going on in the film and observing what the protagonist Jeff is viewing.
The construction of a self-conscious female gaze is the prime objective of feminist theatres everywhere. British feminist theatre practice as elsewhere is an attempt made by women to claim their rightful space in the creative realm of theatre that was deliberately denied to them by patriarchy. The public gaze on women was always the male gaze, one that always wished to see women as objects. It was an ideological position that patriarchy sanctioned as the normal way of looking at women. Women were always the secondary sexual objects for the gratification of male sexual fantasies.
Hollywood films have now embodied what our society now stands for, many characteristics that exist in the world are glorified through films and thus are viewed as being acceptable. To better exemplify the meaning behind the behaviors that are now accepted a content analysis was conducted on the film Batman vs. Superman: Dawn of Justice. It is arguable that while the film contains covert advertisements there is also a traditional exemplar of gender roles throughout the film. The film begins by giving background to Batman and why he became the vigilante that he is.
(Bodenner, 2016). Many theories have surfaced since women have started their fight for empowerment and equality, and one of the most famous theory is “the Male Gaze” theory, founded by Laura Mulvey in her essay, “Visual Pleasure and Narrative Cinema.” This essay will look into the sources of opposition the theory of “male gaze” faces, and how the theory is disrupted by other possible theories or pieces of media. As mentioned before, the Male Gaze theory was introduced in the essay Mulvey wrote in 1975.
Every piece of cinema that De Palma directed had the same motif within the subtext of the film. A character observing a violent or violating action, and unable to stop the action from occurring. The character would try their hardest to stop the action, or search for the truth in an attempt to help themselves or another but ultimately all those involved result in an unhappy ending. When approaching the De Palma films this motif repeats throughout different movies he’s created. Due to his own personal life, this motif shows a strong connection to his own personal life, where he recorded his father having an affair and then showed his mother the video attempting to help her.
Abstract: In most parts of the world, females have always been the victim of oppressive patriarchy and male chauvinism since ages. This problem has been represented by many people through various forms of creations be it art, literature or films. Films are the most popular visual mediums of entertainment through which a large segment of people can be approached. Like literature, a film is also a work of art which mirrors the society, it also depicts the reality of the society though it has some fictionality in it.