Rhetorical Questions In Jane Eyre

It is evident that a writer's main goal is to grasp the attention of their audience within the first few sentences, and a rhetorical question is a great way to accomplish this goal. Rhetorical questions within writing is one of the most clever ways to persuade your audience. It's a way to present all the facts to your audience and then draw to a conclusion by providing a conclusion, one which they already have the information which will persuade them. In addition a rhetorical question can also be used to emphasize a point. Similarly, in literature the use of rhetorical analysis can be very thought provoking.

This essay discusses two young women coming of age Their Eyes Were Watching God by Zora Neale Hurston and Jane Eyre by Charlotte Bronte. In Their Eyes Were Watching God Janie struggles to grow up in three different marriages. On the other hand, Jane from Jane Eyre does a lot of developing and personal growth through her relationship with the one family. The focus will be on how these girls are similar and different. The reader will see how coming of age is different for every person.

Jane develops a *find quote about jane thinking her crush on Rochester is childlike* but is morally derailed when it is revealed that Mr. Rochester has been hiding his feral wife in the attic. This presents Jane with the arduous decision of choosing to stay with her love or to leave in the night. Jane chooses the latter the author, Emily Brontë writes, ***find quote**. Though this must have been a difficult decision, Jane choose, out of her selfless nature, to pursue an uncertain and dangerous path just to preserve a principled world. This is not only an impressive response when she was tested but it is a display of feminism.

Jane Eyre Discussion Questions Mrs. Amato Honors English 11 Gabby Sargenti CHAPTERS 1-4 1. Review the details Brontë provides about the weather in the opening chapter of the novel. How does this establish the mood of the story when it begins? “Cold winter” “Leafless” “Cloud” “Chilly” “Protruding rain”

In Charlotte Brontë 's, Jane Eyre, we see a reversal of gender roles for both Mr. Rochester and Jane. In multiple scenes of the book the two switch back and forth from their “natural” roles, which ends up benefiting the two. In the story, Mr. Rochester, the big burly owner of Thornfield, occasionally drops his natural patriarchal role to become a feminine character. Jane also does this as she takes on a more masculine role from time to time, and drops her feminine complacency. While usually both characters dropping their gender-specific roles could turn out bad, in this story, dropping the stereotypical gender roles by blurring them leads to happiness by the end of the story.

One of the biggest character foils in Jane Eyre is between Mr. Edward Rochester and St. John Rivers. From the first time we meet these characters, it is easy to tell the two apart. While one is ruled by a religious forces the other is controlled by emotions. Jane has to make a choice, and decide how she is going to live the rest of her life. At the end of the novel, she makes a choice between what is expected of her, and what she wants.

Deception can prove to be a powerful tool—both in the real world and in literature. While it is typically viewed as malicious, some forms of deception can prove to be beneficial in the long run. This kind of deceit is very prevalent in Charlotte Brontë’s Jane Eyre. Mr. Rochester, specifically, spends a large portion of the story deceiving many characters, but most of his lies are directed towards Jane. At first, the façade he puts on seems questionable, but his motives behind his actions show that he had good intentions.

You think me an unfeeling, loose-principled rake: don't you?” (Brontë 313). {Rochester is honest with Jane as he tells her that he is in need of someone for his own convenience. He even tells her that he got tired of them rather quickly because, even though he is not intelligent, he knows when woman are good for him or not. He seems to be ashamed of himself for telling Jane and being so wantful of women but not being able to actually love them.}

Imprisonment and constraint, can be felt in many different scenarios in the passage from Jane Eyre by Charlotte Bronte. However, we get these two feelings with a girl who is portrayed as an orphan in this chapter. When being an orphan many feelings can run through a person’s mind, for example abandonment and not feeling loved, or being/feeling trapped. The feeling of imprisonment and constraint in this chapter is expressed through the use of imagery and diction. Imagery is viewed in this chapter in a variety of sentences.

Rochester was a major influence on Jane as this was a critical time she was maturing, yet she did not let him get in the way of her work. The work that was expected of her what always her top priority, Rochester was her second. “I believe he is of mine;—I am sure he is,—I feel akin to him,—I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him” (Bronte 266). The relationship between Rochester and Jane was undeniable.

Before Rochester, and his influence, Jane had been accustomed to men in power such as John Reed and Mr. Brocklehurst. Their influences on Jane were more negative as they tore Jane down instead of putting her up. These figures allowed the arrival of a seemingly encouraging, kind, and adoring man such as Rochester to be a shock to Jane when she was first employed at Thornfeild. This stems Janes biggest growth from Rochester, the bettering of her self-esteem. Due to Rochester’s exaggerative language he constantly teaches her the value of her self-worth and her beauty.

2 pg 68). This is important because at this moment in time, Mr. Rochester was at the church and about to marry Jane when it is revealed that he is, by law, still married to Bertha Mason. This revelation significantly alters the plot because, had he not been married to her or had no one ever found out that he was, he and Jane would have gotten married and Jane would have stayed at Thornfield. But, instead, he initially tried to deny that he was married and still used his wife’s insanity as a reason to consider himself not married anymore. Because Mr. Rochester was married (and also probably because he lied about it), Jane changed her mind about marrying him and decided to leave Thornfield for good, despite the fact that it was painful for her to leave.

Jane hated that Mr. Rochester bought pretty jewelleries and dresses for her;” the more he bought me, the more my cheek burned with a sense of annoyance and degradation” (Brontë, 321). One can interpret this as Jane worries that the marriage would lessen her independence and put her at an inferior position. The fact that Mr. Rochester buys her all these things makes Jane feel objectified, and she could not tolerate it. Once again, this signals the feministic opinions that the character of Jane is associated with. Jane and Mr. Rochester does not get married during this section of the book, due to the fact that he is already in a marriage.

Charlotte Bronte takes us on a journey from the point which Jane Eyre, the protagonist lives with her aunt and cousins whom very much dislikes her in Gateshead to her going to a boarding school in Lowood, after which she becomes a governess in Thornfield where she falls in love with Mr. Rochester her employer whom she later finds out is married to a mad woman by the name of Bertha Mason, upon her discovery of this she picks up and leaves Thornfield, she then ends up at Marsh End where he meets her relatives. The novel carries us through ever important event in her life, which introduces us to new aspects of her personality, up until her eventual marriage to Mr. Rochester. The novel fits this theme as its protagonist chooses individualism as she refuses to take the role subservience as that of a traditional female of the Victorian era society, she stands up for her rights and want she believes in, she ventures in her own unique thoughts, and stands by her views even if it means disagreeing with those superior to her. Jane comments on the role of women in society and the greater constraint imposed on them. V.S Naipaul’s

- Edward is an economically independent man with a favorable status and influential connections still looking for a profitable match. Jane will be the one in charge to unmask him to the audience: “I saw he was going to marry her [Blanche Ingram] for family, perhaps political reasons, because her rank and connections suited him” (Brontë 205) This manner of conduct converts Mr. Rochester from a hero into a villain, a perpetrator and “his project of