Authorial Silence In Truman Capote's In Cold Blood

In Cold Blood, by Truman Capote, was a non-fictional novel published in 1965. Written in four parts, Capote meticulously details the brutal 1959 murders of the recognized farmer Herbert Clutter, Bonie Clutter, Nancy Clutter and Kenyon Clutter in the small, once peaceful, city of Holcomb, Kansas. Throughout the book, while Capote sympathetically depicts the murders of the Clutter family, we also realize that the author has a strong sympathy for one of the murders called Perry Edward Smith. Although the novel was intended to be written in a journalistic form, Capote seems to fictionalize much of the information used to write the novel in order to add suspense and certain reactions from the readers. Truman Capote’s new literary form of “the non-fictional novel” leaves the readers feeling conflicting emotions

Murders occur on a day-to-day basis all over the globe. Though many are covered in the news, many are left in the dust and never gain any relevance. The murder of the Clutter family, an exemplar of a case left under the dust, occurred in Holcomb, Kansas in the late 1950s. Truman Capote’s In Cold Blood follows the Clutter murder, yet primarily focuses on the stories of the killers, Dick Hickcock and Perry Smith.

Capote portrays only one of these two seemingly distinct characters (Perry) in a way that the reader feels the need to relate to and even sympathize with him. One can be taken aback by such an attachment to a murderer. This is not surprising as the author uses his compassionate diction to manipulate the reader’s emotions with a use of pathos, the appeal to emotions. At one point Capote goes as far as to write that “Smith’s life had been no bed of roses,” (Capote 245) attempting to have the readers relate to Perry. On the other hand, Capote has Dick say this about himself: “Deal me out, baby, I’m a normal” (Capote 116).

In Cold Blood, written by Truman Capote in 1966 tells the story of the murder of a prominent family in 60’s Kansas. Capote traveled to the small town of Holcomb, and befriended many of the townsfolk and the detectives involved in the trial to tell the story of a violent event that shaped this community for the decade until the eventual conviction and execution of the killers. Because of information being told, Capote makes the choice of writing his novel as if it were a news report. This journalistic structure and word choice helps to establish the serious and dark tone of the novel.

In the novel, In Cold Blood, Truman Capote chose his words in a subjective manner. Capote inaccurately described many characters in his novel. He based his writing on his feelings and emotions rather than facts and evidence. Capote characterized Richard Hickock, Perry Smith, and Bonnie Clutter falsely. Capote described Richard Hickock as a bloodthirsty, violent person yet he did not actually kill any of the Clutters.

In Cold Blood Rhetorical Analysis Typically upon hearing about a murder, especially a brutal and unwarranted one, we find ourselves feeling a great sense of disgust for the murderer or murderers who committed these crimes; however, in Truman Capote’s novel In Cold Blood, the lives and experiences of the murderers, particularly Perry Smith, are displayed in a way the makes you feel pity for him as well as the victims. When comparing Capote’s Novel to a typical news article on a similar topic it is easy to see the that Capote's style varies from typical journalism. An article written by Frances Robles and Nikita Stewart titled “Dylan Roof’s Past Reveals Trouble at Home and School,” discusses the childhood and background of Dylann Roof, a twenty-one

Although he ended up being one of the murderers of the Clutter family, the readers often felt sorry for him. In the beginning of the novel the reader finds out that Perry was actually very nervous about committing the crime, he and Dick were on the road to do. Capote made it seem like Perry

Throughout In Cold Blood, Truman Capote hints at his own opinion of the death penalty, yet lets the readers decide for themselves what they believe Hickock and Smith's punishment should have been. When the murderers are being hanged, a conversation occurs between a reporter and an investigator about what it might feel like to be hanged: "'They don't feel nothing. Drop, snap, and that's it. They don't feel nothing.' ' Are you sure?

In In Cold Blood, the issue over the death penalty is prominent. Did Perry and Dick deserve to die? Should the severity of one’s crime determine one’s fate? Although Truman Capote writes the novel in a straightforward, “from a distance” way, he conveys, through his characters, theme, and plot development, that the death penalty is an issue that should be looked at from all sides and that the legal system itself is the real issue at hand, and that the death penalty is used as a means to suppress the distress and indignation of the citizens surrounding the case, instead of suppressing the victim himself.

Option Three: Bias Truman Capote’s final book In Cold Blood, was an instant hit with readers when it came out in 1966. Capote himself hailed it as a new genre of literature, a nonfiction true crime thriller. However, upon reading the book, it seems as though Capote shifted the truth to make it fit his own personal narrative, and put in his own personal bias toward the criminals, and seeks to have the reader sympathize with the criminals and seeks to challenge their attitudes towards the criminals.

How crazy would it be to interview criminals who murdered 4 people in cold blood? Well that’s exactly what Truman Capote did in this chilling book. In the novel In Cold Blood, Truman Capote used different rhetorical strategies to create sympathy and influence the idea that there are always two sides to every story. Some of the mainly used rhetorical strategies throughout the novel were imagery, diction, tone, and pathos. Furthermore, Capote also illustrated sympathetical emotion towards both types of characters, the protagonists and antagonists.

In Cold Blood, by Truman Capote, is a non-fiction true crime. In Cold Blood is about two murderers, Dick and Perry, who heard a rumor about a household possessing $5,000 and they wanted the money. Little did they know there was not any money and they got caught for murder to get nothing in the end. They ended up serving jail time and sentenced to hang till death.

Facts and Fiction: A Manipulation of Language in Truman Capote’s In Cold Blood English is a fascinating and riveting language. Subtle nuances and adjustments can easily change the understanding of a literary work—a technique many authors employ in order to evoke a desired response from their readers. This method is used especially in In Cold Blood by Truman Capote, a literary work which details a true event about the murders of four members of the Clutter family in the small community of Holcomb, Kansas, in 1959. Although Capote’s 1966 book was a bestseller nonfiction and had successfully garnered acclaim for its author, there is still a great deal of confusion about the distinction between the factual and fictional aspects in the book.

The novel, In Cold Blood, is an anomaly in the literary paradigm. The author, Truman Capote, designed his novel in a way that made it unique when compared to others. His fundamental purpose was to present the problem of American violence and the fragility of the American Dream and how it can be so easily shattered. In order to portray his purpose, he used many rhetorical devices including syntax, diction, tone, ethos, logos and pathos. These devices allowed Capote’s novel to be different from the spectrum of other non-fiction novels and to support his purpose.

The non-fiction novel ‘In Cold Blood’ interestingly begins as a fiction novel would-with the author setting up the scene of the gruesome quadruple murder about to take place, unbeknownst to the victims. Capote describes the isolated flatlands of rural Kansas, and introduces the victims and their killers as if they were the main characters of a fictional murder mystery. What immediately struck me is how Capote uses literary techniques like the simultaneous narration of the lives of the killers and victims, and the fragmented retelling of the story not specifically in the order of events, which makes the story read more like a work of fiction than of pure journalism. As one gets engrossed in the book, it gets easier to forget that the story is based on truth and is not just a fictional story born in Capote’s head. Capote also demonstrates his mastery over the ‘thriller and suspense’ genre, detailing the Clutter family’s everyday lives, emotions and experiences but with progressively higher levels of anticipation as the pages go by, employing versions of the omnipresent phrase, ‘and that was their last’ for dramatic effect.