ARTS1501 Abigail Natnat March 30, 2016 N01100811 Film Essay Assignment The first sequence is the last scene from Apocalypse Now (1979) which was directed by Francis Ford Coppola. This scene is popularly known as “The Horror” and is a hybrid of classical paradigm and formalist style. It is a classical paradigm because the sequence is actually going about with a story which means that some of the parts are continually edited revealed to be in one setting which is the jungle where Captain Willard takes on with his assigned mission to deal with Colonel Kurtz. On the other hand, the scene is also a formalist style which particularly touches on each of the montage types. First, it is a conceptual type of montage because the theme …show more content…
This scene is a formalist style of editing. It starts off with Nicky Santoro played by Joe Pesci, a Mafia underboss as he begins to talk about his life being a robber as he continuously introduces the team behind their crimes as the rhythm of the blues music starts to play. Same goes with "Ace" Rothstein, played by Robert De Niro, a bookmaking wizard who describes Nicky’s exceptional skill in robbery and reveals how careful and detail-oriented he is. Another character is Ginger McKenna played by Sharon Stone, a leggy ex-prostitute with a fondness for jewelry and a penchant for playing the field. The blues music used in the scene sets the tonal montage aspect because it expresses the characters’ laid-back personalities despite their unlawful way of living. More importantly, the conceptual montage is what reveals the key things to highlight about the story even though the shots are not continually edited to make up a story. Each shot is taken from random times and at random places. This helps in knowing the theme of uncertainty, just like a person not living a civilized and lawful life will experience not having a life with purpose or sense of direction. It can be seen through how the shots are taken because it brings the viewer’s eye to different directions. And just like the characters themselves, they are uncertain of what their actions may lead them
The movie Candyman, is a mystery thriller film that was released back in 1992, which was directed by Bernard Rose. Set in Chicago, it tells the tale of a University graduate student (Helen Lyle) who, while investigating urban legends, stumbles across the legend of the Candyman who is a terrifying murderous supernatural being with a hook for a hand. (Candyman (1992) - IMDb. 2015.). The opening shot of the film demonstrates a flying shot of an occupied city, which pans after a street while cars drive around underneath.
“Arrival” is a mystery, sci-fi drama directed by Denis Villeneuve in his wonderful betrayal of the unknown. ’Arrival’ digs deep into the unexpected, when a bunch of alien vessels land in 12 different spots on earth, leaving everyone curious about what their intent on earth is. With the military confused they pair together two scientists Louise Banks (Amy Adams) and Ian Donnelly (Jeremy Renner) who both study unique fields as Louise studies linguistics why Ian is a physicist, both are taken to a military base right outside of where one of the Heptapod’s (aliens) vessels have landed.
Citizen Kane is directed, produced by and stars Orson Welles and was made in 1941. Citizen Kane does not come under one specific film genre but falls under the heading of several interesting genres, which include biography, narrative, detective and news-paper reporter genre. ‘Film Noir’ is also associated with Citizen Kane as it has many genres but also a very specific style that differs from the classical norm of Hollywood movies. This movie became extremely significant for its time and changed the face of film history. Orson Welles brought about a new way of filming with his use of low angle shots, three point lighting, transition shots and deep focus.
Madison Avenue advertising executive Roger Thornhill’s (Cary Grant) life changes drastically after he is kidnapped and mistaken for a spy named George Kaplan. After a successful escape from attempted murder by Phillip Vandamm (James Mason), Roger Thornhill begins a journey to search for George Kaplan. On his itinerary, he meets the beautiful Eve Kendall (Eva Marie Saint). A romantic relationship is started between the two, leaving Thornhill to believe that Even Kendall would cooperate and help him to meet Kaplan.
There is no denying that the film, Aftershock, directed by Feng Xiaogang is the most bankable domestic blockbusters in mainland China and wins the box office of more than six hundred million in 2010 (Coonan, 2010). It reproduces the grave earthquake took place in Tangshan, Hebei Province on July 28, 1976. Such a 7.8 magnitude earthquake turned Tangshan into ruins in only twenty-three seconds and caused 250 thousands death. The successful release of the film has caused the high attention and intense discussion among the community until nowadays. As an excellent work of contemporary Chinese realism film, it moves audiences through its setting, expression, characters and also the touching plot.
“A moment of pain is worth a lifetime of glory.” Louis Zamperini dealt with bullies at a young age when his family moved from France to America. He began to get in trouble with the authorities, often running from them, but when his brother noticed he could run, his life changed. Zamperini joined the school track team and excelled, eventually moving on to the Olympics. However, in a twist of events, Zamperini joins the army and finds himself stranded at sea, then stuck in a Japanese Prisoner of War Camp.
Coppola’s Apocalypse Now (1979)—starring Marlon Brando and Martin Sheen–is an award-winning Vietnam War film that follows Captain Willard’s expedition along the Nung River to reach Colonel Kurtz, whom Captain Willard has been ordered to kill. The majority of the film focuses on the upstream journey, which represents the soldiers’ departure from civilization and descent into madness. Most of the movie was filmed in the Philippines, although some footage was shot in the Dominican Republic and the United States (“Apocalypse Now (1979)”). Apocalypse Now was largely inspired by Joseph Conrad’s Heart of Darkness, which explores the scope of man’s evil through the portrayal of Belgian imperialism in the Congo
With this step, Hitchcock uses the close-up frame on the characters for a deeper meaning as well as a clear meaning on why that character is smiling the way they are smiling. An example that was viewed within the film was when Lars seen a neighbor’s dog sniffing around his flower bed, and Lars could not do anything to the dog but smile since it was day light. However, Jefferies sees Lars smiling at the dog and then he turns his attention to a women who was undressing herself, and he smiled to that view. Second to last observation was, montage gives you control, when
These cinematic techniques are used to help create mood. Without being able to feel the right mood the audience would connect less to the movie and would be less
Cinematography is critical to the success of any movie. Cinematography uses composition, lighting, depth of field, and camera angles to determine what the audience sees. Casablanca’s cinematography directs the audience’s attention, shapes the audiences feelings, and reveals the theme of the movie. Cinematography directs the audience’s attention and acts as the viewer’s eyes. The cinematography highlights Casablanca as a dangerous place filled with deception.
Narrative is generally accepted as possessing two components: the story presented and the process of its telling. A story can be presented in two basic ways, as a linear narrative and as a non-linear narrative. Linear narratives follow a straight line and non-linear narratives usually start at in the middle or in the height of conflict. Casablanca and Memento are two films which contrast in narrative approaches.
Directed by Orson Welles, the 1941 motion picture “Citizen Kane” is the story of the rise and fall of a great, influential man. The opening scenes of “Citizen Kane” are quite different from what follows during the rest of the film. Fading in and out of different landscapes instilled mystery. This mysterious vibe was carried on during Charles Foster Kane’s death through the use of shadows, quiet music, and close up shots. Isolated in his vast empire of a home, Kane uttered only one word before he passed: “rosebud.”
The connection of shots in this scene portrays Hitchcock’s use of montage very well because of the sound, shots, point of view, and emotions that he creates. Hitchcock uses his images with excellent taste, especially in Rear Window, and this scene. First off, the sound that is in this scene is very interesting to me. There is music that plays the whole time while Jeff and Lisa are conversing and it is very soothing and relaxing. When the lady who owns the dog sees that her dog has been murdered, the music stops, shifts to a different song, and somewhat becomes faster paced.
City of God is Brazil’s most critically praised film of recent years. Based on the book of the same name by writer Paulo Lins, which in-turn was based on a true story. This essay will focus on the cinematography and cinematic conventions of the film and how sound and music plays a big role in the opening sequence, it will also focus on visual design and lighting in the film Synopsis City of God is a violent, fast-paced movie that tells the tale of the residents of this Brazilian slum. Events are seen through the eyes of a poor black youth who is too scared to become an outlaw but too smart to get saddled with an underpaid, menial job. He grows up in an extremely violent environment and watches as many of his peers are easily sucked into a
From the movie choice given, I have choose The Shawshank Redemption. This movie is a 1994 America film directed by Frank Darabont based on Stephen King’s short story “Rita Hayworth and Shawshank Redemption” The Shawshank Redemption is a well-written story that portrays patience, loyalty and hope. With amazing and interesting story and the characters it has make the film extra extraordinary, something that many other movies are lack of.