In Frank Romero 's painting "Going to the Olympics, 1914" I see a lot of different colors. There 's 5 cars and 5 hearts aligned with them. I also see palm trees and it looks like there 's fire around them. There is also different drawings on top of the Palm trees, such as a blimp, iron, stamp, etc. I think it was a very nice painting, with a lot of meaning. Based on the image, I think Romero might feel that cars are a very important thing to people, and that most people love their cars very much. The artist uses a lot of different colors, it makes sense because in Los angeles there is a lot of variety in anything; food, people, religion, culture, etc. In the painting, there is not only different colors, but there is also different types of
In the painting "Going to the Olympics, 1984" painted by Frank Romero, the author's feelings towards our car culture in Los Angeles is that everyone uses cars to get from one place to another, In the mural it shows this because there is a line
['Going to the Olympics'] is painted over in solid coats of Caltrans gray and judging by the paint, it looks like it was an official wipe-out. Located alongside the 101, they were important enough be conserved, but evidently the constant tagging made it too costly to consider restoring them yet again. " This shows he was not aware of Frank Romero painting being gone until he had arrived and was taking photos and it was missing. He describes what he had seen done to the mural from all the
He paints the cars the color of the olympic rings that being green, red, yellow, and blue and besides that these colors are vibrant and make the artwork pop. The mood the picture gives is uplifting and aftonishing because of the vibrant color the mural has. The colors is what makes it portrayed as a happy image because of the use of bright color and the lack of dull colors. Romero puts these cars so close to eachother to represent the traffic here in Los Angeles. In 1984 people saw Romero's artwork and were amazed by it and cared for it until 2001 were they began to care less for it.
In Frank Romero’s mural “Going to the Olympics,1984” he captures the audience attention by painting a mural on a highway wall with powerful symbols that represent the community and the artist itself. Romero includes symbols such as hearts, palm trees, cars, a blimp, flying iron, post stamps, a horse, and two man wrestling. Each of these symbols have a purpose have a significant meaning such that they are valuable to the community and Romero himself. The cars and hearts represent the love we have for cars in LA since many la residents use this as transportation to get to one around for others this can have a different meaning. The flying iron presented in the the top left represents a special honor to Buster Crabbe an olympices that later
The appealing factor of this paintings comes from its message and juxtaposition of colours and stroke
Throughout this semester as a class we have gone over many different terminology, seen many artists from all different countries and time periods. We have also learned about different kinds of art and media that the Artist work with. Over the entire semester I have gained a greater appreciation and understanding for art. Taking all of the new information that I learned this semester I choose three pieces of artwork from the St. Louis Art Museum. Two are similar to each other and the other is very different.
It embodies its beauty and its ugly, its replenishing deep and glowing symbols (Tibol, 75) His works describe the evolution of stages and use of different spirits. His purpose for creating this piece was to transform muralism in Mexico and changed the portrayal of authoritative figures. Overall, it was a socialist political message. His artistic style is important because many of the murals depict a Mexican landscape loaded with “political, cultural and historical imagery designed to hold the Mexican people into a new era of national pride.”
The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with
Manifest Destiny involved many groups of people, but six of the main categories are the mountain men, travellers on the Oregon Trail, pioneer women, cowboys, Native Americans, and the Miners, also known as the 49ers. The mountain men were men who lived in the Rocky Mountains, and made livings as trappers who sold goods such as beavers pelts to people back East and Europe. There were over 350,000 people on the trail, and most of which were families with children. This took place mainly in the 1840s and 1860s. A subgroup of the Oregon travellers were the Pioneer women.
Born in 1941 in Boyle Heights, Los Angeles, Frank Romero holds a special place amongst the many greats of the Hispanic community of the United States. Of Mexican heritage, Romero expressed an early aspiration for the work of art and was inspired to take the path towards becoming one of the most influential, instrumental and renowned artists of his time. Romero was closely attached to his rich Hispanic heritage and gained much inspiration from his culture and his surroundings of Los Angeles, a city bustling with millions of diverse, culture-rich backgrounds. As a painter and muralist, Romero was profoundly influenced by the Chicano population of Los Angeles in which he spent most of his lifetime living as a part of. His passion for art quickly
This setting affects the reader’s perception of this poem by using the cars’ hot metallic bodies and the full force of a hot, summer day to entice the reader to enter this steaming bygone era of cars and lust. The cars are symbolic of a black society that has been
It serves as a contrast between who Arnold is and who he is disguised as. The car symbolizes the fantasy and the reality aspect of Arnold. The new paint job on his car is used to symbolize Arnold’s fake disguise that he puts on to lure Connie in. Arnold’s car becomes a major example of his dark appearance and nature. The color of his car which is gold represents being flashy.
The narrator uses symbolism in many aspects of the story. The first and most noticeable symbols are the cars. Early on in the story we are told that the narrator drives his mother's Bel Air which
This piece of art confirms the power and the emotional state of everyone that was captured during this horrifying day for Spain. Francisco Goya paints a Spanish worker with his hands up just moments before he was massacred on the hill they call Principe Pio hill. This Spanish man speaks out for all those Spaniards who were murdered. His arms straight out on each said of his head represents Jesus Christ’s crucifixion. He wears a white shirt that represents an angel trying to prove his innocence.
The superb use of symbolism in this painting has added complexity to the painting that contains social criticism on politics, on politician, and on culture, resulting in different interpretations from different people. It is also because of this complexity and layering of meanings that makes this painting ever more interesting and much more than what meets the