Allusions In The Lovesong Of J Alfred Prufrock

An Allusion is a brief and indirect reference to a person, place, thing or idea of historical, cultural, literary or political significance. King relates himself to Apostle Paul who was a prophet that “ left his village of Tarsus and carried the Gospel of Jesus Christ to the far corners of the Greco- Roman world. ”(320) King mentions how he feels “...compelled to carry the gospel of freedom to places where it is needed...”(320) like Apostle Paul did with the “...gospel of Jesus Christ...”(320). King uses this allusion to help appeal to the eight evangelists.

However, before dissecting and analyzing the allegory used in Charlotte Temple, it is important to understand how allegory can be presented within a piece of literature. Gibbs, jr describes the view of allegory as, “A major focus of literary allegory is with human journeys in which people strive, and often struggle, to reach certain physical locations that are symbolically representative of abstract, sometimes religious or spiritual ideas” (Gibbs, Jr 15). Allegory is a literary device in which characters, settings, objects, and plots are used to reveal deeper meanings; writers are encouraged to convey themes and ideas in a more engaging and accessible way. Frank, Jr. describes allegory within characters as, “...characters and significant details are concrete and have a second meaning, that is, are symbols; and he will be told this is an allegory” (Frank, Jr.

Literary allusions are an author taking another's work and refrencing it in their own work. It is not that literary

The 1943 novel The Human Comedy alludes to The Odyssey in ways which are both big and obvious, and small and subtle, with each kind having it’s own perks. One does not have to read far into The Human Comedy to see the references and allusions It makes to The Odyssey. Things like Character names and settings make the transition to The Human Comedy with ease and readability. However, not all points in which The Human Comedy alludes to The Odyssey are so shallow. Things like the story’s obstacles and underlying theme for example, are more well hidden and require critical thinking to find, instead of just basic observational skills.

Furthermore, Ernest used allusions throughout the novel. Firstly, Gaines used metaphors numerous times in the novel. One instance a metaphor occurred was when Matthew Antoine was talking to Grant about teaching: “I told you what you should have done, but no, you want to stay. Well, you will believe me one day.

On March 23,1775 Patrick Henry convinced colonists to fight against Britain by using four rhetorical devices which were allusion, imagery, one-word sentences and rhetorical questions. He did this by reading his famous speech called “the Virgina Convention speech”. These four devices helped Patrick Henry convinced many people that were still not willing to go to war. Patrick Henry purpose for using allusion was to helped him connect with the listeners. “Listen to the song of the siren till she transforms us into beast.”

The play by Lorraine Hansberry , A Raisin In The Sun, utilizes the use of allusions in order to supply the reader with historical background. Allusions create emphasis in the play, this allows the reader to understand and appreciate the text. Within the small details of the play, the use of allusions deepen the contextual support of the text. While reading A Raisin In The Sun, various allusions appear throughout the play. These allusions reference the outside world, but also give emphasis on the importance of the piece of the text references.

Allusion is a literary device that purposefully references other works of literature in a story. There are four main types of allusion: religious, historical, literal, and mythological. This literary device is used by many authors, usually in the form of religious allusion. In older works of literature, religious allusion would usually refer to the Bible or some other form of Christianity. For example, a mix of religious and mythological allusion is quite prevalent in Frankenstein.

When a love story is told in a first-person perspective, it makes sense for the readers to expect an overly dramatic and emotional narrative. James Joyce’s “Araby” and T. S. Eliot’s “The Love Song of J. Alfred Prufrock” are both love experiences written in first-person perspectives. However, in “Araby”, the boy occasionally assumes a somewhat detached attitude in his narration and in “The Love Song of J. Alfred Prufrock”, Prufrock sings his love song in a dry, passive manner. When the boy in “Araby” explains about the name of the girl he fell in love with, he says “her name was like a summons to all my foolish blood” (2169). Although this statement might sound passionate, identifying his love-evoked reaction as foolishness and not providing the readers with the girl’s name expresses the boy’s current state of

Major Works Data Sheet In this column, choose five quotations from the text, one focusing on each of the following literary elements: In this column, analyze the significance of your quotations. Allow the following questions to guide your responses: Why is this important? What does this reveal? Why does the author say it this way?

Furthermore, alliteration is used to emphasize the woeful fate of Romeo and Juliet, “From forth the fatal loins of these two foes”. The repetitions of the “t” and “f” sounds highlight

She says, “If you are not truthful to the world about you and what you are, your art will stink of falsenesses”(154). Mme. C calls upon Jason to reveal Eliot Bolivar to the world. She means for him to realize that, unless he finds the strength and the courage to shed his developed false image, his poetry, the thing he cherishes most, the figurative encapsulation of Jason, will inevitably lose its value. His falseness, in a sense, plagues the beautiful realities of his poems, which are symbols for Jason’s self.

Besides the author and the reader, there is the ‘I’ of the lyrical hero or of the fictitious storyteller and the ‘you’ or ‘thou’ of the alleged addressee of dramatic monologues, supplications and epistles. Empson said that: „The machinations of ambiguity are among the very roots of poetry”(Surdulescu, Stefanescu, 30). The ambiguous intellectual attitude deconstructs both the heroic commitement to a cause in tragedy and the didactic confinement to a class in comedy; its unstable allegiance permits Keats’s exemplary poet (the „camelion poet”, more of an ideal projection than a description of Keats actual practice) to derive equal delight conceiving a lago or an Imogen. This perplexing situation is achieved through a histrionic strategy of „showing how”, rather than „telling about it” (Stefanescu, 173 ).

In T.S. Eliot’s work “The LoveSong of J. Alfred Prufrock”, he uses diction to give an underlying meaning and tone to his poem in order to express the downfall of a man. The author uses his diction to give this poem Its tone as if he regrets what he did in life. He also shows great tone changes in this work, giving this poem a dramatic, almost tragic outlook. Many of his word choices also give his work an underlying meaning and adds to his theme and messages. A large part of his poem is also using metaphors to add to this underlying meaning and give more force to this tone he is trying to create.

In William Shakespeare's play The Tragedy of Romeo and Juliet, the use of multiple literary devices makes the play interesting. Dramatic irony, which is when the audience knows more than the characters, occurs numerous times throughout the play and grabs the attention of the audience. Soliloquies, which are lengthy speeches by a character to project their thoughts and emotions to the audience, this allows the audience to be more attentive. Allusions are references by characters to well-known places, events from myths or other literature that cause the audience to be absorbed into the play. After reading this marvelous play, it is obvious that Shakespeare uses dramatic irony, allusions, and soliloquies all written in blank verse to grasp the undivided attention of the audience.