Analysis Of Citizen Kane

hurt with Chevy Chase, Rodney Dangerfield, and Bill Murray in the comedy Caddyshack, and see life from the eyes of mob henchmen, Tom Hanks, in the crime and gangster film Road to Perdition. American cinema has used Alfred Hitchcock to create fear for many years like it was displayed in the horror film Psycho, has allowed us to sing in dance with the cast in the musical Chicago, and check out, momentarily, from reality in many science fiction films. American cinema has taken us back in time as we rode horse-back with our western heroes John Wayne and Clint Eastwood or put on the badge with the brothers of the law in Tombstone. Some of the greatest impacts from the world of cinema have been from films that covered war.

Many films of the silent movie era are melodramas, which was a term used back then purely as a descriptive word to describe a movie and not a ‘negative’ term the way we use the term today. Chaplin’s film is a melodrama that invokes the emotions of his audience. Some elements of melodrama are present in Chaplin’s film The Gold Rush, the characteristics of a melodrama aid in analysing how melodramatic a silent movie is. An element of melodrama is, a situation - an occurring conflict in the film created by the screenwriter to evoke an intense emotional response from the viewers.

The films Inside Man and The Usual Suspects tell the complicated stories of criminals and cops. Inside Man follows the story of Detective Keith Frazier who is trying to take down Dalton Russell and his gang of Jewish criminals who are committing the "perfect robbery" at a New York City bank. The Usual Suspects follows Roger "Verbal" Kint as he is interrogated about a boat shooting by Detective Dave Kujan. Both of these films share similar themes such as revenge, power, deception, and corruption. Revenge is a large motivating factor in both of these films.

In Citizen Kane, directed by Orson Welles, a news reporter must uncover the mystery behind Charles Kane 's (Orson Welles) last words, "Rosebud". Kane, a wealthy man by inheritance, led a vapid life filled with materialistic desire and a hunger for power. When Kane 's newspaper doesn 't gain traction he implements a new way to catch the eyes of customers called, 'yellow journalism, ' using headlines to attract readers instead of meaningful content. This type of journalism at the time was used for swaying the public eye to push the agenda of whoever owned the paper. What I contrived from The Immigrant is how willing immigrants are to find a better

Orson Welles’ 1941 film noir Citizen Kane is an exploration of human condition and the effects on those who are closest to him through his pursuit of the Great American Dream. This is achieved by depicting widely upon the quest for happiness. He extends the life story of William Randolph Hearst, a non-fictional media tycoon and characterises Charles Foster Kane (Orson Welles) to imitate his life. The corrupting nature of power and wealth, unreliability of memory and isolation versus interventionalism are some of the universal concepts that Welles explores by crafting his feature film. Individuals in the society have faith in media thus they delegate their power so that they ACCURATELY inform them about events, incidents and news.

The play Macbeth by William Shakespeare and 1941 film Citizen Kane possess many similarities in themes and characters, despite the completely different settings and plots. Both main characters are ambitious and determined to achieve a goal, even to a certain point where they lose everything truly meaningful to them. While Macbeth strives to become king of Scotland, Charles Foster Kane attempts to become popular and influential. Both Macbeth and Citizen Kane desire to be powerful members of their respective societies and receive respect and recognition from their acquaintances. In both works, they acquired everything they thought they wanted, yet realised they could not have what they truly desired, essentially ending up with “nothing of value”.

The film 13th directed by Ava DuVernay targets an intended audience of the Media and the three branches of the United States government with an emphasis that mass incarceration is an extension of slavery. It is intended to inform viewers about the criminalization of African Americans and the United States prison boom. 13th uses rhetorical devices in its claim to persuade the viewers by using exemplum in the opening seconds of the film. President Barack Obama presents statistics, saying “the United States is home to 5% of the world’s population but is home to 25% of the world’s prisoners.” Also the film uses a hyperbole in talking about the movie Birth of a Nation produced in 1915 which portrays a black man as a violent savage who will kill white women.

The Film Citizen Kane was a groundbreaking film in the 1940’s, the way Orson Wells depicts his film with different lighting, cinematography, choice of camera shots and mise-en-scene throughout this movie truly showed the masterpiece that this film is. In the Film Citizen Kane, it was the first movie that went against true Hollywood cinema by introducing flashbacks throughout the movie to show us how Charles Foster Kane changes throughout the movie. Throughout this movie the audience can see how Charles Foster Kane undergoes a variety of physical and emotional changes from when he was just a young boy all the way until his unfortunate death. Power, that’s all that Kane wanted in the start of the film. In the beginning of the film Kane gets ownership of the struggling New York Daily Inquirer, Kane suggests that he wanted to use journalism to apply to the public and protect the interest of ordinary people.

(Citizen Kane, 1941) Kane’s parents used the power of money as an accessory for giving him away to a billionaire. Since that day, the protagonist went through a traumatizing experience, insecurity and redisposition due to his parents’ actions, which marked the beginning of his tortuous need, to be loved. This unreturned love created a sense of fear and mistrust to love something or someone, only to experience abandonment again was something Kane never got a chance to learn. Citizen Kane broke all the rules because of Welles, there were no

Directed by Orson Welles, the 1941 motion picture “Citizen Kane” is the story of the rise and fall of a great, influential man. The opening scenes of “Citizen Kane” are quite different from what follows during the rest of the film. Fading in and out of different landscapes instilled mystery. This mysterious vibe was carried on during Charles Foster Kane’s death through the use of shadows, quiet music, and close up shots. Isolated in his vast empire of a home, Kane uttered only one word before he passed: “rosebud.”

Citizen Kane challenged the traditional narrative and technical elements of classic Hollywood cinema mainly in the area of sound. Orson Welles was ahead of his time when he created his works of manipulating sound to transfer meaning in the film Citizen Kane. Welles used concealed hanging microphones to obtain different levels of sound throughout the film. The manner, in which the story was told, from Kane’s death flashbacked to his life of success and ultimate failure, was also a new style of storytelling for films. Welles also used symbolism with his last mumbling word “Rosebud.”

There are many things that make “Citizen Kane” considered as possibly one of the greatest films every made; to the eyes of the passive audience this film may not seem the most amazing, most people being accustomed to the classical Hollywood style, but to the audience with an eye for the complex, “Citizen Kane” breaks the traditional Hollywood mold and forges its own path for the better. Exposition is one of the most key features of a film, it’s meant introduce important characters and give the audience relevant details and and dutifully suppress knowledge in turn. “Citizen Kane” does not follow this Classic Hollywood style exposition, instead going above and beyond to open the film with revealing as little information as possible and confuse/intrigue

Citizen Kane by Orson Welles is a cinematic classic, released in 1941. Citizen Kane challenged traditional narrative and technical elements of classic Hollywood cinema. Kane was narrated by several people that include their take on Kane’s life. The story unfolds by many flashbacks and is told by different perspectives over the years through different narrations. Charles Foster Kane was a millionaire, head of newspapers and died saying “rosebud”.

Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life. The beginning of this build is founded on the black and white shooting choice which sets an ominous almost 'film noir ' lighting and feel of the opening scene of the castle in Xanadu. This where we see end of Kane 's life, but every aspect of the film 's narrative will revolve around these frames and including the questions of 'who has died '?, 'what was the significance of the snow globe? ', and 'Who is rosebud? '. The camera angle in the deathbed scene is deliberately shot from a low angle, which further implies the importance of the person lying in the bed as well as providing mystery as the viewer is not yet privy to whom has just

In this essay I will be comparing the themes and the narrative techniques used in both films. Starting off with the film “Citizen Kane” as mentioned it is a story of a millionaire, Charles Foster Kane. It begins with Kane’s death and speaks a single word: “Rosebud”. The reporters in the hunt to know