Dona Maria's Original Mole Recipe

After watching the video I felt very emotional and inspired by Susan’s work and passion about helping and serving women who were released from prison. I discovered how easy it is for people who have been released from prison to return to prison due to the lack of support and resources some people are able to receive. The fact the people who have drug or narcotic felonies are not able to receive food stamps or low-income housing stood out to me. This stood out because this rule is one factor of how people who have previously been incarcerated return back to prison. It surprised me how much a family member incarcerated effects a family and the impact it has on relationships.

The bright sounds of trumpets ring out, punctuating the sweet melodies of the violins. The guitarist steps forward and begins belting out the lyrics to a son, or traditional Mexican folksong. Meanwhile, a guitarron—a huge bass guitar—provides a steady rhythm, accented by the much smaller five-string vihuela. This is mariachi music! Mariachi music originated hundreds of years ago in colonial Mexico.

▸ How to MakeTamales: Tamales can be made from many ways. You can choose to have a dough from corn or potatoes, include only meat, vegetables, or both, and finally choose what you want it wrapped in, like leaves or husks. What you do decide to wrap it affects the flavor in the end. When the tamales are wrapped in cornhusks, they resemble tamales from Mexico, & are called

For the past five years, I have watched my amiable grandmother unconditionally care for my ailing grandfather. My grandfather was diagnosed with alzheimer's and dementia. At the earlier stages of his sickness, I remember visiting for Easter when I was much younger. My parents told my brothers and I that grandpa probably will not remember our names but to be patient with him. I did not think too much of it since, at that time, my grandpa seemed to be his normal self.

The colonials of New Spain brought animals such as horses, cattle, goats, sheep, chicken and pigs. Here Pilcher describes the importance of corn and wheat. He uses very descriptive to show Mexico’s elites love towards dishes based on wheat. He also discusses Mexico’s oldest documents of cookbooks, however, the Europeans heavily influenced them. Mole poblano turned out strangely similar to European cooking and wouldn’t have been considered from the

The character Esperanza in Esperanza Rising is a Mexican girl who is transitioning from rich to poor when her father dies and her uncles take over her home. She is forced to move to America as a laborer and faces many internal and external conflicts. Esperanza struggles with the sudden change in her social status as she is ripped away from her life of comfort and luxury. Because of her wealthy upbringing, Esperanza is inherently spoiled. Thus, her new environment is so much harder to cope with as she doesn't have the comforts she usually expects.

Nicolas Enriquez’s piece titled The Virgin of Guadalupe with the Four Apparitions depicts the Virgin mother Mary as she revealed herself to a newly transformed Christian Native named Juan Diego. This 1773 painting is a reproduction of the 1531believed arheiropoeita of Virgin Mary when she descends on Mount Tepeyac and tells Indian Juan Diego to go inform the bishop that a temple shall be built for her. The Virgin of Guadalupe is an iconic piece of Catholicism in Mexico and holds religious and cultural importance to both Spaniards and the Natives of Mexico, such as the Nahuatl. Enriquez’s painting has several deviations from the original arheiropoetia, such as different color choice and addition of Nahuatl symbols, which portrays his painting

The Myth of the Latin Woman: I Just Met a Girl Named María is an essay by Judith Ortiz Cofer that addresses the impact of stereotyping on Latino women. Throughout the essay, Cofer relates her personal experiences with stereotypes to discuss how they have negatively affected her life and the lives of other Latinas. She also explains how these stereotypes originated and calls on her audience, the majority-white non-Latino population, to stop propagating the stereotypical portrayals of Latino women. In The Myth of the Latin Woman, Cofer speaks out about how stereotyping hinders the process of assimilating to a new culture by appealing to ethos through her personal experiences, using similes that show how stereotypes create isolation, and adopting

In Maria Viramontes’ Under the Feet of Jesus Estrella is a confused, angry girl who is attempting to figure everything out. Estrella is unable to figure anything out without the help of Perfecto Flores, but with his help she is able to create some understanding about the importance of education and becomes less angry. Viramontes uses tone and figurative language to help show Estrella’s growth and development. The beginning of the passage has an angry tone.

Julia Alvarez introduces Trujillo's vanity and obsession with examples of what he was doing while she was growing up. Julia Alvarez explains in the text how Trujillo "Vanity knew no bounds. " In the text it states how, " his uniforms were trimmed with tassels and gold epaulettes and red sashes.... all of this in a tropical country where men wore guayaberas."

“The common denominator all Latinos have is that we want some respect. That 's what we 're all fighting for” - Cristina Saralegui. Judith Ortiz Cofer published the article, “The Myth of the Latin Woman,” where she expresses her anger towards stereotypes, inequality, and degradation of Latin Americans. Cofer explains the origins of these perceived views and proceeds to empower Latin American women to champion over them. Cofer establishes her credibility as a Latin American woman with personal anecdotes that emphasize her frustration of the unfair depiction of Latinos in society.

In the story, “The Myth of a Latin Woman” is about the author Judith Ortiz Cofer talking about her life and growing up as a Puerto Rican girl. She talks about the struggles she had to go through, like always being under heavy surveillance by her family. She would be under their watch because she was a girl and was expected to protect her family’s honor and to behave like in her family’s terms “proper senorita”. I agree that she was forced to mature fast just at her teenage years; a point that needs emphasizing since so many people believe Cofer could never act her age.

Generalizations take after specific individuals for the duration of their lives. Judith Ortiz Cofer is a Latina who has been stereotyped and she delineates this in her article, "The myth of the Latin lady: I just met a young lady named Maria. " Cofer depicts how pernicious generalizations can really be. Perusers can understand Cofer 's message through the numerous explanatory interests she employments.

There are many symbols in A Raisin in the Sun worth describing, but one that particularly stands out is Mama’s plant. It is old and barely a substantial piece of nature, yet it makes many vital appearances in the play. The small plant seems to personify Mama’s stubborn nature in its intent on survival despite its close to death appearance. It also represents Mama’s dream that seems close to being crushed, yet never dies. As a whole, the plant is an extension of Mama’s character and an important symbol in the play.

“The Myth of the Latin Woman: I Just Met a Girl Named María” by Judith Ortiz Cofer and “Mother Tongue” by Amy Tan depict the endeavors people take on in an attempt to integrate into society. Cofer demonstrates how stereotypes of Latina women have led others to misjudge her and explains the difficulty she had disassociating herself from those stereotypes. Tan demonstrates that the “broken” English her mother speaks has led others to think less of her and disregard her. One’s appearance instantaneously causes others to judge them. For some it is easier to blend in and be accepted by their community, but what is it that keeps some people from assimilating, and what effect does their otherness have on them?