First Romanesque Essays

The Romanesque and Gothic style of architecture have made great impact in today’s architecture. Romanesque architecture was developed in the 12th century. The Romanesque architecture was influenced by the Byzantine and Roman styles. It had the characteristics of round arches, thick walls and pillars supported by the weight of the stone buildings and vaults. The theme of the churches interior was referred to Christianity. Many architects were employed to create impressive settings to represent Christianity

Introduction Romanesque architecture started around 1000 to 1200 AD around the middle ages, extending from the decline of the Roman Empire until the begging of gothic architecture. It is one of the most influenced styles of architecture but also one of the most hard to characterize. Unlike other styles it developed independently in diverse locations such as Italy, Spain, England and France. Its characteristics come from the ancient roman architecture that developed into bigger prettier and more

Architecture was the first movement to emerge from the Gothic era. The very first building to display Gothic features was Saint Denis in Paris renovated by Abbot Suger. He wanted his church to be a physical representation of Jerusalem filled with light and colour, and so, in 1140, Suger started to renovate his church. He started by enlarging the ambulatory, which is a walkway behind the altar, and replaced the rounded arches from the Romanesque style with pointed, angular arches. However, the first truly gothic

The North Rose window at Chartres Cathedral is considered as superior of all the major rose windows at the Northern France cathedrals along with the Lunette windows by the North opening. However, during 2007, the south end of the South Rose and Lancet Windows transept was wrapped in scaffolding for a large scale remodelling. The Passion window done in 1100s depicts the Transfiguration, The coming down from Mount Tabor with the three followers, the last supper and Jesus washing the Apostles’ Feet

Ravenna and Gaul, but only in the Romanesque period that the technique of this art is fixed and that its use is widespread. The first stained glass came from Germany (Lorsch in Hesse and Magdeburg) and appear to date from the tenth century. At about the same time, there were windows in Champagne and Burgundy. From 1100, begins a prosperous period for the stained glass. The first workshops moved to Chartres. Then Abbot Suger endows the Saint-Denis basilica, the first Gothic building, with a stained

transitioned from Romanesque architecture, the gathering space unified into a wholesome space Built on the ruins of two earlier churches, Notre-Dame lies

In this analysis I will discuss how the Victorian Gothic style of St. Pancras Station was developed as a result of innovative engineering. St. Pancras Station revolutionized structure, material, and texture as these features were described by some “tasteless travesty”. As it was appreciated for its Victorian Gothic style it was admired for its material choice of iron and glass. William Henry Barlow designed St. Pancras to compete with other stations such as St. Paul’s and Marylebone in the late 1870’s

I will be explaining what changes occurred during the Medieval times in Europe. The first castle was called motte and bailey and was introduced to England by The Normans from France, when they invaded the country in 1066 it is believed that as many as 1000 Motte and Bailey Castles were built in England by the Normans. In the Motte and Bailey the most important thing was the keep, it was built on a huge mound. Mottes ranges from 25 feet to over 80 feet in height. On the sides of the motte were

This essay will explore the significance of didactic design in the Early Christian (ca 300- 600) and Romanesque ( circa 800-1200 ) periods, as well as how their designs influenced and contribute to modern product design. Four designs from the Early Christian and Romanesque time periods will be discussed: The Apse in St Martin at Fuentidueña in Spain, the stained glass window known as Notre Dame de la Belle Verrière in Chartres Cathedral France, the Plate of Paternus and an Early Christian ring.

“Songs of all songs” Raphael maintained harmony and balance, looking at life through harmonic relationships. Stanza Della Segnatura represented four general themes , The Dispute (Theology), The school Athens (Philosophy), Mount Parnnasus (Poetry) and Jurisprudence (Justice). The over all aspect of the stanza Della Segnatura demonstrates the features of simplicity, clarity and balance. b) Who are the two central figures represented in Raphael's Schol of Athens, and what aspects of philosophy does

its art survived and continued along with the influences of the Carolingian, Ottonian, Byzantine, and other local Germanic traditions that preceded but made up what we call the Romanesque art of the 1000-1200 A.D. This, likewise, preceded and influenced Gothic art which later emerged at the edge of the 13th century. Romanesque art mostly revolved around characters and stories taken from the Bible or religious teachings since this type of art started in monasteries and churches. And, because of the

The works of art have been used for a long time in the society to communicate different ideas, more during the medieval time. Today, they remain significant to remind the people about some of the important memories and experiences of the past. In this precept, the Gothic cathedrals are made beautifully fine, something that has been said to bring the experience of heaven on earth. Just as many people know, heaven is awesome and beautiful. Gothic arts are associated with the architectural works, which

• The historical importance of the phrase simony is that it is a practice in which bishops sold positions in the Church. • The historical significance of the word Gothic is that it is a new style of architecture that evolved throughout Medieval Europe. Gothic architecture had vaults that supported the roof 's weight, buttresses that transferred weight to exterior walls, pointed arches that framed glass stained windows, and tall spires that seemed to be pointing to heaven. • The historical importance

Gothic architecture began primarily in France where French architects where inspired by the pointed arches of the Moorish architecture. This era lasted from the 12th to the 15th century. It was succeeded by renaissance architecture. This style appears again with the gothic revival in the 18th century. Gothic architecture can easily be recognized for its pointed and ribbed arches, flying buttresses, stained windows and fascinating sculptures. These structures are some of the tallest in the whole of

Early Netherlandish painter, Robert Campin, active during the 15th and 16th century was one of the few to introduced a new painting style to the Italian Renaissance Era. Although Campin belongs to the Northern Renaissance era, he still carried elements of Late Gothic. Therefore, Campin was greatly influenced by the International Gothic movement. The Gothic movement, which was introduced by the French includes a saturation of biblical scenes, Illumnatied religious manuscripts, and very detailed portraiture

Medieval Cathedral Architecture The Romanesque style was used from the tenth century to the twelfth century. The style was plain and often dimly lit in comparison to the open and intricate designs of the gothic style. Romanesque cathedrals had thick walls to hold up the heavy roof. This caused there to be few windows and narrow passageways. As a result of the lack of windows, torches were used to light the building. The change in style from Romanesque to Gothic took place in the early thirteenth

figures being involved in the entrances of their cathedrals. According to Penelope J.E Davies 's Janson 's History of Art, "Tall figures attached to columns flanked the doorways of both churches. Figures had apperead on the jambs or trumeaux of Romanesque portals, but they were relieds carved from the masonry of the doorway" (Davies et al. 395). The text exemplifies that cathedrals have amazing entrances to appeal

As described by Edd Morris, “Gothic architecture marked the first time that beauty and aesthetic values had been incorporated into building design". Builders wanted to see who could construct the better, more decorative building and all for the prestige of the Christian region. This is where the pride toward religion

was completed in 1385. The architect was Arnolfo di Cambio, who designed the church in a gothic style (Santa Croce). The gothic exterior of the church is different from its interior renaissance design. The church itself is considered a masterpiece of the gothic architecture. The church is very grand, and has a vertical and soaring elevation. The church is based of basilica design, and is shaped as Egyptian cross, which divides into three naves (Santa Croce). The shape of this church is different

The iconic Seagram Building stands 515 feet tall with 38 stories and was completed in 1958. Since its construction, it has remained one of the finest examples of the functionalist aesthetic and corporate modernism. Designed by German architect Ludwig Mies van der Rohe, the style of the Seagram Building has had a pivotal influence on American architecture. The style argued that the functional utility of the building’s structural elements when made visible, could supercede the formal decorative; and