The beginning scene that opens Robert Altman’s of The Player is unusual in the fact that it is a long continuous shot opposed to numerous shots making up one scene. This 8-minute sequence shot features many different camera angles and shots that all flow from one to another. In this single long take, as the camera moves through the parking lot of a Hollywood studio, it follows numerous people engaging in conversation. It is also designed to introduce the people who work on the lot and setup the film’s plot.
It is immediately known that the film itself is set on a film set when the first thing heard is presumably a director saying “quiet on the set!” as well as an actual picture of a set. The next thing that is shown is a clapperboard, signaling the start of a scene. A girl answers a phone and the camera pans downwards and slowly does a backwards dolly out of the office. The camera continues into the air as it rises and pans left, using a crane shot to reveal the entire studio parking lot. The camera pans right into a tracking shot of a car from a distance as it pulls up and parks. A man exits the car and begins talking with another man as the camera follows their conversation until they get into an office building then it follows another conversation between two other men.
The characters are
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The theme of Hollywood’s deconstruction is shown by how everyone is driven by success and profit. There are multiple pitches, financing issues, assistants running around, top executives arriving in cars, and just the commotion happening in Hollywood studios. There is also a couple of conversations that happen where the actors mock the style of heavily edited film footage but also as a joke mention other films that have long sequence shots such as the opening shot of Touch of Evil, which was six and a half minutes
The opening keyframe from MotivationHub’s bricolage of Matthew McConaughey’s speeches and interviews freezes on an image of McConaughey with the caption “Why don’t they teach this in every school?” Toward the end of the video, he claims that we are more likely to remember what we earn, not what teachers have told us. This question and reference to education allude to the primary, underlying message interwoven into the compilation: To be free, you need to reject conventional wisdom, and listen to yourself. McConaughey’s animated delivery engages the audience with a highly informal style that conveys his message both by using different forms of repetition throughout the entire video and by relying on a folksy and energetic persona that reflects
I chose to analyze the first 6 seconds approximately which I think recapitulate the Wes Anderson thinking about the cinema. Within these 6 minutes, Anderson introduces the characters to us, briefly tells their past life, clears characters’s goals and unites it to the further part of the movie. As audience, we can understand what we can expect from the movie after this 6 minutes establishing. The movies starts with the production studio’s logos and etc. Then we see the narrator opens a book called “The Royal Tenenbaums”.
Camera movement and angles are what captivate the audience to keep their attention throughout the entirety of the whole film. Sometimes a simple camera movement can make all the difference in the
The 2014 horror film, The Babadook, directed by Jennifer Kent can be representative of the issues discussed in Susan Wendell’s essay, The Social Construction of Disability. Within the film, the mistreatment of a grieving mother, Amelia, and her son, Samuel, can be seen by those around them. One scene in particular highlights this issue. The scene opens with a group of kids watching a mime perform at a birthday party, while Samuel is an outcast to a treehouse away from the rest of the group. Amelia and her sister Claire sit on a bench and converse about Amelia’s dead husband, Oscar, while Claire’s daughter climbs up the treehouse and finds Samuel curled up in a corner alone.
Exit through the gift shop is a film based on the innovation of street art in the art world which is by a street artist called Banksy (Mikkelsen 2010). In the movie, the story is focused on a French immigrant called Thierry Guetta who is the main protagonist who had an obsession with filming and street art, in Los Angeles. The film graphs Guetta 's consistent filming of his each waking minute on film which served as a junction with many street artists Shepard Fairey and Banksy himself. The film that Thierry Guetta was working on towards was taken over by Banksy after noticing Guetta’s attempt on a short documentary called ‘Life Remote Control’ where he was unable to edit a proper documentary (Preece 2010) This essay will endeavor to reveal insight into how through a precisely refined structure, with a conventional yet innovative style, and through a mixture of genres, Banksy makes utilization of the documentary to lift up and study street art and contemporary workmanship as a rule.
In Sunset Boulevard (Wilder 1950), the space of mise-en-scene is used to ‘guide the audience 's attention across the screen, shaping the sense of the space that is represented and emphasising certain parts of it ' (Bordwell 2001, p.176). For instance, when Joe Gillis is escaping the repo men at the beginning of the clip, the main focus is the speeding cars coming from the background to the foreground of the shot. Another notable scene is when Norma Desmond 's character lifts the rug and the chimpanzee 's arm flings out and swings back and forth, it instantly captures the audience 's attention. This is done because ‘moving items draw the audience 's attention more quickly than a static item does ' (Bordwell 2001, p.176). This method of presenting action corresponds with the structure of classical Hollywood as it was ‘designed for on-screen events to
Similarly, the cinematography of Casablanca also strives to shape the viewer’s attention to the time and space of the story. The film employs a handheld movement of the camera in certain instances, to display the mise-en-scene in a genuine manner that emphasizes the setting and time of the movie. For example, evaluate the scene in the film when the camera sought to illustrate the workings of Rick’s establishment. The handheld movement of the camera explores the club in a manner that brings the viewer’s attention to the viewpoint camera. The point of view of the camera, at this point of the movie, demonstrating a human experience of observation, and fixates on investigating war uniforms of characters and their actions.
Cinematography, is the art of making motion pictures, and mise-en-scene, the settings or surroundings of an event or an action, go hand in hand in the film Fruitvale Station. Since this film is based on an actual incident that took place at the Fruitvale Station, where an officer shot and killed Oscar Grant, you know how the situation is going to end, but the cinematography is extraordinary and keeps you engaged the entire time while addressing issues of race, class, and identity in one film. The opening scene of the film is footage of the shooting shot by a passenger on one of the trains at the Fruitvale Station. The actual footage shown does not show how the film ends, with Oscar getting shot, but it leads up to it.
Structure in narrative film can be thought of as the arrangement of scenes and sequences, however deconstructing sequences and re-ordering them can create a whole new theme and mood in a films sequence. Phillips, (2005). Casablanca’s narrative plot has a beginning, middle and an end. It has a certain symmetry about it and follows a set of norms and conventions. For a viewer, Casablanca is easy to understand and it simply tells a story that is not ambiguous.
But it takes a short time for people to realize that prosperity may never happen, even after all their hard work and efforts. Hollywood is a dumping ground for failed dreams, and thus becomes a new destination for already failed dreamers looking to destroy
In the book Ready Player One, a character by the name of James Halliday created a virtual reality game known as the OASIS. Halliday makes references to various eighties arcade games. His obsession with the eighties and nineties is what made Halliday stuck in the past. While eighties and nineties games are indeed incredible and helped to set the blueprints of the video games of today, Halliday seems to neglect the influential titles of the modern age. There are no references to modern video games within Ready Player One.
Even though, as the two start to find success in their careers their relationship starts to take a downwards spiral. The film story and location is set in a modern-day musical that is set in Los Angeles. The film was shot on location in many scenes and shot on the Warner Bros. Studios. Chazelle states it’s an homage to musicals of the 1950’s and the pictures of Fred Astaire and Ginger Rogers. The film uses a wide range of vintage type of film making from the use of film reels rather than digital film, to the use of cinemascope and widescreen, and the use of filming in actual locations and time.
Whoever directed the cameras did an excellent job of placing them in a particular spot at the proper places during the movie. It helped the audience see and hear each and every detail of the film. For example when Matt Damon made an appearance during the story as a lawyer making a reference to Good Will Hunting another one of Gus Van Sant brilliantly directed movies. The camera angles were placed so well in the film that it gave a dramatic effect such as when Jamal had to type the papers you could see every letter and hear every key. When you watch a movie, you should feel like it is happening right before your eyes like you are part of the move.
When it comes to the photograph of the same studio, it
The Hollywood institution has been the dominant force throughout motion picture history due to the studios’ cooperative control of distribution as well as production. During the 1930’s, five major studios that became known as The Big-Five and