Gothic Architecture Research Paper

Beginning in 1420, Filippo Brunelleschi, an Italian Renaissance goldsmith and architect, commenced construction of a dome almost 150 feet across and 180 feet above the ground for the cathedral Santa Maria del Fiore in Florence, Italy. After 16 years, the dome was completed. The intriguing part of this particular production was the fact that an architectural work like this had not yet been accomplished. It was through Brunelleschi’s genius and scientifically active mind that he created one of the greatest architectural structures of all time.

The north side of the Tower was designed with huge brass door depicted from the book of Genesis, starting with the creation until the first perfect couple were banished from the Garden of Eden. The masterpiece of the iron gates towards the tower was created with wings and exotic zoomorphic pieces that included wings and wing-like art forms. The Tower also has a sundial fixated on it, made from bronze and molded into a snake. As the sun moves from east to west it presents time on the 12 zodiac symbols used to mark the hour. The tower was designed at to be capture by the pond in it’s entirely through its reflection.

Every color had an emotional connection, as did the size and design of architecture. Buildings were reaching out of Romanesque and into Gothic style, going from compartmentalized and dark, to letting in light and being open. The first example of this is the Rayonnet style, which emphasized the letting of light, and means, “to shine.” The open corridor was a sense of harmony, and the invention of the flying buttress allowed the Chartres Cathedral to have the open flowing and harmonious design it has today. The flying buttress was a support piece that kept the architecture from falling inward due to lateral thrust from the wall.

The building was 200 ft tall, and the façade was excessively ornamented in a beautiful way, and in a mixture of different styles including Gothic, Baroque, Churrigueresque to illustrate the appearance of a Spanish Colonial church. The facade was made of stone, and it did not include usual ornamentation, but sculpted historical figures of remarkable and significant people mostly were

Critical analysis of the Pantheon. The pantheon is a nearly 2000-year-old roman temple that still inspires architects and artist alike. The structure was originally built in c. 27 BCE and dedicated by Marcus Agrippa. Comprised of a 142ft wide 142ft tall rotunda under a coffered concrete dome connected to a Greek style porch.

This concept helped pave the way for the Renaissance artist in the 15th century, such as Da Vinci and Michelangelo. He also designed great pieces of architecture, such as the Basilica of San Lorenzo and Ospedale Degli Innocenti. Filippo Brunelleschi reinvented linear perspective which had a huge impact on architectural drawings. It became a widespread concept at the time.

Edgar Allan Poe is one of the most influential writer of all time, as he was one of the first writers to explore darker themes through literature such as death and revenge. He has revolutionized the gothic genre for years to come. Throughout the many gothic works of Edgar Allan Poe including, The Raven, The Cask of Amontillado, and many more; Poe gives a unsettling tone which defines most of his writing. Poe tries to do this through incorporating specific literary techniques like erie imagery and cryptic diction.

The term “Gothic” in literature was first used to describe medieval architecture, characterized by its grandeur and use of intricate stone carvings. Later, it came

The Pantheon and Brunelleschi 's Dome in Florence both share a common idea of the dome in ancient history. They were built and different times, the Pantheon and Brunelleschi 's Dome differ in both design and architecture. This paper is going to analyze the Pantheon in Rome and Brunelleschi 's Dome in terms of their constructional and design techniques, and their historical circumstances of the construction of them both. The Pantheon is one of the remaining and properly maintained buildings of the first century.

Similarly, the Parthenon and Pantheon were high rising buildings which are typical of a classical

The Gothic Influence Although the word “Gothic” is often associated with supernatural creatures or haunted, abandoned places, the word actually originates from an elaborate style of architecture. The reason that the word “Gothic” has become associated with these ideas of horror and death is because the architecture was thought of the ideal place for mysterious, suspenseful, and dark stories to occur. These types of stories became known as the Gothic genre. The Gothic literary genre often includes elements of fear, death, and strong emotions, and is set in set in a dark or mysterious place.

The Gothic tradition originated in response to a period of rapid and far-reaching societal, cultural, and theological change in eighteenth-century Europen. herently linked to the social context in which they were created, and a great deal of critical commentary focuses on the representation of societal and cultural fear in the face of the dissolution of tradition, gender roles, oppression, and race in Gothic literature. it saids in the lesson 1 of gothic literature Castle of Otranto it describes Gothic consistently throughout a work. For example, in gothic texts, we will often encounter themes of marriage and courtship, the supernatural and unexplainable, and the persecuted woman.

The term gothic came into use in post-medieval times when the work of the Middle Ages men considered being crude & barbaric. I believe that this term was given to this style due to its structure; huge stone walls with pointed arches & gargoyles for example as mentioned by Jonathan Glancey, an architectural critic who worked as the architecture and design editor at ‘The Guardian’ in his book ‘Architecture: Eyewitness Companion Guide’, “High above the naves of these ship-like structures, and often well out of range of the human eye, we find expertly carved angels, demons, fronds, and finials: nothing was too good for the all-seeing eye of the heavenly

Introduction Romanesque architecture started around 1000 to 1200 AD around the middle ages, extending from the decline of the Roman Empire until the begging of gothic architecture. It is one of the most influenced styles of architecture but also one of the most hard to characterize. Unlike other styles it developed independently in diverse locations such as Italy, Spain, England and France. Its characteristics come from the ancient roman architecture that developed into bigger prettier and more complex constructions. However, there are different views in where it spread first as well as where it got more influence from.

Gottfried Semper was a major figure in the field of Interior designing. He was an architect and an art critic who contributed majorly to the study of interiors .He proposed his ideas and thoughts in his book, “Four elements of architecture”, in the year 1952 and it was a huge success. In his book, he developed the theory that origin of architecture could be dated back to the primitive era when human civilization was at its peak. As compared to the modern ideology that architecture consists of structures made from materials, his theory revolved around the four main elements of the primitive era that were essential to human life.