I have always viewed movies as mood boosters. Whenever I watch a movie, I judge how good it is according to how well I understand the story. This is why I never truly understand how critics rate movies. However, upon reading John Berger’s “Ev’ry Time We Say Goodbye”, I start to understand how paying attention to the different components of a film helps in understanding the essence of a story. As Berger once said, “There is no film that does not partake of dream. And the great films are dreams that reveal” (Berger 478). Reading these words instantly prompts me to reexamine the highly acclaimed musical, La La Land. The music, editing, and storyline clearly justify what Berger meant by a movie’s ability to transport us into the unknown whilst …show more content…
This is similar to the way theatre uses music as “a sense of ritual return” (Berger 475). In La La Land, the score weaves each scene together and accompanies me through every step of the story. Each song is either repeated or slightly altered and this reprise of the score constantly reminds me that I am still residing in the fantasies of La La Land. Additionally, the tendency of using xylophones as the main instrument accompanying the songs allows me to feel as if I am part of a dream. For example, during the scene when Mia is driving down the street after rehearsing for her play, the song City of Stars plays in the background with a slightly slower rhythm using xylophones. This alternative version of the song sounds like a lullaby, which reflects the dreamy state Mia is in while thinking about her career and relationship with Sebastian, who is always on tour. Mia’s misery is thrown back to me and I can feel myself slowly start to feel sad. The music not only reminds me of the illusory world of La La Land, but also creates an emotional intimacy between me and the characters of the film. This reinforces the idea of how La La Land transports me to their world. Hence, the score used clearly suggests how global refuge is offered in La La
The theater tries to replicate the feeling of being in a state of dreaming. (Groen, 2002, Para.7). The state of dreaming makes the movie you are viewing very personal (Groen, 2002, Para. 7). Groen notes that the automobile and motion picture have a shared history.
With fast-paced action and suspense, Richard Connell begets an electrifying mood to tell an enduring
Most of the music in the movie was Selena’s music, and the movie uses it to progress the story since it is about Selena’s life and career. Background music throughout the film is also used to set the tone of the scene while people are speaking. There are a lot of scenes where music is prominent because they show a lot of Selena’s performances, but two of the most memorable scenes for me were Selena’s concert in
Sound is very important in this film because of lot of sound is edited to fit in certain spots including music. During the activist movement, we can clearly hear the hurt in these people voices. Riots, shouting and clapping were all heard in most of the shots along with a voice in the background explaining exactly what is going on. Music was edited into some of the scenes to help give more of a scary or haunted approach. There was also sounds that were in scenes which sounded like someone or something huge is about to take place.
In this point of my analysis, I deal with the scene that one could argue most enriches the main subject of the story, namely hope. In this scene that is created by Darabont, Andy, who is at Norton 's office to receive some used books and sundries for the prison 's library, locks the guard in the bathroom and then starts playing a recording of ‘Canzonettasull 'aria’ from the opera The Marriage of Figaro. As Verstraten argues, filmmakers use music as narrative tool(153) that not only challenges the audience 's emotions but also carries the theme of the movie. In this scene the music is intradiegetic since Andy connects the public speaker system to the record player so that all of the prisoners can hear the music. In her book Music in American Crime Prevention and Punishment, Lily Hirsch explains that this scene “also highlights another utopia musical ascription related to the contested idea that music is a universal language” since all the prisoners are feeling connected, enjoying the music while hope is revived within their
Watkins’ chooses the literary device of foreshadowing at the start of this selection to emphasize his dissatisfaction on the trip and to provoke an emotional response from readers. To foreshadow is to warn or indicate an event. In this case, Watkins’ uses this tool to indicate the trip as melancholy. At the start of the trip where they set out from Culver City southwest of Los Angeles, where they were covering the 1970 auction of MGM’s, Watkins recalls that “(a genuine wake in the land of celluloid dreams; perhaps it should have told [him] something)” (Watkins 28).
Let it go. That is what a lot characters in films have to do when losing loved ones. Death scenes are common in many types of films. This paper will rhetorically analyze and compare the director’s choices of film elements appeal to their audience’s ethos, pathos, and logos in Frozen (2013) and The Snow Queen (2012). One scene where the directors make some similar yet also very different choices in film elements is the scene where both of the sibling’s parents die.
Ultimately, the book and movie’s ending scene give a message that display new knowledge arising, but the book leaves the reader’s mind turning with questions and contemplating the
It had been utter silence for what felt like an eternity as the inhuman Santa Anna’s forces prepared for an all out attack. That was when the music started. It’s eeriness echoes through the land even now as it slowly gets more intense. One of the Tejanos looked extremely shaken and shared how it was known as El Deguello and it was played to let the enemy know they were about to be slaughtered. Everything is chaos now as my fellow defenders panic and pray to their gods.
In “Aesthetic of Astonishment” essay, Gunning argues how people first saw cinema, and how they are amazed with the moving picture for the first time, and were not only amazed by the technological aspect, but also the experience of how the introduction of movies have changed the way people perceive the reality in a completely different way. Gunning states that “The astonishment derives from a magical metamorphosis rather than a seamless reproduction of reality”(118). He uses the myth of how the sacred audience run out the theater in terror when they first saw the Lumiere Brother Arrival of the train. However, Gunning does not really care how hysterical their reaction is, even saying that he have doubts on what actually happened that day, as for him it the significance lied on the incidence--that is, the triggering of the audience’s reaction and its subsequence results, and not the actual reactions and their extent. It is this incident, due to the confusion of the audience’s cognition caused by new technology, that serves as a significant milestone in film history which triggered in the industry and the fascination with film, which to this day allows cinema to manipulate and
In conclusion, the modern-day motion picture La La Land has achieved success in a variety of ways like winning a variety of awards for its efforts, either from the cinematography and directing, to the acting and vintages ways of shooting the film. One can see how a modern-day musical can achieve such success with going back to basics and learning from the golden age of Hollywood to make such a wonderful
Through out the documentary, different scenes have background music that connects to what is happening. One example was a scene where Caroline is baking treats. Music was placed over top of the baking scene and was depicted as sweet, creating the vibe and sense of joy and innocence. The music placed in a cooking scene gave the impression of innocence and kindness that leads to having Caroline Grills, being kind hearted just as the music portrayed her to be. By including the joyful sweet music with Caroline’s case study; the composer has made sure that this is how the audience will sense both Caroline and her case, guiltless and kind hearted.
Sunday Sunday is a fascinating song whose subtext is interesting in that, on the surface, Sondheim’s lyrics in Sunday use color, shapes, and other such visual descriptions simply to hearken to the painting Seurat is creating. Yet Sondheim used these lyrics to convey the emotions of the characters, just as Georges Seurat used them in his painting, A Sunday Afternoon on the Island of La Grande Jatte. Instead of directly describing feelings, Sondheim relays them in an Impressionist manner, giving the audience bits and pieces of emotions to create an impression for themselves. The audience is urged to “pass through [their] perfect park/ Pausing on a Sunday” in order to create a point of emotional release where they may stay “By the cool blue triangular water”.
He writes about this film. This film makes the music speak, and it speaks all the better because this music has been associated arbitrarily with the image. We are far from the illustratition music. It is the material
Lover Beloved Play Review Assignment In this article, I will be describing three important elements of a play called Lover Beloved presented by Suzanne Vega, who interpreted Carson McCullers -A great American writer-. McCullers was born in Columbus Georgia in 1917 and died in New York, at the age of fifty. Furthermore, McCullers was very well know for her novels, such as, Reflection of a Golden Eye and The Ballad of the Sad Cafe. She also, had a Broadway adaptation of The Member of the Wedding. Actress and singer.